A LIGHT SOVEREIGN.
I.
THE cause of the uproar proved to be simple enough.
Emerging into the Bischofsplatz, from the street that I had followed, I found a great crowd gathered before the Marmorhof, shouting, “Death to Conrad!” and “Where is Mathilde?” with all the force of its collective lungs. The Marmorhof was the residence of Prince Conrad, brother to the reigning Grand Duke Otto—reigning, indeed, but now very old and ill, and like to die. The legitimate successor to the throne would have been Otto’s grand-daughter, Mathilde, the only surviving child of his eldest son, Franz-Victor, who had been dead these ten years. But the Grand Duke’s brother, Conrad, was covetous of her rights; covetous, and, as her friends alleged, unscrupulous. For a long while, it was said, Mathilde had been in terror of her life. Conrad was unscrupulous, and, were she but out of the way, Conrad would come to reign. Rumour, indeed, whispered that he had made three actual attempts to compass her death: two by poison, one by the dagger, each, thanks to some miracle, unsuccessful. But, a fortnight since, upon the first supervention of fatal symptoms in the malady of poor old Otto, Mathilde had mysteriously disappeared. Her whereabouts unknown, all X———was in commotion.
“She has fled and is in hiding,” surmised some people, “to escape the designs of her wicked uncle.”
“No,” retorted others, “but he, the wicked uncle himself, has kidnapped and sequestered her, perhaps even made away with her. Who can tell?”
As an inquiring stranger, the situation interested me, and, from the top of a convenient doorstep, I gazed now upon this deep-voiced Teutonic mob with a good deal of curiosity.
It must have numbered upwards of a thousand individuals, compact in its centre and near the palace, but scattering towards its edges; a sea of faces, of pale, frowning faces; a surging, troubled sea. Young men’s faces for the most part; many of them beardless. “Students from the University,” I guessed.
My own station was at the outskirts of the assemblage, the station of a casual spectator. Sharing my door-step with me were a couple of sharp-faced priests, two or three prettyish young girls—bareheaded, presumably escaped from some of the neighbouring shops—and a young man with a pointed black beard, rather long black hair, and a broad-brimmed, soft felt hat, who somehow looked as if he might be a member of that guild to which I myself belonged, the ancient and questionable company of artists.