Shakespeare and the Emblem Writers / an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616

by Henry Green

• 1. Dance of Death. See [Holbein].
• Danse Macabre, ed. 1485, p. [56].
• Dalle Torre, Dialogo, 1598, p. [92].
• Daniell, Worthy Tract of Paulus Iouius, 1585, p. [77].
• David, Virtutis spectaculum, 1597;
  • Veridicus christianus, 1601;
  • Christelücke, 1603;
  • Occasio arrepta, neglecta, 1605;
  • Pancarpium marianum, 1607;
  • Messis myrrhæ et aromatum, 1607;
  • Paradisus sponsi et sponsæ, 1607;
  • Duodecim specula, 1610, p. [95];
  • Occasio, quoted in illustration, [Plate XII.], [265].
• Daza Pinciano, Alciat in Spanish, 1549, p. [70].
• De Bry, T., Stam und wapenbuch, 1593, p. [32];
  • Emb. nobilitate et vulgo scitu digna, 1592, and Emblemata secularia, 1593, p. [94];
  • Emb. sec.—rhythmis Germanicis, 1596, p. [97];
  • Pourtraict de la cosmog. morale, 1614, p. [94].
• De la Perriere, Theatre des bons engins, 1539;
  • Les cent considerations d’amour, 1543;
  • Les considerations des quatre mondes, 1552;
  • La Morosophie, 1553, p. [74].
• De Montenay, Emblêmes ou devises chrestiennes, 1574, pp. [87], [88].
• De Passe, [96];
  • Metamorphoseωn Ouid., 1602, p. [95];
  • Speculum heroicum—Homeri, 1613, p. [36];
  • Original drawings at Keir, about 1600, p. [177];
  • Quoted, Phaëton, [284];
  • Daphne, [296];
  • Tronus Cupidinis, [348].
• Derendel, Historyke Portreatures, 1553, pp. [73], [119].
• De Romieu, Le Pegme de P. Covstav, 1560, p. [77].
• De Soto, Emblemas moralizadas, 1599, p. [99].
• Desprez, Théatre des animaux, &c., 1595, p. [93].
• Destructoriũ vitiorum (Dyalog. Creat.), 1509, p. [52].
• Dialoges of creatures moralyzed, 1520, pp. [52], [119], [303].
• Dinet, Les cinq livres des hieroglyph., 1614, p. [94].
• Dolce, Le prime imprese del conte Orlando, 1572;
  • Dialogo, 1575, p. [86].
• Domenichi, Ragionamento, 1556, 1574, pp. [77], [78].
• Doni, I mondi; I marmi; La moral filosofia, 1552, 1553, p. [76].
• Droyn, La grãt nef des folz, 1498, 1579, pp. [57], [87].
• Dupont, Satyriques grotesques, 1513, p. [67].
• Durer, Ehrenpforte, 1515; Tewrdannckh, 1517; and Triumphwagen, 1522, p. [67].
• Dutch Emblem-books, passim, and [90], [97].
• Duvet, L’apocalypse figurée, 1561, p. [81].
• Dyalogus creaturarum, 1480, p. [51];
  • French ed. 1482, English, 1520, p. [51].
• 2. Dabit Deus his quoque finem, [124];
• Dederitne viam Casusve Deusve, [123];
• Defecit in dolore vita mea, &c., [131];
• De more et amore, [401];
• De Morte et Cupidine, [403];
• Descendet dominus sicut pulvia in vellus, [47];
• Despicit alta canis, [270];
• Dives indoctus, [229];
• Divesque miserque, [31];
• D. O. M., [464];
• Dominus tecum virorum fortissime, [47];
• Dominus vivit et videbit, [416];
• Donec totum impleat orbem, [123], [127];
• Dum ætatis ver agitur, consule brumæ, [148];
• Dum tempus labitur, occasionem fronte capillatam remorantur, [265];
• Dum transis, time, [128];
• Durate et vosmet rebus servate secundis, [125].
• 3. De Bry, Icones virorum illustrũm, [85].
• De la Perriere, quoted for,—Chess emb. of life, [320];
  • Cupid blinded and sieve, [329];
  • Diligence, [145];
  • Fardel, [495];
  • Janus, [140];
  • Occasion, [258];
  • Sword broken on anvil, [326];
  • Thorns on the rose, [332].
• Democritus, Golden sentences, [13].
• De Montenay, quoted, Adam hiding, [416];
  • Fearlessness, [440];
  • Good out of evil, [447].
