Mark Ambient lingered there, with his hands in his pockets. I felt, within a few moments, as if I had, morally speaking, taken several steps nearer to him. He looked weary, just as he faced me then, looked preoccupied, and as if there were something one might do for him. I was terribly conscious of the limits of my own ability, but I wondered what such a service might be, feeling at bottom, however, that the only thing I could do for him was to like him. I suppose he guessed this, and was grateful for what was in my mind; for he went on presently, “I have n’t the advantage of being an American. But I also notice a little, and I have an idea that—a—” here he smiled and laid his hand on my shoulder, “that even apart from your nationality, you are not destitute of intelligence! I have only known you half an hour, but—a—” And here he hesitated again. “You are very young, after all.”
“But you may treat me as if I could understand you!” I said; and before he left me to dress for dinner he had virtually given me a promise that he would.
When I went down into the drawing-room—I was very punctual—I found that neither my hostess nor my host had appeared. A lady rose from a sofa, however, and inclined her head as I rather surprisedly gazed at her. “I dare say you don’t know me,” she said, with the modern laugh. “I am Mark Ambient’s sister.” Whereupon I shook hands with her, saluting her very low. Her laugh was modern—by which I mean that it consisted of the vocal agitation which, between people who meet in drawing-rooms, serves as the solvent of social mysteries, the medium of transitions; but her appearance was—what shall I call it?—mediaeval. She was pale and angular, with a long, thin face, inhabited by sad, dark eyes, and black hair intertwined with golden fillets and curious chains. She wore a faded velvet robe, which clung to her when she moved, fashioned, as to the neck and sleeves, like the garments of old Venetians and Florentines. She looked pictorial and melancholy, and was so perfect an image of a type which I, in my ignorance, supposed to be extinct, that while she rose before me I was almost as much startled as if I had seen a ghost. I afterwards perceived that Miss Ambient was not incapable of deriving pleasure from the effect she produced, and I think this sentiment had something to do with her sinking again into her seat, with her long, lean, but not ungraceful arms locked together in an archaic manner on her knees, and her mournful eyes addressing themselves to me with an intentness which was a menace of what they were destined subsequently to inflict upon me. She was a singular, self-conscious, artificial creature, and I never, subsequently, more than half penetrated her motives and, mysteries. Of one thing I am sure, however: that they were considerably less extraordinary than her appearance announced. Miss Ambient was a restless, disappointed, imaginative spinster, consumed with the love of Michael-Angelesque attitudes and mystical robes; but I am pretty sure she had not in her nature those depths of unutterable thought which, when you first knew her, seemed to look out from her eyes and to prompt her complicated gestures. Those features, in especial, had a misleading eloquence; they rested upon you with a far-off dimness, an air of obstructed sympathy, which was certainly not always a key to the spirit of their owner; and I suspect that a young lady could not really have been so dejected and disillusioned as Miss Ambient looked, without having committed a crime for which she was consumed with remorse, or parted with a hope which she could not sanely have entertained. She had, I believe, the usual allowance of vulgar impulses: she wished to be looked at, she wished to be married, she wished to be thought original. It costs me something to speak in this irreverent manner of Mark Ambient’s sister, but I shall have still more disagreeable things to say before I have finished my little anecdote, and moreover,—I confess it,—I owe the young lady a sort of grudge. Putting aside the curious cast of her face, she had no natural aptitude for an artistic development,—she had little real intelligence. But her affectations rubbed off on her brother’s renown, and as there were plenty of people who disapproved of him totally, they could easily point to his sister as a person formed by his influence. It was quite possible to regard her as a warning, and she had done him but little good with the world at large. He was the original, and she was the inevitable imitation. I think he was scarcely aware of the impression she produced, beyond having a general idea that she made up very well as a Rossetti; he was used to her, and he was sorry for her,—wishing she would marry and observing that she did n’t Doubtless I take her too seriously, for she did me no harm, though I am bound to add that I feel I can only half account for her. She was not so mystical as she looked, but she was a strange, indirect, uncomfortable, embarrassing woman. My story will give the reader at best so very small a knot to untie that I need not hope to excite his curiosity by delaying to remark that Mrs. Ambient hated her sister-in-law. This I only found out afterwards, when I found out some other things. But I mention it at once, for I shall perhaps not seem to count too much on having enlisted the imagination of the reader if I say that he will already have guessed it Mrs. Ambient was a person of conscience, and she endeavored to behave properly to her kinswoman, who spent a month with her twice a year; but it required no great insight to discover that the two ladies were made of a very different paste, and that the usual feminine hypocrisies must have cost them, on either side, much more than the usual effort. Mrs. Ambient, smooth-haired, thin-lipped, perpetually fresh, must have regarded her crumpled and dishevelled visitor as a very stale joke; she herself was not a Rossetti, but a Gainsborough or a Lawrence, and she had in her appearance no elements more romantic than a cold, ladylike candor, and a well-starched muslin dress.
