'That's what I am curious to see.' And Lyon added, privately, 'Mercy on us, what he must have made of her!' He kept this reflection to himself, for he considered that he had sufficiently betrayed his state of mind with regard to Mrs. Capadose. None the less it occupied him now immensely, the question of how such a woman would arrange herself in such a predicament. He watched her with an interest deeply quickened when he mingled with the company; he had had his own troubles in life, but he had rarely been so anxious about anything as he was now to see what the loyalty of a wife and the infection of an example would have made of an absolutely truthful mind. Oh, he held it as immutably established that whatever other women might be prone to do she, of old, had been perfectly incapable of a deviation. Even if she had not been too simple to deceive she would have been too proud; and if she had not had too much conscience she would have had too little eagerness. It was the last thing she would have endured or condoned—the particular thing she would not have forgiven. Did she sit in torment while her husband turned his somersaults, or was she now too so perverse that she thought it a fine thing to be striking at the expense of one's honour? It would have taken a wondrous alchemy—working backwards, as it were—to produce this latter result. Besides these two alternatives (that she suffered tortures in silence and that she was so much in love that her husband's humiliating idiosyncrasy seemed to her only an added richness—a proof of life and talent), there was still the possibility that she had not found him out, that she took his false pieces at his own valuation. A little reflection rendered this hypothesis untenable; it was too evident that the account he gave of things must repeatedly have contradicted her own knowledge. Within an hour or two of his meeting them Lyon had seen her confronted with that perfectly gratuitous invention about the profit they had made off his early picture. Even then indeed she had not, so far as he could see, smarted, and—but for the present he could only contemplate the case.

Even if it had not been interfused, through his uneradicated tenderness for Mrs. Capadose, with an element of suspense, the question would still have presented itself to him as a very curious problem, for he had not painted portraits during so many years without becoming something of a psychologist. His inquiry was limited for the moment to the opportunity that the following three days might yield, as the Colonel and his wife were going on to another house. It fixed itself largely of course upon the Colonel too—this gentleman was such a rare anomaly. Moreover it had to go on very quickly. Lyon was too scrupulous to ask other people what they thought of the business—he was too afraid of exposing the woman he once had loved. It was probable also that light would come to him from the talk of the rest of the company: the Colonel's queer habit, both as it affected his own situation and as it affected his wife, would be a familiar theme in any house in which he was in the habit of staying. Lyon had not observed in the circles in which he visited any marked abstention from comment on the singularities of their members. It interfered with his progress that the Colonel hunted all day, while he plied his brushes and chatted with Sir David; but a Sunday intervened and that partly made it up. Mrs. Capadose fortunately did not hunt, and when his work was over she was not inaccessible. He took a couple of longish walks with her (she was fond of that), and beguiled her at tea into a friendly nook in the hall. Regard her as he might he could not make out to himself that she was consumed by a hidden shame; the sense of being married to a man whose word had no worth was not, in her spirit, so far as he could guess, the canker within the rose. Her mind appeared to have nothing on it but its own placid frankness, and when he looked into her eyes (deeply, as he occasionally permitted himself to do), they had no uncomfortable consciousness. He talked to her again and still again of the dear old days—reminded her of things that he had not (before this reunion) the least idea that he remembered. Then he spoke to her of her husband, praised his appearance, his talent for conversation, professed to have felt a quick friendship for him and asked (with an inward audacity at which he trembled a little) what manner of man he was. 'What manner?' said Mrs. Capadose. 'Dear me, how can one describe one's husband? I like him very much.'

'Ah, you have told me that already!' Lyon exclaimed, with exaggerated ruefulness.

'Then why do you ask me again?' She added in a moment, as if she were so happy that she could afford to take pity on him, 'He is everything that's good and kind. He's a soldier—and a gentleman—and a dear! He hasn't a fault. And he has great ability.'

'Yes; he strikes one as having great ability. But of course I can't think him a dear.'

'I don't care what you think him!' said Mrs. Capadose, looking, it seemed to him, as she smiled, handsomer than he had ever seen her. She was either deeply cynical or still more deeply impenetrable, and he had little prospect of winning from her the intimation that he longed for—some hint that it had come over her that after all she had better have married a man who was not a by-word for the most contemptible, the least heroic, of vices. Had she not seen—had she not felt—the smile go round when her husband executed some especially characteristic conversational caper? How could a woman of her quality endure that day after day, year after year, except by her quality's altering? But he would believe in the alteration only when he should have heard her lie. He was fascinated by his problem and yet half exasperated, and he asked himself all kinds of questions. Did she not lie, after all, when she let his falsehoods pass without a protest? Was not her life a perpetual complicity, and did she not aid and abet him by the simple fact that she was not disgusted with him? Then again perhaps she was disgusted and it was the mere desperation of her pride that had given her an inscrutable mask. Perhaps she protested in private, passionately; perhaps every night, in their own apartments, after the day's hideous performance, she made him the most scorching scene. But if such scenes were of no avail and he took no more trouble to cure himself, how could she regard him, and after so many years of marriage too, with the perfectly artless complacency that Lyon had surprised in her in the course of the first day's dinner? If our friend had not been in love with her he could have taken the diverting view of the Colonel's delinquencies; but as it was they turned to the tragical in his mind, even while he had a sense that his solicitude might also have been laughed at.