• Dibdin, Bibliographical Antiquarian, [58];
  • Bibliomania, [51], [137];
  • Bibliogr. Decameron, [45];
  • Bibliotheca Spenseriana, [48];
  • Tour, [57].
• Dict. Greek and Roman Antiquities, [20].
• Diodorus Siculus, History, [20].
• Donne, Elegy, Flowers, [18].
• Doré, Drawings for Elaine, [30].
• Douce, Dissertation, ed. 1833, pp. [56], [71];
  • Remarks on Macaber, [56];
  • Illustrations of Shakspeare and of Ancient Manners, 1807, pp. [106], [167], [172];
  • Holbein’s Images, ed. 1858, p. [121].
• Drake, Shakspeare and his Times, [106], [107], [238];
  • on Falconry, [365];
  • Timon of Athens, [426].
• Drant, Horace’s Art of Poetry, 1567, p. [486].
• Drayton, Baron’s Wars, 1598, names, emblems, impresas, hieroglyphics, [132].
• Drummond, History of Scotland, 1655, p. [123];
  • Letter to Benjamin Johnson, Emblems on a bed of state, [123]–125;
  • Other letters naming devices or emblems, [124].
• Dryden’s opinion of the Pericles, [157].
• Dugdale, Antiq. of Warwickshire, [237].
• Du Vondel, illustrious poet of Holland, [98].
• 4. Daphne to a laurel, Aneau, Ovid, [296];
  • Shakespeare, [297].
• Death, its mention by Shakespeare, [339], [469].
• Death and sleep, [469–471].
• Death’s praises,—life’s evils, [471].
• Dedalus and his sons, [287].
• Diana, emblem and symbol in one, [3].
• Diana of Poitiers, dedication to, [3], [172].
• Dice an emblem of life, Le Bey de Batilly, [322].
• Diligence and idleness,—Perriere, [145];
  • Whitney, [146];
  • not followed by Shakespeare, [147].
• Direct References to Emblems, six in the Pericles, [156]–188.
• Di Terra Nova, Duke, emblem, [125].
• Division into three parts of Emblem-books, from 1500 to 1564, p. [60];
  • into two parts, from 1564 to 1615, p. [84].
• Dog baying the moon, Shakespeare and Alciat, [269];
  • Whitney and Camerarius, [270];
  • Beza, [271].
• Dogs not praised by Shakespeare, [145], [483].
• Dolphin and anchor, Symeoni and Giovio, [16];
  • The device of Titus, and of the Aldi, [16].
• D. O. M., Whitney and Shakespeare, [464], [465].
• Doubtful if certain books are Emblem-books, [51], [55].
• Doves and winged Cupids, Shakespeare and Corrozet, [245].
• Drake, Sir Francis, compared to Jason, [229].
• Drake’s ship, Whitney, [413];
  • Shakespeare, [414].
• Drawing and device or emblem, their difference, [49].
• Drinking bout of Antony and his friends, [246].
• Droppes manie pierce the stone, &c., Whitney, [324];
  • Shakespeare and Vænius, [324]
• Dudley, Ambrose, earl of Warwick, died 1589, p. [238].
• Dudley, Robert, earl of Leycester, died 1588, p. [238];
  • Whitney’s Emblems dedicated to him, [239].
• Dupes emblematised, [33].
• Dust, to write in, Sir T. More, [461];
  • Shakespeare, [460], [461].

E.

• E, O. L. of uncertain origin, [241];
• O. L. from Plato’s works, 710; Francfort, 1602, p. [346];
• O. L., Dial. of Creatures, 62, ed. 1520, p. [463].
• 1. Ecatonphyla, 1491, centiesme amour, 1536. p. [55].
• Ehrenpforte, or triumphal arch, about 1515, p. [67].
• Emb. Amat., Afbeeldinghen, 1611, p. [98].
• Emblemata Evang. ad XII. signa, 1585, p. [88].
• Emblesmes sur les actions—du Segnor Espagnol, 1608, p. [93].
• Emblematum Philomilæ Thiloniæ Epidigma, 1603, p. [95].
• Emblem-books, in the tabulated forms, [86]–99:—
  • Dutch or Flemish, 1585, p. [90];
    • 1603–1614, pp. [97], [98].
  • English, 1569–1586, p. [91];
    • 1591–1612, p. [99].
  • French, 1568–1588, p. [87];
    • 1595–1614, pp. [93], [94].
