The judge then addressed himself to me, who little expected to pass this fiery trial. I confessed I had indulged myself very freely with wine and women in my youth, but had never done an injury to any man living, nor avoided an opportunity of doing good; that I pretended to very little virtue more than general philanthropy and private friendship. I was proceeding, when Minos bade me enter the gate, and not indulge myself with trumpeting forth my virtues. I accordingly passed forward with my lovely companion, and, embracing her with vast eagerness, but spiritual innocence, she returned my embrace in the same manner, and we both congratulated ourselves on our arrival in this happy region, whose beauty no painting of the imagination can describe.
CHAPTER VIII
The adventures which the author met on his first entrance
into Elysium.
We pursued our way through a delicious grove of orange-trees, where I saw infinite numbers of spirits, every one of whom I knew, and was known by them (for spirits here know one another by intuition). I presently met a little daughter whom I had lost several years before. Good gods! what words can describe the raptures, the melting passionate tenderness, with which we kissed each other, continuing in our embrace, with the most ecstatic joy, a space which, if time had been measured here as on earth, could not be less than half a year.
The first spirit with whom I entered into discourse was the famous Leonidas of Sparta. I acquainted him with the honors which had been done him by a celebrated poet of our nation; to which he answered he was very much obliged to him. We were presently afterwards entertained with the most delicious voice I had ever heard, accompanied by a violin, equal to Signior Piantinida. I presently discovered the musician and songster to be Orpheus and Sappho.
Old Homer was present at this concert (if I may so call it), and Madam Dacier sat in his lap. He asked much after Mr. Pope, and said he was very desirous of seeing him; for that he had read his Iliad in his translation with almost as much delight as he believed he had given others in the original. I had the curiosity to inquire whether he had really writ that poem in detached pieces, and sung it about as ballads all over Greece, according to the report which went of him. He smiled at my question, and asked me whether there appeared any connection in the poem; for if there did he thought I might answer myself. I then importuned him to acquaint me in which of the cities which contended for the honor of his birth he was really born? To which he answered, “Upon my soul I can’t tell.”
Virgil then came up to me, with Mr. Addison under his arm. “Well, sir,” said he, “how many translations have these few last years produced of my Aeneid?” I told him I believed several, but I could not possibly remember; for that I had never read any but Dr. Trapp’s. “Ay,” said he, “that is a curious piece indeed!” I then acquainted him with the discovery made by Mr. Warburton of the Elusinian mysteries couched in his sixth book. “What mysteries?” said Mr. Addison. “The Elusinian,” answered Virgil, “which I have disclosed in my sixth book.” “How!” replied Addison. “You never mentioned a word of any such mysteries to me in all our acquaintance.” “I thought it was unnecessary,” cried the other, “to a man of your infinite learning: besides, you always told me you perfectly understood my meaning.” Upon this I thought the critic looked a little out of countenance, and turned aside to a very merry spirit, one Dick Steele, who embraced him, and told him he had been the greatest man upon earth; that he readily resigned up all the merit of his own works to him. Upon which Addison gave him a gracious smile, and, clapping him on the back with much solemnity, cried out, “Well said, Dick!”
I then observed Shakespeare standing between Betterton and Booth, and deciding a difference between those two great actors concerning the placing an accent in one of his lines: this was disputed on both sides with a warmth which surprised me in Elysium, till I discovered by intuition that every soul retained its principal characteristic, being, indeed, its very essence. The line was that celebrated one in Othello—
PUT OUT THE LIGHT, AND THEN PUT OUT THE LIGHT. according to Betterton. Mr. Booth contended to have it thus:—