He had to ask several times before he received an answer. Finally, she sobbed in a muffled voice, without raising her head: "How could you make me go out! Oh, how COULD you!"

"What do you mean? I don't understand. What is it?" He had visions of her being annoyed or insulted.

But she only repeated: "How could you! Oh, it was cruel of you!" and wept afresh.

Word by word, Maurice drew her story from her. There was not very much to tell.

She had gone out, and had walked hurriedly along quiet by-streets to the ROSENTAL. But before she had advanced a hundred yards, her courage began to fail, and the further she went, the more her spirits sank. Her surroundings were indescribably depressing: the smirched, steadily retreating snow was leaving bare all the drab brownness it had concealed—all the dismal little gardens, and dirty corners. Houses, streets and people wore their most bedraggled air. Particularly the people: they were as ugly as the areas of roof and stone, off which the soft white coating had slid; their contours were as painful to see. And the mud—oh, God, the mud! It spread itself over every inch of the way; the roads were rivers of filth, which spattered and splashed; at the sides of the streets, the slush was being swept into beds. Before she had gone any distance, her boots and skirts were heavy with it; and she hated mud, she sobbed—hated it, loathed it, it affected her with a physical disgust—and this lie might have known when he sent her out. In the ROSENTAL, it was no better; the paths were so soaked that they squashed under her feet; on both sides, lay layers of rotten leaves from the autumn; the trees were only a net-work of blackened twigs, their trunks surrounded by an undergrowth that was as ragged as unkempt hair. And everything was mouldering: the smell of moist, earthy decay reminded her of open graves. Not a soul was visible but herself. She sat on a seat, the only living creature in the scene, and the past rose before her with resistless force: the intensity of her happiness; the base cruelty of his conduct; her misery, her unspeakable misery; her forlorn desolation, which was of a piece with the desolation around her, and which would never again be otherwise, though she lived to be an old woman.—How long she sat thinking things of this kind, she did not know. But all of a sudden she started up, frightened both by her wretched thoughts and by the loneliness of the wood; and she fled, not looking behind her, or pausing to take breath, till she reached the streets. Into the first empty droschke she met, she had sunk exhausted, and been driven home.

It was of no use trying to reason with her, or to console her.

"I can't bear my life," she sobbed. "It's too hard ... and there is no one to help me. If I had done anything to deserve it ... then it would be different ... then I shouldn't complain. But I didn't—didn't do anything—unless it was that I cared too much. At least it was a mistake—a dreadful mistake. I should never have shown him how I cared: I should have made him believe he loved me best. But I was a fool. I flung it all at his feet. And it was only natural he should get tired of me. The wonder was that I held him so long. But, oh, how can one care as I did, and yet be able to plot and plan? I couldn't. It isn't in me to do it."

She wept despairingly, with her head on her outstretched arms. When she raised it again, her tear-stained face looked out, Medusa-like, from its setting of ruffled hair. More to herself than to the young man, as if, on this day, secret springs had been touched in her, she continued with terse disconnectedness: "I couldn't believe it; I wouldn't—even when I heard it from his own lips. You thought, all of you, that I was ill; but I wasn't; I was only trying to get used to the terrible thought—just as a suddenly blinded man has to get used to being always in the dark. And while I was still struggling came Madeleine, with her cruel tongue, and told me—you know what she told me. Oh, if his leaving me had been hard to bear, this stung like scorpions. I wonder I didn't go mad. I should have, if you hadn't come to help me. For a day and night, I did not move from the corner of that sofa there. I turned her words over till there was no sense left in them. My nails cut my palms."

Her clasped hands were slightly stretched from her: her whole attitude betrayed the tension at which she was speaking. "Oh, my God, how I hated him ... hated him ... how I hate him still! If I live to be an old, old woman, I shall never forgive him. For, in time, I might have learnt to bear his leaving me, if it had only been his work that took him from me. It was always between us, as it was; but it was at least only a pale brain thing, not living flesh and blood. But that all the time he should have been deceiving me, taking pains to do it—that I cannot forgive. At first, I implored, I prayed there might be some mistake: you, too, told me there was. And I hoped against hope—till I saw her. Then, I knew it was true——-as plainly as if it had been written on that wall." She paused for breath, in this bitter pleasure of laying her heart bare. "For I wasn't the person he could always have been satisfied with—I see it now. He liked a woman to be fair, and soft, and gentle—not dark, and hot-tempered. It was only a phase, a fancy, that brought him to me, and it couldn't have lasted for ever. But all I asked of him was common honesty—to be open with me: it wasn't much to ask, was it? Not more than we expect of a stranger in the street. But it was too much for him, all the same. And so ... now ... I have nothing left to remind me that I ever knew him. That night, when I had seen her, I burned everything—every photograph, every scrap of writing I had ever had from him ... if only one could burn memories too! I had to tear my heart over it; I used to think I felt it bleeding, drop by drop. For all the suffering fell on me, who had done nothing. He went free."

"Are you sure of that? It may have been hard for him, too—harder than you think." Maurice was looking out of the window, and did not turn.