  • German, 1576–1590, p. [90];
    • 1596–1611, p. [97].
  • Italian, 1566–1589, pp. [86], [87];
    • 1592–1609, p. [92].
  • Latin, 1568–1590, pp. [88], [89];
    • 1591–1615, pp. [94], [95].
  • Spanish, 1575–1589, p. [90];
    • 1599–1615, p. [99].
• Emblem-books, in Greek; Tablet of Cebes, B.C. 390, pp. [12], [68];
  • Clemens of Alexandria, about A.D. 300, Stromata, [21];
  • Epiphanius, A.D. 367, p. [28];
  • Horapollo, originally Egyptian, about A.D. 400, p. [22];
  • translated into Greek by Philip, about A.D. 550, p. [22].
• English Emblem-books down to Willet, 1598, p. [119];
  • passim, [91], [99]–101.
• Epiphanius, A.D. 367, Physiologus, 1587, p. [28].
• Estienne, Henri, Anthologia gnomica, 1579, pp. [88], [89].
• 2. Eadem inter se, [384];
• Ecce, ancilla domini, fiat mihi, [46];
• Ecce ascendimus Hierosolimam, [66];
• Ecce virgo concipiet et pariet filium, [46];
• Ei qui semel sua prodegerit, aliena credi non oportere, [189];
• Εἴξας νικᾶ, [314];
• Eloquentia fortitudine præstantior, [164];
• Eloquium tot lumina clausit, [123];
• En ma fin git mon commencement, [123];
• Erant signa in sole et luna, [48];
• Esto tiene su remedio y non yo, [398];
• Ex domino servus, [276];
• Ex malo bonum, [447];
• Ex maximo minimum, [337].
• 3. Engravers, named, and referred to:—
  • Amman, Jost, 1564, pp. [74], [85].
  • Avibus, Gaspar ab, 1558, p. [80].
  • Bernard, Solomon, 1560, pp. [36], [73].
  • Bewick, Thomas, 1789, p. [71].
  • Boissart, Robert, 1590, p. [94].
  • Bonasone, Giulio, 1555, p. [77].
  • De Bry, Theodore, 1592, pp. [96], [348].
  • ” John Theod., p. [96].
  • ” John Israel, p. [96].
  • De Hondt, Jost, 1606, p. [98].
  • De Hooghe, Romyn, 1670, p. [13].
  • De Jode, Gerard, 1584, p. [53].
  • De Passe, Crispin, 1611, pp. [95], [97], also pp. [57], [177].
  • Durer, Albert, 1509, pp. [65], [67], [73].
  • Duvet, John, 1561, p. [81].
  • Feyrabend, Sigismund, about 1581, p. [90].
  • Fortoul, 1832, p. [71].
  • Holbein, Hans, 1538, pp. [71], [72].
  • Koster, Laurens, 1410, p. [46].
  • Lützenberge, Hans, 1538, p. [72].
  • Marcolini, Ant. Franc., 1552, p. [76].
  • Pytheus, named by Pliny, [5].
  • Raimondi, Marc Ant., 1516, p. [67].
  • Sadeler, Ægidius, 1600, pp. [96], [98].
  • Sadeler, John, [96].
  • Sadeler, Raphael, [96].
  • Schlotthauer (Dance of Death), 1832, p. [71].
  • Shaeufflein, Hans, 1517, p. [67].
  • Solis, Virgil, 1555, p. [77];
    • 1560, p. [74].
  • Stimmer, Tobias, 1576, p. [90].
  • Stimmer, John Chr., 1591, p. [90].
  • Van der Borcht, 1591, p. [95].
  • Van Veen, or Vænius, Otho, 1607, p. [96].
  • Van Veen, Gilbert, 1607, p. [96].
  • Veneziano, Zoan And., 1500, p. [55].
• Eschenburg’s Manual class. lit., 1844, pp. [7], [224].
• 4. Eagle renewing its youth, Camerarius, [368];
  • Shakespeare, [369], [370].
• Edward VI., Emblem-books belonging to him, [121].
• Egerton, Lord Chancellor, and Thomas Wilbraham, [467].
• Elephant and undermined tree, Sambucus and Whitney, [196].
• Elizabeth, Queen, devices, [124];
  • prayer-book, [137];
  • lottery, [208];
  • phœnix, [390];
  • flattered by Shakespeare, [404].
• Elm and vine, Alciat and Boissard, [307];
  • Whitney and Camerarius, [308];
  • Vænius and Shakespeare, [309].
