Promp. Madam, it is not my business.

Dane. I don't know whose business it is; but I think the town ought to be the judges of a dancer's merit; I am sure they are on my side; and if I am not used better, I'll go to France; for now we have got all their dancers away, perhaps they may be glad of some of ours.

Promp. Heyday! what's the matter? [A noise within.

Enter Player.

Play. The author and Common Sense are quarrelling in the green-room.

Promp. Nay, then, that's better worth seeing than anything in the play. [Exit Promp.

Danc. Hang this play, and all plays; the dancers are the only people that support the house; if it were not for us they might act their Shakspeare to empty benches.

ACT IV.

SCENE I.—Enter FUSTIAN and SNEERWELL.

Fust. These little things, Mr Sneerwell, will sometimes happen. Indeed a poet undergoes a great deal before he comes to his third night; first with the muses, who are humorous ladies, and must be attended; for if they take it into their head at any time to go abroad and leave you, you will pump your brain in vain: then, sir, with the master of a playhouse to get it acted, whom you generally follow a quarter of a year before you know whether he will receive it or no; and then, perhaps, he tells you it won't do, and returns it to you again, reserving the subject, and perhaps the name, which he brings out in his next pantomime; but if he should receive the play, then you must attend again to get it writ out into parts and rehearsed. Well, sir, at last, the rehearsals begin; then, sir, begins another scene of trouble with the actors, some of whom don't like their parts, and all are continually plaguing you with alterations: at length, after having waded through all these difficulties, his play appears on the stage, where one man hisses out of resentment to the author, a second out of dislike to the house, a third out of dislike to the actor, a fourth out of dislike to the play, a fifth for the joke sake, a sixth to keep all the rest in company. Enemies abuse him, friends give him up, the play is damned, and the author goes to the devil: so ends the farce.