Adela glanced at him for a moment with a little flush that subsided into a smile. "To what dreadful injury is that the prelude?" she asked.

"It's the prelude to nothing. It refers to the past—to any possible displeasure I may have caused you."

"Your scruples are unnecessary, Mr. Ludlow. If you had given me offence, I should not have left you to apologize for it. I should not have left the matter to occur to you as you sat dreaming charitably in the sun."

"What would you have done?"

"Done? nothing. You don't imagine I would have rebuked you—or snubbed you—or answered you back, I take it. I would have left undone—what, I can't tell you. Ask yourself what I have done. I'm sure I hardly know myself," said Adela, with some intensity. "At all events, here I am sitting with you in the fields, as if you were a friend of years. Why do you speak of offence?" And Adela (an uncommon accident with her) lost command of her voice, which trembled ever so slightly. "What an odd thought! why should you offend me? Do I invite it?" Her color had deepened again, and her eyes brightened. She had forgotten herself, and before speaking had not, as was her wont, sought counsel of that staunch conservative, her taste. She had spoken from a full heart—a heart which had been filling rapidly since the outset of their walk with a feeling almost passionate in its quality, and which that little blast of prose which had brought her Ludlow's announcement of his departure, had caused to overflow. The reader may give this feeling such a name as he pleases. We will content ourselves with saying that Adela had played with fire so effectually that she had been scorched. The slight vehemence of the speech just quoted had covered her sensation of pain.

"You pull one up rather short, Miss Moore," said Ludlow. "A man says the best he can."

Adela made no reply. For a moment she hung her head. Was she to cry out because she was hurt? Was she to introduce her injured soul as an impertinent third into the company? No! Here our reserved and contemplative heroine is herself again. Her part was still to be the perfect young lady. For our own part, we can imagine no figure more bewitching than that of the perfect young lady under these circumstances; and if Adela had been the most accomplished coquette in the world she could not have assumed a more becoming expression than the air of languid equanimity which now covered her features. But having paid this generous homage to propriety, she felt free to suffer. Raising her eyes from the ground, she abruptly addressed her companion with this injunction:

"Mr. Ludlow," said she, "tell me something about yourself."

Ludlow burst into a laugh. "What shall I tell you?"

"Everything."