In 1771, he wrote the Life of Bolingbroke, prefixed to the Dissertation on Parties.
The reception which his former play had met did not discourage him from trying his fate with a second. But it was not till after much solicitation that Colman was prevailed on to allow The Mistakes of a Night, or She Stoops to Conquer, to be acted at Covent Garden, on the 15th of March, 1773. A large party of zealous friends, with Johnson at their head, attended to witness the representation and to lead the plaudits of the house; a scheme which Mr. Cumberland describes to have been preconcerted with much method, but to have been near failing in consequence of some mistakes in the execution of the manoeuvres, which aroused the displeasure of the audience. That the piece is enlivened by such droll incidents, as to be nearly allied to farce, Johnson with justice observed, declaring, however, that "he knew of no comedy for many years that had so much exhilarated an audience; that had so much answered the great end of comedy, that of making an audience merry."
The History of the Earth and Animated Nature, in eight volumes, closed the labours of Goldsmith. This compilation, however recommended by the agreeableness of style usual to its author, is but little prized for its accuracy. In a summary of past events, which are often differently related by writers of authority and credit nearly equal, it is in vain to look for certainty. But when we are presented with a description of natural objects that required only to be looked at in order to be known, we are neither amused nor instructed without some degree of precision. History partakes of the nature of romance. Physiology is more closely connected with science. In the one we must often rest contented with probability. In the other we know that truth is generally to be attained, and therefore expect to find it.
Goldsmith had been for some time subject to attacks of strangury; and having before experienced relief from James's powders, had again recourse to that popular medicine. His medical attendants are said to have remonstrated with him on its unfitness in the stage to which his disorder had reached; but he persevered; and his fever increasing, and some secret distress of mind, under which he owned to Dr. Turton that he laboured, aggravating his bodily complaint, he expired on the 4th of April in his forty-fifth year.
He was privately interred in the Temple burying ground. A monument is erected to his memory in Westminster Abbey, with the following epitaph by Johnson, written at the solicitation of their common friends.
Olivarii Goldsmith,
Poetae, Physici, Historici
Qui nullum fere scribendi genus
Non tetigit,
Nullum quod tetigit non ornavit:
Seu risus essent movendi,
Sive lacrymae,
Affectuum potens at lenis dominator:
Ingenio sublimis, vividus, versatilis,
Oratione grandis, nitidus, venustus:
Hoc monumento memoriam coluit
Sodalium amor,
Amicorum fides,
Lectorum veneratio.
Natus in Hibernia, Forniae Longfordiensis,
In loco cui nomen Pallas.
Nov. XXIX, MDCCXXXI.
Eblanae literis institutus;
Obiit Londini,
April. IV. MDCCLXXIV.
It has been questioned whether there is any authority for using the word "tetigit" as it is here employed. I have heard it observed by one, whose opinion on such subjects is decisive, that "contigit" would have better expressed the writer's meaning.
Another epitaph composed by Johnson in Greek, deserves notice, as it shows how strongly his mind was impressed by Goldsmith's abilities.
[Greek:
Ton taphon eisoraas ton Olibarioio, koniaen
Aphrosi mae semnaen, xeine, podessi patei
Oisi memaele phusis, metron charis erga palaion,
Klaiete poiaetaen, istorikon, phusikon.]
"Thou beholdest the tomb of Oliver; press not,
O stranger, with the foot of folly, the venerable dust.
Ye who care for nature, for the charms of song, for
the deeds of ancient days, weep for the Historian, the Naturalist,
the Poet."