To this, as fairly lucid, Horton had applied his understanding. "You can't count up to ten?"

"Not all the way. Still," our young man smiled, "the greater inspiration may now give me the lift."

His guest looked as if one might by that time almost have doubted. But it was indeed an extraordinary matter. "How comes it then that your want of arithmetic hasn't given you a want of order?—unless indeed I'm mistaken and you were perhaps at sixes and sevens?"

"Well, I think I was at sixes—though I never got up to sevens! I've never had the least rule or method; but that has been a sort of thing I could more or less cover up—from others, I mean, not from myself, who have always been helplessly ashamed of it. It hasn't been the disorder of extravagance," Gray explained, "but the much more ignoble kind, the wasteful thrift that doesn't really save, that simply misses, and that neither enjoys things themselves nor enjoys their horrid little equivalent of hoarded pence. I haven't needed to count far, the fingers of one hand serving for my four or five possessions; and also I've kept straight not by taking no liberties with my means, but by taking none with my understanding of them. From fear of counting wrong, and from loathing of the act of numerical calculation, and of the humiliation of having to give it up after so few steps from the start, I've never counted at all—and that, you see, is what has saved me. That has been my sort of disorder—which you'll agree is the most pitiful of all."

Horton once more turned away from him, but slowly this time, not in impatience, rather with something of the preoccupation of a cup-bearer whose bowl has been filled to the brim and who must carry it a distance with a steady hand. So for a minute or two might he have been taking this care; at the end of which, however, Gray saw him stop in apparent admiration before a tall inlaid and brass-bound French bahut; with the effect, after a further moment, of a sharp break of their thread of talk. "You've got some things here at least to enjoy and that you ought to know how to keep hold of; though I don't so much mean," he explained, "this expensive piece of furniture as the object of interest perched on top."

"Oh the ivory tower!—yes, isn't that, Vinty, a prize piece and worthy of the lovely name?"

Vinty remained for the time all admiration, having, as you would easily have seen, lights enough to judge by. "It appears to have been your uncle's only treasure—as everything else about you here is of a newness! And it isn't so much too small, Gray," he laughed, "for you to get into it yourself, when you want to get rid of us, and draw the doors to. If it's a symbol of any retreat you really have an eye on I much congratulate you; I don't know what I wouldn't give myself for the 'run' of an ivory tower."

"Well, I can't ask you to share mine," Gray returned; "for the situation to have a sense, I take it, one must sit in one's tower alone. And I should properly say," he added after an hesitation, "that mine is the one object, all round me here, that I don't owe my uncle: it has been placed at my disposition, in the handsomest way in the world, by Rosanna Gaw."

"Ah that does increase the interest—even if susceptible of seeming to mean, to one's bewilderment, that it's the sort of thing she would like to thrust you away into; which I hope, however, is far from the case. Does she then keep ivory towers, a choice assortment?" Horton quite gaily continued; "in the sense of having a row of them ready for occupation, and with tenants to match perchable in each and signalling along the line from summit to summit? Because"—and, facing about from his contemplation, he piled up his image even as the type of object represented by it might have risen in the air—"you give me exactly, you see, the formula of that young lady herself: perched aloft in an ivory tower is what she is, and I'll be hanged if this isn't a hint to you to mount, yourself, into just such another; under the same provocation, I fancy her pleading, as she has in her own case taken for sufficient." Thus it was that, suddenly more brilliant than ever yet, to Graham's apprehension, you might well have guessed, his friend stood nearer again—stood verily quite irradiating responsive ingenuity. Markedly would it have struck you that at such instants as this, most of all, the general hush that was so thick about them pushed upward and still further upward the fine flower of the inferential. Following the pair closely from the first, and beginning perhaps with your idea that this life of the intelligence had its greatest fineness in Gray Fielder, you would by now, I dare say, have been brought to a more or less apprehensive foretaste of its possibilities in our other odd agent. For how couldn't it have been to the full stretch of his elastic imagination that Haughty was drawn out by the time of his putting a certain matter beautifully to his companion? "Don't I, 'gad, take the thing straight over from you—all of it you've been trying to convey to me here!—when I see you, up in the blue, behind your parapet, just gracefully lean over and call down to where I mount guard at your door in the dust and comparative darkness? It's well to understand"—his thumbs now in his waistcoat-holes he measured his idea as if Gray's own face fairly reflected it: "you want me to take all the trouble for you simply, in order that you may have all the fun. And you want me at the same time, in order that things shall be for you at their ideal of the easiest, to make you believe, as a salve to your conscience, that the fun isn't so mixed with the trouble as that you can't have it, on the right arrangement made with me, quite by itself. This is most ingenious of you," Horton added, "but it doesn't in the least show me, don't you see? where my fun comes in."

"I wonder if I can do that," Gray returned, "without making you understand first something of the nature of mine—or for that matter without my first understanding myself perhaps what my queer kind of it is most likely to be."