Δακρυα προηγεν. ὀμματων πεπλον προθεις.
[19] Pliny, l. xxxv. c. 18.
[20] Lysippum Sicyonium—audendi rationem cepisse pictoris Eupompi responso. Eum enim interrogatum, quem sequeretur antecedentium, dixisse demonstrata hominum multitudine, naturam ipsam imitandam esse, non artificem. Non habet Latinum nomen symmetria, quam diligentissime custodivit, nova intactaque ratione quadratas veterum staturas permutando: Vulgoque dicebat, ab illis factos, quales essent, homines: a se, quales viderentur esse. Plin. xxxiv. 8.
[21] Μαλλον δε Ἀπελλης ὁ Ἐφεσιος παλαι ταυτην προῦλαβε την ἐικονα· Και γας ἀυ και ὁυτος διαβληθεις προς Πτολεμαιον——
Λουκιανου περι του μ. ῤ. Π. Τ. Δ.
[22] Apelles was probably the inventor of what artists call glazing. See Reynolds on Du Fresnoy, note 37. vol. iii.
[23] In matri interfectæ infante miserabiliter blandiente. Plin. 1. xxxiv. c. 9.
[24] A design of Raphael, representing the lues of the Trojans in Creta, known by the print of Marc Antonio Raymondi.
[25] Reynolds’ Disc. V. vol. i p. 120. Euphranoris Alexander Paris est: in quo laudatur quod omnia simul intelligantur, judex dearum, amator Helenæ, et tamen Achillis interfector. Plin. 1. xxxiv. 8.
[26] See the Hymn (ascribed to Homer) on Apollo.