The observation of these three days showed him that if Capadose was an abundant he was not a malignant liar and that his fine faculty exercised itself mainly on subjects of small direct importance. 'He is the liar platonic,' he said to himself; 'he is disinterested, he doesn't operate with a hope of gain or with a desire to injure. It is art for art and he is prompted by the love of beauty. He has an inner vision of what might have been, of what ought to be, and he helps on the good cause by the simple substitution of a nuance. He paints, as it were, and so do I!' His manifestations had a considerable variety, but a family likeness ran through them, which consisted mainly of their singular futility. It was this that made them offensive; they encumbered the field of conversation, took up valuable space, converted it into a sort of brilliant sun-shot fog. For a fib told under pressure a convenient place can usually be found, as for a person who presents himself with an author's order at the first night of a play. But the supererogatory lie is the gentleman without a voucher or a ticket who accommodates himself with a stool in the passage.

In one particular Lyon acquitted his successful rival; it had puzzled him that irrepressible as he was he had not got into a mess in the service. But he perceived that he respected the service—that august institution was sacred from his depredations. Moreover though there was a great deal of swagger in his talk it was, oddly enough, rarely swagger about his military exploits. He had a passion for the chase, he had followed it in far countries and some of his finest flowers were reminiscences of lonely danger and escape. The more solitary the scene the bigger of course the flower. A new acquaintance, with the Colonel, always received the tribute of a bouquet: that generalisation Lyon very promptly made. And this extraordinary man had inconsistencies and unexpected lapses—lapses into flat veracity. Lyon recognised what Sir David had told him, that his aberrations came in fits or periods—that he would sometimes keep the truce of God for a month at a time. The muse breathed upon him at her pleasure; she often left him alone. He would neglect the finest openings and then set sail in the teeth of the breeze. As a general thing he affirmed the false rather than denied the true; yet this proportion was sometimes strikingly reversed. Very often he joined in the laugh against himself—he admitted that he was trying it on and that a good many of his anecdotes had an experimental character. Still he never completely retracted nor retreated—he dived and came up in another place. Lyon divined that he was capable at intervals of defending his position with violence, but only when it was a very bad one. Then he might easily be dangerous—then he would hit out and become calumnious. Such occasions would test his wife's equanimity—Lyon would have liked to see her there. In the smoking-room and elsewhere the company, so far as it was composed of his familiars, had an hilarious protest always at hand; but among the men who had known him long his rich tone was an old story, so old that they had ceased to talk about it, and Lyon did not care, as I have said, to elicit the judgment of those who might have shared his own surprise.

The oddest thing of all was that neither surprise nor familiarity prevented the Colonel's being liked; his largest drafts on a sceptical attention passed for an overflow of life and gaiety—almost of good looks. He was fond of portraying his bravery and used a very big brush, and yet he was unmistakably brave. He was a capital rider and shot, in spite of his fund of anecdote illustrating these accomplishments: in short he was very nearly as clever and his career had been very nearly as wonderful as he pretended. His best quality however remained that indiscriminate sociability which took interest and credulity for granted and about which he bragged least. It made him cheap, it made him even in a manner vulgar; but it was so contagious that his listener was more or less on his side as against the probabilities. It was a private reflection of Oliver Lyon's that he not only lied but made one feel one's self a bit of a liar, even (or especially) if one contradicted him. In the evening, at dinner and afterwards, our friend watched his wife's face to see if some faint shade or spasm never passed over it. But she showed nothing, and the wonder was that when he spoke she almost always listened. That was her pride: she wished not to be even suspected of not facing the music. Lyon had none the less an importunate vision of a veiled figure coming the next day in the dusk to certain places to repair the Colonel's ravages, as the relatives of kleptomaniacs punctually call at the shops that have suffered from their pilferings.

'I must apologise, of course it wasn't true, I hope no harm is done, it is only his incorrigible——' Oh, to hear that woman's voice in that deep abasement! Lyon had no nefarious plan, no conscious wish to practise upon her shame or her loyalty; but he did say to himself that he should like to bring her round to feel that there would have been more dignity in a union with a certain other person. He even dreamed of the hour when, with a burning face, she would ask him not to take it up. Then he should be almost consoled—he would be magnanimous.