[] Warton's Hist. of English Poetry, vol. i. Dissertation II. Roquefort, Etat de la Poésie Française du douzième Siècle p. 18. The following lines from the beginning of the eighth book of the Philippis seem a fair, or rather a favourable specimen of these epics. But I am very superficially acquainted with any of them.
Solverat interea zephyris melioribus annum
Frigore depulso veris tepor, et renovari
Cœperat et viridi gremio juvenescere tellus;
Cum Rea læta Jovis rideret ad oscula mater,
Cum jam post tergum Phryxi vectore relicto
Solis Agenorei premeret rota terga juvenci.
The tragedy of Eccerinus (Eccelin da Romano), by Albertinus Mussatus, a Paduan, and author of a respectable history, deserves some attention, as the first attempt to revive the regular tragedy. It was written soon after 1300. The language by no means wants animation, notwithstanding an unskilful conduct of the fable. The Eccerinus is printed in the tenth volume of Muratori's collection.
[x] Booksellers appear in the latter part of the twelfth century. Peter of Blois mentions a law book which he had procured a quodam publico mangone librorum. Hist. Littéraire de la France, t. ix. p. 84. In the thirteenth century there were many copyists by occupation in the Italian universities. Tiraboschi, t. iv. p. 72. The number of these at Milan before the end of that age is said to have been fifty. Ibid. But a very small proportion of their labour could have been devoted to purposes merely literary. By a variety of ordinances, the first of which bears date in 1275, the booksellers of Paris were subjected to the control of the university. Crevier, t. ii. p. 67, 286. The pretext of this was, lest erroneous copies should obtain circulation. And this appears to have been the original of those restraints upon the freedom of publication, which since the invention of printing have so much retarded the diffusion of truth by means of that great instrument.
[y] Tiraboschi, t. v. p. 85. On the contrary side are Montfaucon, Mabillon, and Muratori; the latter of whom carries up the invention of our ordinary paper to the year 1000. But Tiraboschi contends that the paper used in manuscripts of so early an age was made from cotton rags, and, apparently from the inferior durability of that material, not frequently employed. The editors of Nouveau Traité de Diplomatique are of the same opinion, and doubt the use of linen paper before the year 1300. t. i. p. 517, 521. Meerman, well known as a writer upon the antiquities of printing, offered a reward for the earliest manuscript upon linen paper, and, in a treatise upon the subject, fixed the date of its invention between 1270 and 1300. But M. Schwandner of Vienna is said to have found in the imperial library a small charter bearing the date of 1243 on such paper. Macpherson's Annals of Commerce, vol. i. p. 394. Tiraboschi, if he had known this, would probably have maintained the paper to be made of cotton, which he says it is difficult to distinguish. He assigns the invention of linen paper to Pace da Fabiano of Treviso. But more than one Arabian writer asserts the manufacture of linen paper to have been carried on at Samarcand early in the eighth century, having been brought thither from China. And what is more conclusive, Casiri positively declares many manuscripts in the Escurial of the eleventh and twelfth centuries to be written on that substance. Bibliotheca Arabico-Hispanica, t. ii. p. 9. This authority appears much to outweigh the opinion of Tiraboschi in favour of Pace da Fabiano, who must perhaps take his place at the table of fabulous heroes with Bartholomew Schwartz and Flavio Gioja. But the material point, that paper was very little known in Europe till the latter part of the fourteenth century, remains as before. See Introduction to History of Literature, c. i. § 58.
[z] Warton's Hist. of English Poetry, vol. ii. p. 122.
[a] Velly, t. v. p. 202; Crevier, t. ii. p. 36.
[] Warton, vol. i; Dissert. II.
[c] Ibid.
[d] Warton, vol. i. Dissert. II. Fifty-eight books were transcribed in this abbey under one abbot, about the year 1300. Every considerable monastery had a room, called Scriptorium, where this work was performed. More than eighty were transcribed at St. Albans under Whethamstede, in the time of Henry VI. ibid. See also Du Cange, V Scriptores. Nevertheless we must remember, first, that the far greater part of these books were mere monastic trash, or at least useless in our modern apprehension; secondly, that it depended upon the character of the abbot, whether the scriptorium should be occupied or not. Every head of a monastery was not a Whethamstede. Ignorance and jollity, such as we find in Bolton Abbey, were their more usual characteristics. By the account books of this rich monastery, about the beginning of the fourteenth century, three books only appear to have been purchased in forty years. One of those was the Liber Sententiarum of Peter Lombard, which cost thirty shillings, equivalent to near forty pounds at present. Whitaker's Hist. of Craven, p. 330.