Maurice Guest

by Henry Handel Richardson

When he came to her, towards evening, tired and inclined to be lonely, she seated him in a corner of the sofa, and did not ask him to say much until she made the tea. Then, when the cups were steaming in front of them, she discussed sympathetically with him the progress of his work. She questioned him, too, about his home and family, and he read her parts of his mother's letters, which arrived without fail every Tuesday morning. She also drew from him a more detailed account of his previous life; and, in this connection, they had several animated discussions about teaching, a calling to which Madeleine looked composedly forward to returning, while Maurice, in strong superlative, declared he had rather force a flock of sheep to walk in line. She told him, too, some of the gossip the musical quarter of the town was rife with, about those in high places; and, in particular, of the bitter rivalry that had grown up with the years between Schwarz and Bendel, the chief masters of the piano. If these two met in the street, they passed each other with a stony stare; if, at an ABENDUNTERHALTUNG, a pupil of one was to play, the other rose ostentatiously and left the hall. She also hinted that in order to obtain all you wanted at the Conservatorium, to be favoured above your fellows, it was only necessary flagrantly to bribe one of the clerks, Kleefeld by name, who was open to receive anything, being wretchedly impecunious and the father of a large family.

Finding, too, that Maurice was bent on learning German, she, who spoke the language fluently, proposed that they should read it together; and soon it became their custom to work through a few pages of QUINTUS FIXLEIN, a scene or two of Schiller, some lyrics of Heine. They also began to play duets, symphonies old and new, and Madeleine took care constantly to have something fresh and interesting at hand. To all this the young man brought an unbounded zeal, and, if he had had his way, they would have gone on playing or reading far into the evening.

She smiled at his eagerness. "You absorb like a sponge."

When it grew too dark to see, he confided to her that his dearest wish was to be a conductor. He was not yet clear how it could be managed, but he was sure that this was the branch of his art for which he had most aptitude.

Here she interrupted him. "Do you never write verses?"

Her question seemed to him so meaningless that he only laughed, and went on with what he was saying. For the event of his plan proving impracticable—at home they had no idea of it—he was training as a concert-player; but he intended to miss no chance that offered, of learning how to handle an orchestra.

Throughout these hours of stimulating companionship, however, he did not lose sight of his original purpose in going to see Madeleine. It was only that just the right moment never seemed to come; and the name he was so anxious to hear, had not once been mentioned between them. Often, in the dusk, his lips twitched to speak it; but he feared his own awkwardness, and her quick tongue; then, too, the subject was usually far aside from what they were talking of, and it would have made a ludicrous impression to drag it in by the hair.

But one day his patience was rewarded. He had carelessly taken up a paper-bound volume of Chopin, and was on the point of commenting upon it, for he had lately begun to understand the difference between a Litolff and a Mikuli. But it slipped from his hand, and he was obliged to crawl under the piano to pick it up; on a corner of the cover, in a big, black, scrawly writing, was the name of Marie Louise Dufrayer. He cleared his throat, laid the volume down, took it up again; then, realising that the moment had come, he put a bold face on the matter.

"I see this belongs to Miss Dufrayer," he said bluntly, and, as his companion's answer was only a careless: "Yes, Louise forgot it the last time she was here," he went on without delay: "I should like to know Miss Dufrayer, Madeleine. Do you think you could introduce me to her?"

Madeleine, who was in the act of taking down a book from her hanging shelves, turned and looked at him. He was still red in the face, from the exertion of stooping.