The Señora would take her siesta. Possibly her guest would smoke and entertain Anita with news from the Concho and of the Patron Loring and of his own rancho. Anita was not of what you say the kind to do the much talking, but she had a heart. Of that the Señora had reason to be assured. Had not Anita gone, each day, to the gate and stood gazing down the road? Surely there was nothing to see save the mesas. Had she not begged to be allowed to visit the Loring hacienda not of so very long time past? And Anita had not been to the Loring hacienda for a year or more. Such things were significant. And the Señora gestured toward her own bosom, implying that she of a surety knew from which quarter the south wind blew.
All of which delighted the already joyous Sundown. He saw before him a flower-bordered pathway to his happiness, and incidentally, as he gazed down the pathway toward the gate of Chico Miguel's homestead, he saw Anita standing pensively beneath the shade of an acacia, pulling a flower to pieces and casting quick glances at the house. "Good-night, Señora,—I mean—er—here's hopin' you have a good sleep. It sure is refreshin' this hot weather." The Señora nodded and disappeared in the bedroom. Sundown strode jingling down the pathway, a brave figure in his glittering chaps and tinkling spurs. Anita's eyes were hidden beneath her long black lashes. Perhaps she had anticipated something of that which followed—perhaps she anticipated even more. In any event, Sundown was not a disappointment. He asked her to sit beside him beneath the acacia. Then he took her hand and squeezed it. "Let's jest sit here and look out at them there mesas dancin' in the sun; and say, 'Nita, let's jest say nothin' for a spell. I'm so right down happy that suthin' hurts me throat."
When Chico Miguel returned in the dusk of evening, humming a song of the herd, he was not a little surprised to find that Anita was absent. He questioned the Señora, who smiled as she bustled about the table. "Tortillas," she said, and was gratified at the change in Chico Miguel's expression. Then she explained the presence of the broad new Stetson that lay on a chair, adding a gesture toward the gateway. "It is the tall one and our daughter—he of the grand manner and the sad countenance. It is possible that a new home will be thought of for Anita." There had been conversations that afternoon with the tall caballero and understandings. Chico Miguel was to wash himself and put on his black suit. It was an event—and there were tortillas.
Chico Miguel wondered why the hour of eating had been so long past. To which the Señora replied that he had just arrived, and, moreover, that she had already called to Anita this the third time, yet had had no response. Chico Miguel moved toward the doorway, but his wife laid her hand on his arm. "It is that you take the big guitar and play the 'Linda Rosa, Adios.' Then, to be sure, they will hear and the supper will not grow cold."
Grumblingly Chico Miguel took his guitar and struck the opening chords of the song. Presently up the pathway came two shadowy figures, close together and seemingly in no haste. As they entered the house, Sundown apologized for having delayed supper, stating that he had been so interested in discussing with Anita the "best breed of chickens to raise for eggs," that other things had for the nonce not occupied his attention. "And we're sure walkin' on music," he added. "Jest steppin' along on the notes of that there song. I reckon I got to get one of them leetle potato-bug mandolins and learn to tickle its neck. There's nothin' like music—exceptin'"—and he glanced at the blushing Anita—"exceptin' ranchin'."
It was late when Sundown finally departed, He grew anxious as he rode across the mesas, wondering if he had not taken advantage, as it were, of Gentle Annie's good nature, and whether or not the chickens were very hungry. Chance plodded beside him, a vague shadow in the starlight. The going was more or less rough and Pill dodged many gopher-holes, to the peril of his rider's equilibrium. Yet Sundown was glad that it was night. There was nothing to divert him from the golden dreams of the future. He felt that success, as he put it, "was hangin' around the door whinin' to be let in." He formulated a creed for himself and told the stars. "I believe in meself—you bet." Yet he was honest with his soul. "I know more about everything and less about anything than anybody—exceptin' po'try and cookin'. But gettin' along ain't jest what you know. It's more like what you do. They's fellas knows more than I could learn in four thousand eight hundred and seventy-six years, but that don't help 'em get along none. It's what you know inside what counts."
He lapsed into silence and slouched in the saddle. Presently he nodded, recovered, and nodded again. He would not wittingly have gone to sleep in the saddle, being as yet too unaccustomed to riding to relax to that extent. But sleep had something to say anent the matter. He dozed, clasping the saddle-horn instinctively. Pill plodded along patiently. The east grew gray, then rose-pink, then golden. The horse lifted its head and quickened pace. Sundown swayed and nodded.
His uneasy slumber was broken by an explosive bark from Chance. Sundown straightened and rubbed his eyes. Before him lay the ranch-house, glittering in the sun. Out on the mesa grazed a herd of sheep and past them another and another. Again he rubbed his eyes.
Then he distinguished several saddle-horses tied to the fence surrounding the water-hole and there were figures of men walking to and from his house, many of them. He set spur to Pill and loped up to the fence. A Mexican with a hard, lined face stepped up to him. "You vamose!" he said, pointing down the road.
Sundown stared at the men about the yard. Among them he recognized several of Loring's herders, armed and evidently equipped with horses, for they were booted and spurred. He pushed back his hat. "Vamose, eh? I'll be damned if I do."