“Well,” Mitchy said, “I should have adored her even if she HAD been able.”
Mrs. Brook had for some minutes played no audible part, but the acute observer we are constantly taking for granted would perhaps have detected in her, as one of the effects of the special complexion to-day of Vanderbank’s presence, a certain smothered irritation. “She couldn’t possibly have been able,” she now interposed, “with so loose—or rather, to express it more properly, with so perverse—a mother.”
“And yet, my dear lady,” Mitchy promptly qualified, “how if in little Aggie’s case the Duchess hasn’t prevented—?”
Mrs. Brook was full of wisdom. “Well, it’s a different thing. I’m not, as a mother—am I, Van?—bad ENOUGH. That’s what’s the matter with me. Aggie, don’t you see? is the Duchess’s morality, her virtue; which, by having it that way outside of you, as one may say, you can make a much better thing of. The child has been for Jane, I admit, a capital little subject, but Jane has kept her on hand and finished her like some wonderful piece of stitching. Oh as work it’s of a soigne! There it is—to show. A woman like me has to be HERSELF, poor thing, her virtue and her morality. What will you have? It’s our lumbering English plan.”
“So that her daughter,” Mitchy sympathised, “can only, by the arrangement, hope to become at the best her immorality and her vice?”
But Mrs. Brook, without an answer for the question, appeared suddenly to have plunged into a sea of thought. “The only way for Nanda to have been REALLY nice—!”
“Would have been for YOU to be like Jane?”
Mitchy and his hostess seemed for a minute, on this, to gaze together at the tragic truth. Then she shook her head. “We see our mistakes too late.” She repeated the movement, but as if to let it all go, and Vanderbank meanwhile, pulling out his watch, had got up with a laugh that showed some inattention and made to Mitchy a remark about their walking away together. Mitchy, engaged for the instant with Mrs. Brook, had assented only with a nod, but the attitude of the two men had become that of departure. Their friend looked at them as if she would like to keep one of them, and for a purpose connected somehow with the other, but was oddly, almost ludicrously, embarrassed to choose. What was in her face indeed during this short passage might prove to have been, should we penetrate, the flicker of a sense that in spite of all intimacy and amiability they could, at bottom and as things commonly turned out, only be united against her. Yet she made at the end a sort of choice in going on to Mitchy: “He hasn’t at all told you the real reason of Nanda’s idea that you should go in for Aggie.”
“Oh I draw the line there,” said Vanderbank. “Besides, he understands that too.”
Mitchy, on the spot, did himself and every one justice. “Why it just disposes of me, doesn’t it?”