Maurice Guest

by Henry Handel Richardson

But the moment came when his arm sank powerless to his side, when, if his life had depended on it, he could not have struck another blow. With difficulty, he rose to his feet; and such was the apathy that came over him, that it was all he could do to drag himself to the sofa. Once there, he leaned back and closed his eyes.

For half an hour or more, neither of them stirred. Then, when she understood that he had done, that he was not coming back to her, Louise pulled herself into a sitting position, and from there to her feet. She could hardly stand; her head swam; not an inch of her body but ached and stung. Her exaltation had left her now; she began to feel sick, and, going over to the bed, she fell heavily upon it.

Maurice heard her movements; but so incapable did he feel of further effort that lie remained sitting, with his eyes shut. A new sound roused him: she was shivering, and with such violence that the bedstead was shaken. After a crucial struggle with himself, he rose, and crossed the room. She was lying outside the bedclothes. He pulled off an eider-down quilt, and spread it over her. As he did this, his arms were round her, all the beloved body was in his grasp. When he had finished, he did not remove them, but, kneeling down beside the bed, pressed his face to the quilt, and to the warm body below.

And so the night wore away.

XI.

Throughout February, and the greater part of March, the HAUPTPRUFUNGEN were held in the Conservatorium: twice a week, from six to eight o'clock in the evening, the concert hall was crammed with an eager crowd. To these concerts, the outside public was admitted, the critics were invited, and the performances received notices in the newspapers; in short, the outgoing student was, for the first time, treated like a real debutant. Concerted music was accompanied by the full orchestra; the large gallery that ran round the hall was opened up; and the girls, whose eager faces hung over its edge, were more brightly decked than usual, in ribbons and laces. Some of those who stepped down the platform seemed thoroughly to relish their first taste of publicity; others, on the contrary, were awkward and abashed, and did not venture to notice the encouragement that greeted their entrance. There were players as composed as the most hardened virtuosi; others, again, who were overcome by stage-fright to such an extent that they barely escaped a total fiasco.

The success of the year was Dove, in his performance of Chopin's Concerto in E minor. Dove's unshakable self-possession was here of immense value to him. Not a note was missed, not a turn slurred; the runs and brilliant passage-work of the concerto left his fingers like showers of pearls; his touch had the necessary delicacy, and, in addition to this, his reading was quite a revelation to his friends in the matter of TEMPERAMENT. It is true that Schwarz prohibited any undignified display of the emotional side of Chopin; the interpretation had to be on classical lines; but even the most determined opponents of Schwarz's method were forced to acknowledge that Dove made no mean show of the poetic contents of the music. The master himself, in his imperturbable way—he chose to act as if, all along, he had had this surprise for people up his sleeve—the master was in transports. His stern face wore an almost genial expression; he smiled, and talked loudly, and, when the performance was over, hurried to and fro, full of importance, shaking hands and accepting congratulations, with a fine shade of reserve. Dove's fellow-pupils were enraptured for Schwarz's sake; for, undeniably, the master's numbers this year were poor, compared with those of other teachers. It behoved the remainder to make the most of this isolated triumph; they did so, and were entertained by Schwarz at a special dinner, where many healths were drunk.

Those who had "made their PRUFUNG," as the phrase ran, were, as a rule, glad to leave Leipzig when the ordeal was behind them. But Dove, who, on the day following his performance, when his name was to be read in the newspapers accompanied by various epithets of praise, had proposed and been accepted, and was this time returning to England a solemnly engaged man—Dove waited a week for his fiancee and her family, who had not been prepared for so sudden a move. He was the man of the hour. As a response to the flattering notices, he had called on all his critics, and been received by several; and he could hardly walk a street-length, without running the gauntlet of some belated congratulation. Schwarz had spoken seriously to him about prosecuting his studies for a further year, with the not impossible prospect of a performance in the Gewandhaus at the end of it; but Dove had laid before his master the reasons why this could not be: he was no longer a free man; there were now other wishes to be consulted in addition to his own. Besides, if the truth must be told, Dove had higher aims, and these led him imperatively back to England.

Madeleine was ready to leave a couple of days after her last performance. Her plans for the future were fixed and sure. She had long ago given up making adventurous schemes for storming America: that had merely been her contribution to the romance of the place. Now she was hastening away to spend the month of March in Paris; she was not due at the school to which she was returning till the end of April; and, in Paris, she intended to take a brief course of finishing lessons, to rub off what she called "German thoroughness." She, too, had made a highly successful exit, though without creating a furore like Dove. Since all she did was well done, it was not possible for her to be a surprise to anyone.