“Where’s Miss Grey—where is she?” the young man asked.
Loder caught his arm as he was turning away again to look for his heroine. “Never mind her now—she knows it!”
Wayworth was approached at the same moment by a gentleman he knew as one of Mrs. Alsager’s friends—he had perceived him in that lady’s box. Mrs. Alsager was waiting there for the successful author; she desired very earnestly that he would come round and speak to her. Wayworth assured himself first that Violet had left the theatre—one of the actresses could tell him that she had seen her throw on a cloak, without changing her dress, and had learnt afterwards that she had, the next moment, flung herself, after flinging her aunt, into a cab. He had wished to invite half a dozen persons, of whom Miss Grey and her elderly relative were two, to come home to supper with him; but she had refused to make any engagement beforehand (it would be so dreadful to have to keep it if she shouldn’t have made a hit), and this attitude had blighted the pleasant plan, which fell to the ground. He had called her morbid, but she was immovable. Mrs. Alsager’s messenger let him know that he was expected to supper in Grosvenor Place, and half an hour afterwards he was seated there among complimentary people and flowers and popping corks, eating the first orderly meal he had partaken of for a week. Mrs. Alsager had carried him off in her brougham—the other people who were coming got into things of their own. He stopped her short as soon as she began to tell him how tremendously every one had been struck by the piece; he nailed her down to the question of Violet Grey. Had she spoilt the play, had she jeopardised or compromised it—had she been utterly bad, had she been good in any degree?
“Certainly the performance would have seemed better if she had been better,” Mrs. Alsager confessed.
“And the play would have seemed better if the performance had been better,” Wayworth said, gloomily, from the corner of the brougham.
“She does what she can, and she has talent, and she looked lovely. But she doesn’t see Nona Vincent. She doesn’t see the type—she doesn’t see the individual—she doesn’t see the woman you meant. She’s out of it—she gives you a different person.”
“Oh, the woman I meant!” the young man exclaimed, looking at the London lamps as he rolled by them. “I wish to God she had known you!” he added, as the carriage stopped. After they had passed into the house he said to his companion:
“You see she won’t pull me through.”
“Forgive her—be kind to her!” Mrs. Alsager pleaded.
“I shall only thank her. The play may go to the dogs.”