• Ἔμβλεμα, ἐνβαλλεῖν, pp. [4], [5], [6].
• Emblem defined, Cotgrave, Quarles, and Bacon, [1];
  • Whitney, [6];
  • Shakespeare, [9];
  • origin, [9];
  • definition seldom strictly observed, [30].
• Emblems, original meaning, [4];
  • Chaucer, [7];
  • kept by Shakespeare and Milton, [9];
  • changes of meaning, [4];
  • classical and modern meaning, [4], [5], [11].
• Emblem and Symbol, confounded, [1];
  • difference, [2];
  • united, [2], [3];
  • affinity of, [6].
• Emblem, the word introduced into Latin, [5];
  • opposed by Tiberius, [5];
  • used by Cicero and Quinctilian, [5].
• Emblema nudum, or bare, without a device or picture, [13], [51];
  • in Shakespeare, [149]–154.
• Emblem Artists and Artificers, [5], [20]. See also [Engravers].
• Emblem Authors, number before 1616, p. [102];
  • men of literature and mental power, [102];
  • estimate in which they were held, [103];
  • introduce fables, [303].
• Emblem-books our theme, [11];
  • preceded by writings, [119];
  • three large collections, accessible for this work, at Keir, Stand, and Thingwall, [86];
  • number composed from 1564 to 1590, pp. [91], [92];
  • number of original texts and versions, 770, before 1616, p. [102];
  • illuminated MS., [38]–45, [50];
  • block books, [46]–50.
• Emblem Literature,—applied with great latitude; what appears essential to it, [31];
  • Instances: proverbs and witty sayings, scenes from history, armorial bearings, [31];
  • celebration of events, devotion and satire, [32], [33];
  • politics, [34];
  • classic poets, [34]–36;
  • great latitude in using the phrase, Emblem Literature, custom the general guide, [37];
  • includes ornamental devices in books, [38];
  • architecture, sculpture, and painting too extensive to be included, [38];
  • known in Britain, [119]–137;
  • bed of state, with emblems wrought by Mary, Queen of Scots, [123]–125;
  • ancient bed at Hinckley, [126];
  • painted closet at Hawsted, [127]–130;
  • ancient hall at Lower Tabley, [131];
  • Drayton’s testimony, 1598, p. [132].
• Emblems,—raised or carved figures and designs, a crust or framework, a mosaic, figured ornaments, [9], [10];
  • devices on smooth surfaces; any drawing representative of thought, character, &c.; a species of hieroglyphics, [11];
  • coins and medals, [13];
  • heraldry, [14]–17;
  • signs, [17]–19;
  • fictile ornamentation, [19], [20];
  • works by the silversmith, [20];
  • hieroglyphics, [21]–26;
  • Christian art, [26], [27].
• Emblems classified—by Whitney into three kinds, [187];
  • for this work into eight divisions, [188]:
    • —historical, [188]–211;
    • heraldic, [212]–240;
    • mythological, [241]–301;
    • for fables, [302]–317;
    • for proverbs, [318]–345;
    • for objects in nature, [346]–376;
    • for poetic ideas, [377]–410;
    • moral and æsthetic, [411]–462;
  • miscellaneous, [463]–496.
• Emperors:—Maximilian I., 1517, pp. [67], [68];
  • Charles V., 1517, p. [68];
  • Maximilian II., 1564, p. [85];
  • Rodolph II., 1576, pp. [85], [89], [96];
  • Matthias, and Ferdinand II., [96].
• End crowns all; or the end makes all equal, Shakespeare, Messin, Whitney, Perriere, [320];
  • Illustrated by chess, Perriere, [320];
  • Corrozet, [321], [322];
  • Whitney and Shakespeare, [323].
• Engineer hoist with his own petar, from Beza and Le Bey de Batilly, [344];
  • Shakespeare, [345].
• Envy, from Whitney, Alciat, [431], [432];
  • Shakespeare, [433].
• Estridge, ostrich, or falcon? Paradin, [370];
  • Shakespeare, [371].
• Eternity, emblem of, [37];
  • in Plate XVII., [491];
  • Horapollo, [491];
  • Shakespeare, [492].

F.

• F, O. L., Nef des folz, Paris, 1499, xxv., p. [vii].
• 1. Fables, German, about 1400, p. [50]. See [Boner].
• Fabrici, Delle allusioni, imprese & emblemi, 1588, p. [87].
