In a book written by Mirai ibn Yusef el Hanbali, are the names of twenty Arab women who improvised poetry. Among them are Leila, Leila el Akhyalîyeh, Lubna, Zeinab, Afra, Hind, May, Jenûb, Hubaish, Zarifeh, Jemîleh, Remleh, Lotifeh, and others. Most of the verses ascribed to them are erotic poetry of an amatory character, full of the most extravagant expressions of devotion of which language is capable, and yet the greater part of it hardly bearing translation. It reminds one strikingly of Solomon's Song, full of passionate eloquence. And yet in the poetry of El Khunsa and others, which is of an elegiac character, there are passages full of sententious apothegms and proverbial wisdom.
CHAPTER II.
STATE OF WOMEN IN THE MOHAMMADAN WORLD.
Our knowledge of the position of women among the Mohammedans is derived from the Koran, Moslem tradition, and Moslem practice.
I. In the first place, the Koran does not teach that women have no souls. Not only was Mohammed too deeply indebted to his rich wife Khadijah, to venture such an assertion, but he actually teaches in the Koran the immortality and moral responsibility of women. One of his wives having complained to him that God often praised the men, but not the women who had fled the country for the faith, he immediately produced the following revelation:
"I will not suffer the work of him among you who worketh to be lost, whether he be male or female." (Sura iii.)
In Sura iv. it is said:
"Whoso doeth good works, and is a true believer, whether male or female, shall be admitted into Paradise."