To render his relation agreeable to the man of sense, it is therefore necessary that the voyager should possess several eminent and rare talents; so rare indeed, that it is almost wonderful to see them ever united in the same person.
And if all these talents must concur in the relator, they are certainly in a more eminent degree necessary to the writer; for here the narration admits of higher ornaments of stile, and every fact and sentiment offers itself to the fullest and most deliberate examination.
It would appear, therefore, I think, somewhat strange if such writers as these should be found extremely common; since nature hath been a most parsimonious distributor of her richest talents, and hath seldom bestowed many on the same person. But, on the other hand, why there should scarce exist a single writer of this kind worthy our regard; and, whilst there is no other branch of history (for this is history) which hath not exercised the greatest pens, why this alone should be overlooked by all men of great genius and erudition, and delivered up to the Goths and Vandals as their lawful property, is altogether as difficult to determine.
And yet that this is the case, with some very few exceptions, is most manifest. Of these I shall willingly admit Burnet and Addison; if the former was not, perhaps, to be considered as a political essayist, and the latter as a commentator on the classics, rather than as a writer of travels; which last title, perhaps, they would both of them have been least ambitious to affect.
Indeed, if these two and two or three more should be removed from the mass, there would remain such a heap of dulness behind, that the appellation of voyage-writer would not appear very desirable.
I am not here unapprized that old Homer himself is by some considered as a voyage-writer; and, indeed, the beginning of his Odyssey may be urged to countenance that opinion, which I shall not controvert. But, whatever species of writing the Odyssey is of, it is surely at the head of that species, as much as the Iliad is of another; and so far the excellent Longinus would allow, I believe, at this day.
But, in reality, the Odyssey, the Telemachus, and all of that kind, are to the voyage-writing I here intend, what romance is to true history, the former being the confounder and corrupter of the latter. I am far from supposing that Homer, Hesiod, and the other antient poets and mythologists, had any settled design to pervert and confuse the records of antiquity; but it is certain they have effected it; and for my part I must confess I should have honoured and loved Homer more had he written a true history of his own times in humble prose, than those noble poems that have so justly collected the praise of all ages; for, though I read these with more admiration and astonishment, I still read Herodotus, Thucydides, and Xenophon with more amusement and more satisfaction.
The original poets were not, however, without excuse. They found the limits of nature too strait for the immensity of their genius, which they had not room to exert without extending fact by fiction: and that especially at a time when the manners of men were too simple to afford that variety which they have since offered in vain to the choice of the meanest writers. In doing this they are again excusable for the manner in which they have done it.
Ut speciosa dehinc miracula promant.
They are not, indeed, so properly said to turn reality into fiction, as fiction into reality. Their paintings are so bold, their colours so strong, that everything they touch seems to exist in the very manner they represent it; their portraits are so just, and their landscapes so beautiful, that we acknowledge the strokes of nature in both, without enquiring whether Nature herself, or her journeyman the poet, formed the first pattern of the piece.