• Faerno, Fabvlæ centvm, 1565, pp. [85], [303], [310], [311];
  • quoted, Fox and grapes, [311].
• Farra, Settenario dell’ humana riduttione, 1571, pp. [79], [86].
• Feyrabend, Stam und wapenbuch, 1579, p. [90].
• Figures du vieil Test. & du nouuel, 1503, p. [63].
• Figures of the Bible, [73].
• Fiorino, Opera nuova, &c., 1577, p. [86].
• Flemish books of emblems, passim, and, [90], [97].
• Franceschino, Hori Apollinis selecta hieroglyphica, 1597, p. [94].
• Fraunce, Insignium armorum emblematum, &c., 1588, p. [89].
• Freitag, Mythologia ethica, 1579, p. [88];
  • Viridiarium mor. phil. per fabulas, 1594, p. [94].
• Frellonius, Holbein’s Historiarum veteris instrumenti, 1547, p. [72].
• French Emblem-books, passim, and, [87], [93].
• Furmerus, De rerum usu et abusu, 1575, p. [88];
  • Hands of Providence, Plate XVI., [489].
• 2. Facunda senectus, [215];
• Faire tout par moyen, [289];
• Fatuis levia commitito, [484];
• Feriunt summos fulgura montes, [475];
• Festina lente, [15];
• Ficta ejus quod haberi nequit recusatio, [310];
• Finis coronat opus, [437];
• Fortiter et feliciter, [221];
• Fortitudo ejus Rhodum tenuit, [124];
• Fortuna virtutem superans, [202];
• Fortunæ comites, [124];
• Frons hominem præfert, [129];
• Fronte nulla fides, [129];
• Fructus calcata dat amplos, [124];
• Frustra, [329], [331].
• 3. Farmer, Dr., on Pericles, [156].
• Flintner, Nebulo nebulonum, 1620, p. [65].
• Freitag, quoted for,—
  • Mouse caught by an oyster, [130];
  • Ants and grasshopper, [148];
  • Countryman and serpent, [197];
  • Fox and grapes, [309];
  • Phœnix, [381];
  • Sun, wind, and traveller, [166];
  • Turkeycock and cock, [356].
• 4. Fables: doubtful if strictly emblems, [51];
  • The best emblem writers introduce them, [303];
  • A floating literature, interchanged throughout the world, [302];
  • Shakespeare’s estimation of them, [303];
  • Early editions, [303].
• Fables, emblems illustrative of, [302]–317;
  • Fly and candle, [151]–153;
  • Sun, wind, and traveller, [164]–167;
  • Elephant and tree, [196];
  • Countryman and serpent, [197];
  • Hares biting the dead lion, [304]–306;
  • Elm and vine, or elm and ivy, [307]–309;
  • Fox and grapes, [309]–312;
  • Jackdaw in fine feathers, [312]–314;
  • Oak and reed, [314]–316.
• Facts in Nature, emblems from, and from the properties of animals, [346]–376:
  • —Frosty Caucasus, [346];
  • Adamant on the anvil indestructible, [347];
  • Bear, cub, and Cupid—natural affection, [348]–350;
  • The inhabited, or three-cornered world, [351]–353;
  • Signs of the zodiac, [353]–356;
  • The cock and turkeycock, [356]–358;
  • The vulture, [358];
  • Bees, types of a well governed people, and of love for our native land, [358]–365;
  • Falconry, [365]–368;
  • Eagle renewing its feathers, [368];
  • Ostrich with outspread wings, [370];
  • Unicorn, type of faith undefiled, [371]–373;
  • Hydra slain by Hercules, [373]–375;
  • Various animals named, [375], [376].
• Falconry, from Dr. Drake, [365];
  • Camerarius and Giovio, [366];
  • Shakespeare, [367], [368].
• Fame armed with a pen, from Junius and Whitney, [445], [446];
  • Shakespeare, [444], [445].
• Fardel on a swimmer, [480], [481].
• Ferdinand II., emperor, [96].
• Fictile ornamentation, [19], [20].
• Fin couronne les œuvres, from Shakespeare, [320]–323.
  • See [End].
• Firmin Didot, [40].
• Flower language, emblematical, [18].
• Fly and candle. See Butterfly.
• Forehead, index of the mind, [129].
• Fortune, from Corrozet, [261]. See [Occasion].
• Fox and grapes, from Freitag, [310];
  • Faerni, [310];
  • Whitney, [311];
  • Shakespeare, [311], [312].
• Francis I., impresa, [123], [125], [126].
