"The place is a hot-bed of scandal. I've told you that before," he cried, angry enough now. "These dirty-minded MUSIKER think it outside the bounds of possibility for two people to be friends." But his tone was unsure, and he was conscious of it.

"Yes—when one of the two is Louise."

"Kindly leave Miss Dufrayer out of the question."

"Oh, Maurice, don't Miss Dufrayer me!—I knew Louise before you even knew that she existed.—But answer me one question, and I'm done. Are you engaged to Louise?"

"Most certainly not."

"Well, then, you ought to be.—For though you don't care what people say about yourself, your conscience will surely prick you when you hear that you're destroying the last shred of reputation Louise had left.—I should be sorry to repeat to you what is being said of her."

But after he had gone, she reproached herself for having put such a question to him. At the pass things had reached, it was surely best for him to go through with his infatuation, and get over it. Whereas she, in a spasm of conventionality, had pointed him out the sure road to perdition; for the worst thing that could happen would be for him to bind himself to Louise, in any fashion. As if her reputation mattered! The more rapidly she got rid of what remained to her, the better it would be for every one, and particularly for Maurice Guest.

Had Maurice been in doubt as to Madeleine's meaning, it would have been removed within a few minutes of his leaving the house. As he turned a corner of the Gewandhaus, he came face to face with Krafft. Though they had not met for weeks, Heinrich passed with no greeting but a disagreeable smile. Maurice was not half-way across the road, however, when Krafft came running back, and, taking the lappel of his friend's coat, allowed his wit to play round the talent Maurice displayed for wearing dead men's shoes.

CARMEN was given that night in the theatre; Maurice had fetched tickets from the box-office in the morning. An ardent liking for the theatre had sprung up in Louise of late; and they were there sometimes two or three evenings in succession. Besides this, CARMEN was her favourite opera, which she never missed. They heard it from the second-top gallery. Leaning back in his corner, Maurice could see little of the stage; but the bossy waves of his companion's head were sharply outlined for him against the opposite tier.

Louise was engrossed in what was happening on the stage; her eyes were wide open, immovable. He had never known anyone surrender himself so utterly to the mimic life of the theatre. Under the influence of music or acting that gripped her, Louise lost all remembrance of her surroundings: she lived blindly into this unreal world, without the least attempt at criticism. Afterwards, she returned to herself tired and dispirited, and with a marked distaste for the dullness of real life. Here, since the first lively clash of the orchestra, since the curtain rose on gay Sevilla, she had been as far away from him as if she were on another planet. Not, he was obliged to confess to himself, that it made very much difference. Though he was now her constant companion, though his love for her was stronger than it had ever been, he knew less of her to-day than he had known six months ago, when one all-pervading emotion had made her life an open book.