But for all it mattered now! "You'll see," he said, "that she's charming. I shall go for to-night to Oxford. I shall almost cross her on the way."
"Then if she's charming what am I to tell her from you in explanation of such strange behaviour as your flying away just as she arrives?"
"Ah you needn't mind about that—you needn't tell her anything."
She fixed him as if as never again. "It's none of my business, of course I feel; but isn't it a little cruel if you're engaged?"
Granger gave a laugh almost as odd as one of her own. "Oh you've cost me that!"—and he put out his hand to her.
She wondered while she took it. "Cost you—?"
"We're not engaged. Good-bye."
MRS. MEDWIN
CHAPTER I
"Well, we are a pair!" the poor lady's visitor broke out to her at the end of her explanation in a manner disconcerting enough. The poor lady was Miss Cutter, who lived in South Audley Street, where she had an "upper half" so concise that it had to pass boldly for convenient; and her visitor was her half-brother, whom she hadn't seen for three years. She was remarkable for a maturity of which every symptom might have been observed to be admirably controlled, had not a tendency to stoutness just affirmed its independence. Her present, no doubt, insisted too much on her past, but with the excuse, sufficiently valid, that she must certainly once have been prettier. She was clearly not contented with once—she wished to be prettier again. She neglected nothing that could produce that illusion, and, being both fair and fat, dressed almost wholly in black. When she added a little colour it was not, at any rate, to her drapery. Her small rooms had the peculiarity that everything they contained appeared to testify with vividness to her position in society, quite as if they had been furnished by the bounty of admiring friends. They were adorned indeed almost exclusively with objects that nobody buys, as had more than once been remarked by spectators of her own sex, for herself, and would have been luxurious if luxury consisted mainly in photographic portraits slashed across with signatures, in baskets of flowers beribboned with the cards of passing compatriots, and in a neat collection of red volumes, blue volumes, alphabetical volumes, aids to London lucidity, of every sort, devoted to addresses and engagements. To be in Miss Cutter's tiny drawing-room, in short, even with Miss Cutter alone—should you by any chance have found her so—was somehow to be in the world and in a crowd. It was like an agency—it bristled with particulars.