• Friendship after death, [307].
  • See [Elm and Vine].
• Frosty Caucasus, [346].

G.

• G, O. L., an altered C, from Linacre’s Galen, Paris, 1538, p. [543].
• 1. Ganda. See [À Ganda].
• German Emblem-books, passim, and, [90], [97].
• Geschlechtes Buch, editions 1550, 1580. p. [75].
• Geyler, Navicula sive speculum fatuorum, 1511, and Navicula penitentiæ, 1511, several reprints before 1520, —the first book with the imperial privilege, [66];
  • Two German translations, [66];
  • Latin version of Narren Schyf, 1498, p. [66].
• Giovio, Dialogo dell’ imprese, or Ragionamento, 1555, p. [77];
  • 1574, pp. [14], [15], [16];
  • English version, 1585, p. [77];
  • Menestrier, [79].
• Giovio, Symeoni, and Domenichi, Dialogo dell’ imprese, &c., 1574, p. [78];
  • Twenty-seven editions between 1553 and 1585, p. [78].
• Glissenti, Discorsi morali, &c., 1609, pp. [92], [93].
• Golding, Ovid’s Metamorphoses, 1565, p. [243].
• Goulart, Les vrais pourtraits, 1581, p. [87].
• Grapheus, Entry of Philip of Spain, 1550, p. [75].
• Grevin, Emblemes d’ Adrian la Jeune, 1568, p. [87].
• Guazzo, Dialoghi piacevoli, 1585, p. [87].
• Gueroult, Premier livre des emblemes, 1550, p. [75].
• Guillim, A display of heraldry, 1611, pp. [99], [120].
• Gulden, Den gulden winckel, 1613, p. [98].
• Guzman, Triumphas morales, 1557, p. [90].
• 2. Gang forward; I am ready, [14];
• Giuramento sparso al vento, [328].
• 3. Gale’s Opus mythol., [13].
• Gentleman’s Magazine, [126], [208].
• German book—the first in pure German,—a book of fables printed in 1461, p. [50].
• Giovio, quoted from,—
  • Alciat’s device, [211];
  • Atlas, [245];
  • Crescent moon, [125], [127];
  • Dolphin and anchor, [16];
  • Falconry, [365];
  • Kingfisher, [392];
  • Ostrich and iron, [233];
  • Phœnix, [235];
  • Salamander, [125], [126].
  • Giovio and Symeoni, quoted,—Porcupine, [231];
  • Wrongs on marble, [457].
• Golding’s Ovid, 1567, p. [243];
  • Shakespeare indebted to it, [243];
  • The epithet golden, [400].
• Gough, on the Bedford missal, 1794, p. [44].
• Gower’s Conf. am.—pur reposer, [7].
• Green’s Never too late, 1610, p. [128].
• 4. Gem in a ring of gold, by Corrozet, [418];
  • Shakespeare, [419], [420].
• Gemini, [355].
• Geography, [350]–353;
  • more correct, [415].
• Glance only, at times, to emblem subjects by Shakespeare, [269], [317].
• Glyptic art as exemplified in hieroglyphics, [21]–26.
• Gold on the touchstone, by Paradin, [175];
  • Whitney, [178];
  • Crispin de Passe, [177];
  • Shakespeare, [175], [180];
  • Vænius, [179].
• Golden, the epithet, Douce, Sidney, Golding’s Ovid, [400];
  • Bellay, Alciat, [400];
  • Whitney, [401];
  • Peacham, Whitney, [403];
  • Shakespeare, [404].
• Golden fleece, order of, [228].
• Gonsaga, Hanibal, saying on surrendering his sword and himself, [138].
• Good out of evil, Shakespeare and Montenay, [447].
• Gravella, Cardinal, his impresa, [125, note].
• Greatest out of least, from Anulus, [337];
  • Whitney, [338];
  • Shakespeare, [338], [339].
• Grecian coins, [13].

H.

• H, O. L., Nef des folz, xv., Paris, 1499, p. [187];
  • Monogram, H. G., a construction, preface, [xii].
• 1. Haller, Chartiludium logicæ, 1507, p. [64].
• Held, Alciat in German, 1542, p. [70].
• Hesius, Emblemata sacra, 1581, p. [88].
• Hillaire, Speculum Heroicum ... Homeri, 1613, pp. [36], [95].
• Historia S. Joan. Euangelist., block-book, 1420, p. [49];
  • MS. of, belonged to Henry II., [49].
