Mr. Morrow had a subtle smile. “It wouldn’t be ‘Miss’—there’s a wife!”
“I mean is she a man?”
“The wife?”—Mr. Morrow was for a moment as confused as myself. But when I explained that I alluded to Dora Forbes in person he informed me, with visible amusement at my being so out of it, that this was the “pen-name” of an indubitable male—he had a big red moustache. “He goes in for the slight mystification because the ladies are such popular favourites. A great deal of interest is felt in his acting on that idea—which is clever, isn’t it?—and there’s every prospect of its being widely imitated.” Our host at this moment joined us again, and Mr. Morrow remarked invitingly that he should be happy to make a note of any observation the movement in question, the bid for success under a lady’s name, might suggest to Mr. Paraday. But the poor man, without catching the allusion, excused himself, pleading that, though greatly honoured by his visitor’s interest, he suddenly felt unwell and should have to take leave of him—have to go and lie down and keep quiet. His young friend might be trusted to answer for him, but he hoped Mr. Morrow didn’t expect great things even of his young friend. His young friend, at this moment, looked at Neil Paraday with an anxious eye, greatly wondering if he were doomed to be ill again; but Paraday’s own kind face met his question reassuringly, seemed to say in a glance intelligible enough: “Oh I’m not ill, but I’m scared: get him out of the house as quietly as possible.” Getting newspaper-men out of the house was odd business for an emissary of Mr. Pinhorn, and I was so exhilarated by the idea of it that I called after him as he left us: “Read the article in The Empire and you’ll soon be all right!”
CHAPTER V.
“Delicious my having come down to tell him of it!” Mr. Morrow ejaculated. “My cab was at the door twenty minutes after The Empire had been laid on my breakfast-table. Now what have you got for me?” he continued, dropping again into his chair, from which, however, he the next moment eagerly rose. “I was shown into the drawing-room, but there must be more to see—his study, his literary sanctum, the little things he has about, or other domestic objects and features. He wouldn’t be lying down on his study-table? There’s a great interest always felt in the scene of an author’s labours. Sometimes we’re favoured with very delightful peeps. Dora Forbes showed me all his table-drawers, and almost jammed my hand into one into which I made a dash! I don’t ask that of you, but if we could talk things over right there where he sits I feel as if I should get the keynote.”
I had no wish whatever to be rude to Mr. Morrow, I was much too initiated not to tend to more diplomacy; but I had a quick inspiration, and I entertained an insurmountable, an almost superstitious objection to his crossing the threshold of my friend’s little lonely shabby consecrated workshop. “No, no—we shan’t get at his life that way,” I said. “The way to get at his life is to—But wait a moment!” I broke off and went quickly into the house, whence I in three minutes reappeared before Mr. Morrow with the two volumes of Paraday’s new book. “His life’s here,” I went on, “and I’m so full of this admirable thing that I can’t talk of anything else. The artist’s life’s his work, and this is the place to observe him. What he has to tell us he tells us with this perfection. My dear sir, the best interviewer is the best reader.”
Mr. Morrow good-humouredly protested. “Do you mean to say that no other source of information should be open to us?”
“None other till this particular one—by far the most copious—has been quite exhausted. Have you exhausted it, my dear sir? Had you exhausted it when you came down here? It seems to me in our time almost wholly neglected, and something should surely be done to restore its ruined credit. It’s the course to which the artist himself at every step, and with such pathetic confidence, refers us. This last book of Mr. Paraday’s is full of revelations.”
“Revelations?” panted Mr. Morrow, whom I had forced again into his chair.
“The only kind that count. It tells you with a perfection that seems to me quite final all the author thinks, for instance, about the advent of the ‘larger latitude.’”