“Decidedly then you go?” It was spoken almost with the note of irritation.
“Decidedly.”
“But of course you’ll come and take leave—?” His manner implied that the omission would be uncivil, but there seemed to Longmore himself something so ludicrous in his taking a lesson in consideration from M. de Mauves that he put the appeal by with a laugh. The Count frowned as if it were a new and unpleasant sensation for him to be left at a loss. “Ah you people have your facons!” he murmured as Longmore turned away, not foreseeing that he should learn still more about his facons before he had done with him.
Longmore sat down to dinner at his hotel with his usual good intentions, but in the act of lifting his first glass of wine to his lips he suddenly fell to musing and set down the liquor untasted. This mood lasted long, and when he emerged from it his fish was cold; but that mattered little, for his appetite was gone. That evening he packed his trunk with an indignant energy. This was so effective that the operation was accomplished before bedtime, and as he was not in the least sleepy he devoted the interval to writing two letters, one of them a short note to Madame de Mauves, which he entrusted to a servant for delivery the next morning. He had found it best, he said, to leave Saint-Germain immediately, but he expected to return to Paris early in the autumn. The other letter was the result of his having remembered a day or two before that he had not yet complied with Mrs. Draper’s injunction to give her an account of his impression of her friend. The present occasion seemed propitious, and he wrote half a dozen pages. His tone, however, was grave, and Mrs. Draper, on reading him over, was slightly disappointed—she would have preferred he should have “raved” a little more. But what chiefly concerns us is the concluding passage.
“The only time she ever spoke to me of her marriage,” he wrote, “she intimated that it had been a perfect love-match. With all abatements, I suppose, this is what most marriages take themselves to be; but it would mean in her case, I think, more than in that of most women, for her love was an absolute idealisation. She believed her husband to be a hero of rose-coloured romance, and he turns out to be not even a hero of very sad-coloured reality. For some time now she has been sounding her mistake, but I don’t believe she has yet touched the bottom. She strikes me as a person who’s begging off from full knowledge—who has patched up a peace with some painful truth and is trying a while the experiment of living with closed eyes. In the dark she tries to see again the gilding on her idol. Illusion of course is illusion, and one must always pay for it; but there’s something truly tragical in seeing an earthly penalty levied on such divine folly as this. As for M. de Mauves he’s a shallow Frenchman to his fingers’ ends, and I confess I should dislike him for this if he were a much better man. He can’t forgive his wife for having married him too extravagantly and loved him too well; since he feels, I suppose, in some uncorrupted corner of his being that as she originally saw him so he ought to have been. It disagrees with him somewhere that a little American bourgeoise should have fancied him a finer fellow than he is or than he at all wants to be. He hasn’t a glimmering of real acquaintance with his wife; he can’t understand the stream of passion flowing so clear and still. To tell the truth I hardly understand it myself, but when I see the sight I find I greatly admire it. The Count at any rate would have enjoyed the comfort of believing his wife as bad a case as himself, and you’ll hardly believe me when I assure you he goes about intimating to gentlemen whom he thinks it may concern that it would be a convenience to him they should make love to Madame de Mauves.”
V
On reaching Paris Longmore straightaway purchased a Murray’s “Belgium” to help himself to believe that he would start on the morrow for Brussels; but when the morrow came it occurred to him that he ought by way of preparation to acquaint himself more intimately with the Flemish painters in the Louvre. This took a whole morning, but it did little to hasten his departure. He had abruptly left Saint-Germain because it seemed to him that respect for Madame de Mauves required he should bequeath her husband no reason to suppose he had, as it were, taken a low hint; but now that he had deferred to that scruple he found himself thinking more and more ardently of his friend. It was a poor expression of ardour to be lingering irresolutely on the forsaken boulevard, but he detested the idea of leaving Saint-Germain five hundred miles behind him. He felt very foolish, nevertheless, and wandered about nervously, promising himself to take the next train. A dozen trains started, however, and he was still in Paris. This inward ache was more than he had bargained for, and as he looked at the shop-windows he wondered if it represented a “passion.” He had never been fond of the word and had grown up with much mistrust of what it stood for. He had hoped that when he should fall “really” in love he should do it with an excellent conscience, with plenty of confidence and joy, doubtless, but no strange soreness, no pangs nor regrets. Here was a sentiment concocted of pity and anger as well as of admiration, and bristling with scruples and doubts and fears. He had come abroad to enjoy the Flemish painters and all others, but what fair-tressed saint of Van Eyck or Memling was so interesting a figure as the lonely lady of Saint-Germain? His restless steps carried him at last out of the long villa-bordered avenue which leads to the Bois de Boulogne.
Summer had fairly begun and the drive beside the lake was empty, but there were various loungers on the benches and chairs, and the great cafe had an air of animation. Longmore’s walk had given him an appetite, and he went into the establishment and demanded a dinner, remarking for the hundredth time, as he admired the smart little tables disposed in the open air, how much better (than anywhere else) they ordered this matter in France. “Will monsieur dine in the garden or in the salon?” the waiter blandly asked. Longmore chose the garden and, observing that a great cluster of June roses was trained over the wall of the house, placed himself at a table near by, where the best of dinners was served him on the whitest of linen and in the most shining of porcelain. It so happened that his table was near a window and that as he sat he could look into a corner of the salon. So it was that his attention rested on a lady seated just within the window, which was open, face to face apparently with a companion who was concealed by the curtain. She was a very pretty woman, and Longmore looked at her as often as was consistent with good manners. After a while he even began to wonder who she was and finally to suspect that she was one of those ladies whom it is no breach of good manners to look at as often as you like. Our young man too, if he had been so disposed, would have been the more free to give her all his attention that her own was fixed upon the person facing her. She was what the French call a belle brune, and though Longmore, who had rather a conservative taste in such matters, was but half-charmed by her bold outlines and even braver complexion, he couldn’t help admiring her expression of basking contentment.
She was evidently very happy, and her happiness gave her an air of innocence. The talk of her friend, whoever he was, abundantly suited her humour, for she sat listening to him with a broad idle smile and interrupting him fitfully, while she crunched her bonbons, with a murmured response, presumably as broad, which appeared to have the effect of launching him again. She drank a great deal of champagne and ate an immense number of strawberries, and was plainly altogether a person with an impartial relish for strawberries, champagne and what she doubtless would have called betises.