• Histories of Joseph, Daniel, Judith, and Esther, earliest printed book with text and engravings, 1461, p. [45].
• Hoffer’s Icones catecheseos, 1560, p. [81].
• Holbein, Les simulachres & Historiees faces de la mort, 1538, pp. [72], [350], [487];
  • Previous to 1600 at least fifteen editions, [72];
  • Historiarum veteris instrumenti icones, 1538, p. [72];
  • Spanish, ed. 1543, English, ed. 1549, within the century twelve other editions, [73];
  • The canoness or nun, [469];
  • Sleep and death compared, [469], [470];
  • Wrong done to the soul, [433];
  • Praises of death, evils of life, [470], [471];
  • The last judgment, and escutcheon of death, [470].
• Hollar, Dance of death, 1790, p. [56].
• Homeri, Speculum heroicum. See [Hillaire].
• Horapollo, account of, [22];
  • De sacris notis et sculpturis, 1551, example, the Phœnix, [22], [23];
  • Other examples from Leemans and Cory, [24]–26 (see [Leemans] and [Cory]);
  • First printed edition by Aldus, 1505, Latin, French, Italian, and German, before 1535;
  • sixteen other editions before 1616, p. [64].
• Horatii Emblemata, 1607 and 1612, p. [36].
• Horozco, Emblemas morales, 1589, Symbolæ sacræ, 1601, p. [90].
• Hortinus, Icones, 1585, p. [88];
  • Emblemata sacra, 1589, p. [89].
• Hortulus rosarum, 1499, p. [58].
• Hunger, Alciat, Cum rhythmis Germanicis versus, 1542, p. [70].
• 2. Heart of Jesus the well of everlasting life, [40];
  • Homines voluptatibus transformantur, [250];
  • Homo homini Deus, [283];
  • Homo homini lupus, [280], [283];
  • His ornari aut mori, [222].
• 3. Haechtan’s Parvus mundus, 1579, p. [400].
• Hallam, on Pericles, [157].
• Halliwell, on Astron., MS., Chetham Library, [42].
• Haslewood, reprint Dialogues of Creatures, 1816, p. [303].
• Hawkins’ Η ΠΑΡΘΕΝΟΣ, 1633, p. [383].
• Heraldry, ornamental, 16th century, 1868, p. [14].
• Herodotus, the Scythian arrow, mouse, &c., [18];
  • the phœnix, [382].
• Hesiod, shield of Hercules, [20].
• Hessells on Spelen van sinnen, [81], [82].
• Hippocrates, Seven ages of man, [406].
• Holbein’s Simulachres, the canoness, [469];
  • Heath and sleep, [469];
  • Death and fool, [472].
• Holland’s Pliny, a work of art by Pytheus, to be put on or taken off,—a literal Emblem, [5];
  • Hardnesse of a diamant, [348];
  • The phœnix, [382];
  • Halcyones, [391].
• Homer, Iliad, shield of Achilles, [20];
  • Word Emblem illustrated, [4];
  • Death not unbecoming the defender of his country, [222];
  • Insults to Hector’s dead body, [304];
  • Odyssey, Circe, [250].
• Hood’s Miss Kilmansegg, to illustrate “golden,” [403].
• Horace, conscience, [420], [421];
  • Circe and Sirens, [251];
  • Pine-trees in a storm, [490];
  • The swan, [214];
  • Time leading the seasons, [490].
• Horapollo, quoted, Bees, [358];
  • Hawk on mummy case, [26];
  • Lamp burning, [456];
  • Phœnix, [23];
  • Star, [25];
  • Swan, [213];
  • Thread of life, [454].
• Humphrey’s Hist. of art of printing, 1867, p. [43];
  • Plates from block-books, Biblia pauperum, [43], [46];
  • Ars memorandi, [45];
  • Dance of death, [469].
• 4. Halcyon. See [Kingfisher].
• Hands of Providence, by Furmer and Coornhert, [Plate XVI.], [489];
  • Shakespeare, [489].
• “Happe some goulden honie brings,” Whitney, [364];
  • Shakespeare, [365].
• Hares biting a dead lion, Iliad, Alciat, Shakespeare, [304];
  • Alciat, Whitney, [305];
  • Reusner, [306];
  • Shakespeare, [306].
• Harpocrates, Silence, Whitney, [208];
  • Pegma, [209].
  • See [Lottery].
• Hawk on a mummy case, its meaning, [26].
• Hawsted and Hardwick, emblems there, [127]–130.
