the engraver and the genius of the poet were both employed to illustrate one and the same motto, sentiment, or proverbial saying. Not to repeat what may be found in Chaucer and others, Spenser’s Visions of Bellay,[[82]] alluded to in the fac-simile reprint of Whitney, pp. xvi & xvii, needed only the designer and engraver to make them as perfectly Emblem-books as were the publications of Brant, Alciatus and Perriere. Those visions portray in words what an artist might express by a picture. For example, in Moxon’s edition, 1845, p. 438, iv.,—
“I saw raisde vp on pillers of Iuorie,
Wereof the bases were of richest golde,
The chapters Alabaster, Christall frises,
The double front of a triumphall arke.
On eche side portraide was a Victorie,
With golden wings, in habite of a nymph
And set on hie vpon triumphing chaire;
The auncient glorie of the Romane lordes.
The worke did shew it selfe not wrought by man,