“Freddie Dor is an Irish baronet, whose sole fortune consists of an Irish bog. Then where does Lucilla Dor get her money? She spends—there's no limit to the extravagance with which she spends, to the luxury in which she lives. She has a great house in town, a great house in the country—Lord Bylton's place, Knelworth Castle—she's taken it on a lease. She has a villa near Florence. She entertains like a duchess. She has a box at the opera. She has motor-cars and electric broughams—you know what they cost. And sables and diamonds, she has as many as an Indian begum. Where does she get her money?”
Mrs. Wilberton eyed him with a kind of triumphant fierceness. Bertram had an uncomfortable laugh.
“It's conceivable,” he suggested, “that her husband's bog produces peat. But I should imagine, in the absence of other evidence, that her brother subsidises her.”
Mrs. Wilberton stared at him for a second doubtfully. “Of course you're not serious,” she said. “Brothers? Brothers don't do things on quite such a lavish scale.”
“Oh, but Ponty's different,” Bertram argued. “Ponty's eccentric. I could imagine Ponty doing things on a scale all his own. Anyhow, I don't see what there is to connect Lady Dor's affluence with Miss Adgate.”
“Ah,” said Mrs. Wilberton, with an air of being about to clench the matter, “the connection is unfortunately glaring. Lady Dor's affluence dates precisely from the moment of Miss Adgate's entrance upon the scene.” And with an air of having clenched the matter, she threw back her head.
Bertram bent his brow, as one in troubled thought. Then, presently, reviewing his impressions, “I never saw a nicer-looking girl,” he said. “I never saw a face that expressed finer or higher qualities. She doesn't look in the least like a girl with low ambitions,—like one who would try to buy her way into society, or pay people to find her a titled husband. And where, in all this, does Harry Pontycroft himself come in? I think you said that she had bought them both, brother and sister.”
“Ah,” cried Mrs. Wilberton, triumphing again, “you touch the very point. Harry Pontycroft was head over ears in debt to Miss Adgate's father.”
“Oh——?” said Bertram, his eyebrows going up.
“It's wheels within wheels,” said the lady. “Miss Adgate's father was a mysterious American who, for reasons of his own, had left his country, and never went back. He never went to his embassy, either: you can make what you will of that. And even in Europe he had no settled abode; he lived in hotels; he was always flitting—London,—Paris, Rome, Vienna. And wherever he went, though he knew no one else, he knew troops of young men—young men, mark, and young men with expectations. He wasn't received at his embassy; he wasn't received in a single decent house; he was an utter outcast and pariah; but he always managed to surround himself with troops of young men who had expectations. He was nothing more or less, in short, than a money-lender. Yes, your 'nice-looking' girl with the face full of high qualities, whom you think incapable of low ambitions, is just the daughter of a common money-lender—nothing better than that. And Henry Pontycroft was one of his victims. This, of course, was while Pontycroft was poor—while his rich cousin was alive and flourishing. And then, when the old usurer had him completely in his toils, he proposed a compact. If Pontycroft would exert his social influence on behalf of his daughter, and get her accepted in the right circles, Adgate would forgive him his debt, and pay him handsomely into the bargain. The next one knew, Miss Adgate was living with Lucilla Dor, like a member of the family, and Lucilla was beginning to spend money. Not long afterwards old Adgate died, and his daughter came into his millions. And so the ball goes on. They haven't ensnared a Duke for her yet, but that will only be a question of time.”