It was in a garment, and with an expression, of this kind, that she made her entrance, after I had exchanged a few words with Miss Ambient. Her husband presently followed her, and there being no other company we went to dinner. The impression I received from that repast is present to me still. There were elements of oddity in my companions, but they were vague and latent, and did n’t interfere with my delight It came mainly, of course, from Ambient’s talk, which was the most brilliant and interesting I had ever heard. I know not whether he laid himself out to dazzle a rather juvenile pilgrim from over the sea; but it matters little, for it was very easy for him to shine. He was almost better as a talker than as a writer; that is, if the extraordinary finish of his written prose be really, as some people have maintained, a fault. There was such a kindness in him, however, that I have no doubt it gave him ideas to see me sit open-mouthed, as I suppose I did. Not so the two ladies, who not only were very nearly dumb from beginning to the end of the meal, but who had not the air of being struck with such an exhibition of wit and knowledge. Mrs. Ambient, placid and detached, met neither my eye nor her husband’s; she attended to her dinner, watched the servants, arranged the puckers in her dress, exchanged at wide intervals a remark with her sister-in-law, and while she slowly rubbed her white hands between the courses, looked out of the window at the first signs of twilight—the long June day allowing us to dine without candles.. Miss Ambient appeared to give little direct heed to her brother’s discourse; but on the other hand she was much engaged in watching its effect upon me. Her lustreless pupils continued to attach themselves to my countenance, and it was only her air of belonging to another century that kept them from being importunate. She seemed to look at me across the ages, and the interval of time diminished the vividness of the performance. It was as if she knew in a general way that her brother must be talking very well, but she herself was so rich in ideas that she had no need to pick them up, and was at liberty to see what would become of a young American when subjected to a high aesthetic temperature.
The temperature was æsthetic, certainly, but it was less so than I could have desired, for I was unsuccessful in certain little attempts to make Mark Ambient talk about himself I tried to put him on the ground of his own writings, but he slipped through my fingers every time and shifted the saddle to one of his contemporaries. He talked about Balzac and Browning, and what was being done in foreign countries, and about his recent tour in the East, and the extraordinary forms of life that one saw in that part of the world. I perceived that he had reasons for not wishing to descant upon literature, and suffered him without protest to deliver himself on certain social topics, which he treated with extraordinary humor and with constant revelations of that power of ironical portraiture of which his books are full. He had a great deal to say about London, as London appears to the observer who does n’t fear the accusation of cynicism, during the high-pressure time—from April to July—of its peculiarities. He flashed his faculty of making the fanciful real and the real fanciful over the perfunctory pleasures and desperate exertions of so many of his compatriots, among whom there were evidently not a few types for which he had little love. London bored him, and he made capital sport of it; his only allusion, that I can remember, to his own work was his saying that he meant some day to write an immense grotesque epic of London society. Miss Ambient’s perpetual gaze seemed to say to me: “Do you perceive how artistic we are? Frankly now, is it possible to be more artistic than this? You surely won’t deny that we are remarkable.” I was irritated by her use of the plural pronoun, for she had no right to pair herself with her brother; and moreover, of course, I could not see my way to include Mrs. Ambient. But there was no doubt that, for that matter, they were all remarkable, and, with all allowances, I had never heard anything so artistic. Mark Ambient’s conversation seemed to play over the whole field of knowledge and taste, and to flood it with light and color.
After the ladies had left us he took me into his study to smoke, and here I led him on to talk freely enough about himself. I was bent upon proving to him that I was worthy to listen to him, upon repaying him for what he had said to me before dinner, by showing him how perfectly I understood. He liked to talk; he liked to defend his ideas (not that I attacked them); he liked a little perhaps—it was a pardonable weakness—to astonish the youthful mind and to feel its admiration and sympathy. I confess that my own youthful mind was considerably astonished at some of his speeches; he startled me and he made me wince. He could not help forgetting, or rather he could n’t know, how little personal contact I had had with the school in which he was master; and he promoted me at a jump, as it were, to the study of its innermost mysteries. My trepidations, however, were delightful; they were just what I had hoped for, and their only fault was that they passed away too quickly; for I found that, as regards most things, I very soon seized Mark Ambient’s point of view. It was the point of view of the artist to whom every manifestation of human energy was a thrilling spectacle, and who felt forever the desire to resolve his experience of life into a literary form. On this matter of the passion for form,—the attempt at perfection, the quest for which was to his mind the real search for the holy grail,—he said the most interesting, the most inspiring things. He mixed with them a thousand illustrations from his own life, from other lives that he had known, from history and fiction, and above all from the annals of the time that was dear to him beyond all periods,—the Italian cinque-cento. I saw that in his books he had only said half of his thought, and what he had kept back—from motives that I deplored when I learnt them later—was the richer part It was his fortune to shock a great many people, but there was not a grain of bravado in his pages (I have always maintained it, though often contradicted), and at bottom the poor fellow, an artist to his fingertips, and regarding a failure of completeness as a crime, had an extreme dread of scandal. There are people who regret that having gone so far he did not go further; but I regret nothing (putting aside two or three of the motives I just mentioned), for he arrived at perfection, and I don’t see how you can go beyond that The hours I spent in his study—this first one and the few that followed it; they were not, after all, so numerous—seem to glow, as I look back on them, with a tone which is partly that of the brown old room, rich, under the shaded candlelight where we sat and smoked, with the dusky, delicate bindings of valuable books; partly that of his voice, of which I still catch the echo, charged with the images that came at his command. When we went back to the drawing-room we found Miss Ambient alone in possession of it; and she informed us that her sister-in-law had a quarter of an hour before been called by the nurse to see Dolcino, who appeared to be a little feverish.
“Feverish! how in the world does he come to be feverish?” Ambient asked. “He was perfectly well this afternoon.”
“Beatrice says you walked him about too much—you almost killed him.”
“Beatrice must be very happy—she has an opportunity to triumph!” Mark Ambient said, with a laugh of which the bitterness was just perceptible.
“Surely not if the child is ill,” I ventured to remark, by way of pleading for Mrs. Ambient.