"It is as obvious as all that, then?" queried Bartley.
"I wouldn't say that," stated the Senator carefully. "But after you bumped into me, and then stepped into the agent, and then turned around and took in my scenery, noticin' the set of my legs, I says to myself, 'painter-man or writer.' It was kind of in your eye. I figured you wa'n't no painter-man when you looked at the oil paintin' over the bar.
"A painter-man would 'a' looked sad or said somethin', for that there paintin' is the most gosh-awful picture of what a puncher might look like after a cyclone had hit him. I took a painter-man in there once, to get a drink. He took one look at that picture, and then he says, kind of sorrowful: 'Is this the only place in town where they serve liquor?' I told him it was. 'Let's go over and tackle the pump,' he says. But we had our drink. I told him just to turn his back on that picture when he took his."
"I might be anything but a writer," said Bartley.
"That's correct. But you ain't."
"You hit the nail on the head. However, I can't just follow your line of reasoning it out."
"Easy. Elimination. Now a tourist, regular, stares at folks and things. But a painter or writer he takes things in without starin'. There's some difference. I knew you were a man who did things. It's in your eye."
"Well," laughed Bartley, "I took you for a cattleman the minute I saw you."
"Which was a minute too late, eh?"
"I don't know about that. Since I've been sitting here looking at the mesa and those wonderful buttes over there, and watching the natives come and go, I have begun to feel that I don't care so much about that train, after all. I like this sort of thing. You see, I planned to visit California, but there was nothing definite about the plan. I chose California because I had heard so much about it. It doesn't matter much where I go. By the way, my name is Bartley."