• Hen eating her own eggs, Whitney, Sambucus, [411];
  • Shakespeare, [412].
• Henry II. of England, [50].
• Henry II. of France, his impresa, [123], [125], [127].
• Henry VIII., collection of pictures, [111], [114];
  • his impresa, [124].
• Heraldic Emblems, [212]–240;
  • in three divisions;—
  • I. Poetic Heraldry, [212]–221:—
    • The swan singing at death, Horapollo, [213];
    • Virgil, Horace, Pindar, Anacreon, [214];
    • On death poets take the form of swans, Ovid, Plato, [214];
    • type of old age eloquent, Aneau, [215];
    • of the simplicity of truth, Reusner, [215];
    • fine thought by Camerarius, [217];
    • insignia of poets, Alciat and Whitney, [218];
    • Shakespeare combines various of these emblems, or of their spirit, [219]–221;
    • Shakespeare’s beautiful comparison of heraldry, [221].
  • II. Heraldry of Reward for heroic achievements, [221]–230:—
    • Wreath of chivalry, Whitney, Camerarius, [222];
    • Shakespeare, [223];
    • Victors’ crowns, Paradin, [224];
    • Eschenburg, [224];
    • Shakespeare, [225]–227;
    • Honours from sovereign princes, Shakespeare, Talbot, [226];
    • Order of St. Michael, Paradin, [227];
    • Order of the golden fleece, Paradin, [228];
    • Argonauts, Whitney, [229];
    • Phrixus, Alciat, [229];
    • Whitney, [230];
    • Beza, [230];
    • Shakespeare, [230].
  • III. Imaginative Devices, [231]–240:—
    • Porcupine, Giovio, [231];
    • Camerarius, [232];
    • Shakespeare, [232];
    • Ostrich and iron, Giovio, [233];
    • Camerarius, [234];
    • Shakespeare, [234];
    • Phœnix, Lady Bona of Savoy, Paradin, [234];
    • Giovio, [235];
    • Shakespeare, [236];
    • Bear and ragged staff, Whitney, [236];
    • Dugdale, [237];
    • Dudley, [238];
    • Shakespeare, [239].
• Heraldry, Emblems its language, [14], [17], [82];
  • Its close connection with Emblems, [212];
  • Beautiful comparison from, [220].
• Heraldry of poetry, [212]–221.
• Heraldry of heroic achievements, [221]–230.
• Heraldry of imaginative devices, [231].
• Hercules, his shield, [20].
• Hieroglyphics, their emblem character, [21], [25];
  • Subjects, [21], [26];
  • Examples, [24], [26];
  • Meanings of several, [26].
• Hinckley, bed at, with emblems, [126], [127].
• Historical Emblems, [188]—211:—
  • Medeia, Alciat, Whitney, [189], [190];
  • Æneas and Anchises, Alciat and Whitney, [191], [192];
  • Shakespeare, [192];
  • Progne, Aneau, Shakespeare, [193], [194];
  • Sinon, illustrated from Brasidas and his shield, Aneau, [194];
  • Whitney, [195];
  • The elephant and undermined tree, Sambucus, [196];
  • Countryman and viper, Freitag, [197];
  • Shakespeare, [198];
  • Siege of Antwerp, Whitney, [199];
  • Sinon often alluded to by Shakespeare, [200];
  • Coriolanus, [201];
  • Death of Brutus, Alciat, Whitney, [201];
  • Shakespeare, [203], [204];
  • Characteristics of Brutus and Cassius, [204], [205];
  • Formidable after death, Alciat, Whitney, [205];
  • Shakespeare, [207];
  • The lottery, video et taceo, Whitney, [208];
  • Costalius, [209];
  • Shakespeare, [209]–211.
• Hives of bees, [371]. See [Bees].
• Homo homini lupus, Whitney, Chrysostom, [281];
  • Androclus and the lion, [281];
  • Shakespeare, [282].
• Homo homini Deus, Coustau, [283];
  • Reusner, [283];
  • Shakespeare, “in apprehension how like a god,” [284].
• Honours from sovereign princes, [226].
• Hope, illustrated by Alciat, Paradin, Whitney, and Sambucus, [182]–185;
  • Camerarius, [184];
  • Spenser, [185].
• Human life a theatre, Plate XIV., [405].
• Hunterian Museum, Glasgow, the Tewrdannckh, [67].
• Hydra slain by Hercules, Corrozet, [374];
  • Shakespeare, [375].

I.