Occasionally he thought that she was waiting for something: in the middle of a sentence, she would break off, and grow absent-minded; and more than once, the unexpected advent of the postman threw her into a state of excitement, which she could not conceal. She was waiting for a letter. But Maurice was proud, and asked no questions; he took pains to use the cool, friendly tone, she herself adopted.
Not a week had dragged out, however, since her return, before he was suffering in a new way, in the oldest, cruellest way of all.
The PENSION at which she had stayed in Dresden, had been frequented by leisured foreigners: over twenty people, of various nationalities, had sat down daily at the dinner-table. Among so large a number, it would have been easy for Louise to hold herself aloof. But, as far as Maurice could gather, she had felt no inclination to do this. From the first, she seemed to have been the nucleus of an admiring circle, chief among the members of which was a family of Americans—a brother and two sisters, rich Southerners, possessed of a vague leaning towards art and music. The names of these people recurred persistently in her talk; and, as the days went by, Maurice found himself listening for one name in particular, with an irritation he could not master. Raymond van Houst—a ridiculous name!—fit only for a backstairs romance. But as often as she spoke of Dresden, it was on her lips. Whether in the Galleries, or at the Opera, on driving excursions, or on foot, this man had been at her side; and soon the mere mention of him was enough to set Maurice's teeth on edge.
One afternoon, he found her standing before an extravagant mass of flowers, which were heaped up on the table; there were white and purple violets, a great bunch of lilies of the valley, and roses of different colours. They had been sent to her from Dresden, she said; but, beyond this, she offered no explanation. All the vases in the room were collected before her; but she had not begun to fill them: she stood with her hands in the flowers, tumbling them about, enjoying the contact of their moist freshness.
To Maurice's remark that she seemed to take a pleasure in destroying them, she returned a casual: "What does it matter?" and taking up as many violets as she could hold, looked defiantly at him over their purple leaves. Through all she said and did ran a strong undercurrent of excitement.
But before Maurice left, her manner changed. She came over to him, and said, without looking up: "Maurice I want to tell you something."
"Yes; what is it?" He spoke with the involuntary coolness this mood of hers called out in him; and she was quick to feel it. She returned to the table.
"You ask so prosaically: you are altogether prosaic to-day. And it is not a thing I can tell you off-hand. You would need to sit down again. It's a long story; and you were going; and it's late. We will leave it till to-morrow: that will be time enough. And if it is fine, we can go out somewhere, and I'll tell you as we go."
It was a brilliant May afternoon: great white clouds were piled one on the top of another, like bales of wool; and their fantastic bulging roundnesses made the intervening patches of blue seem doubly distant. The wind was hardly more than a breath, which curled the tips of thin branches, and fluttered the loose ends of veils and laces. In the ROSENTAL, where the meadow-slopes were emerald-green, and each branch bore its complement of delicately curled leaves, the paths were so crowded that there could be no question of a connected conversation. But again, Louise was not in a hurry to begin.
She continued meditative, even when they had reached the KAISERPARK, and were sitting with their cups before them, in the long, wooden, shed-like building, open at one side. She had taken off her hat—a somewhat showy white hat, trimmed with large white feathers—and laid it on the table; one dark wing of hair fell lower than the other, and shaded her forehead.