The little place is so rural and tranquil, and yet discreetly animated, that its being within the town is, for convenience and immediate accessibility, purely to the good; and the house itself, though modest and unelaborate, full of a charming little stamp and dignity of its period (about 1705) without as well as within. The next time I go down to see to its "doing up," I will try to have a photograph taken of the pleasant little old-world town-angle into which its nice old red-bricked front, its high old Georgian doorway and a most delightful little old architectural garden-house, perched alongside of it on its high brick garden-wall—into which all these pleasant features together so happily "compose." Two years ago, after I had lost my heart to it—walking over from Point Hill to make sheep's eyes at it (the more so that it is called Lamb House!)—there was no appearance whatever that one could ever have it; either that its fond proprietor would give it up or that if he did it would come at all within one's means. So I simply sighed and renounced; tried to think no more about it; till at last, out of the blue, a note from the good local ironmonger, to whom I had whispered at the time my hopeless passion, informed me that by the sudden death of the owner and the preference (literal) of his son for Klondyke, it might perhaps drop into my lap. Well, to make a long story short, it did immediately drop and, more miraculous still to say, on terms, for a long lease, well within one's means—terms quite deliciously moderate. The result of these is, naturally, that they will "do" nothing to it: but, on the other hand, it has been so well lived in and taken care of that the doing—off one's own bat—is reduced mainly to sanitation and furnishing—which latter includes the peeling off of old papers from several roomfuls of pleasant old top-to-toe wood panelling. There are two rooms of complete old oak—one of them a delightful little parlour, opening by one side into the little vista, church-ward, of the small old-world street, where not one of the half-dozen wheeled vehicles of Rye ever passes; and on the other straight into the garden and the approach, from that quarter, to the garden-house aforesaid, which is simply the making of a most commodious and picturesque detached study and workroom. Ten days ago Alfred Parsons, best of men as well as best of landscape-painters-and-gardeners, went down with me and revealed to me the most charming possibilities for the treatment of the tiny out-of-door part—it amounts to about an acre of garden and lawn, all shut in by the peaceful old red wall aforesaid, on which the most flourishing old espaliers, apricots, pears, plums and figs, assiduously grow. It appears that it's a glorious little growing exposure, air, and soil—and all the things that were still flourishing out of doors (November 20th) were a joy to behold. There went with me also a good friend of mine, Edward Warren, a very distingué architect and loyal spirit, who is taking charge of whatever is to be done. So I hope to get in, comfortably enough, early in May. In the meantime one must "pick up" a sufficient quantity of ancient mahogany-and-brass odds and ends—a task really the more amusing, here, where the resources are great, for having to be thriftily and cannily performed. The house is really quite charming enough in its particular character, and as to the stamp of its period, not to do violence to by rash modernities; and I am developing, under its influence and its inspiration, the most avid and gluttonous eye and most infernal watching patience, in respect of lurking "occasions" in not too-delusive Chippendale and Sheraton. The "King's Room" will be especially treated with a preoccupation of the comfort and aesthetic sense of cherished sisters-in-law; King's Room so-called by reason of George Second having passed a couple of nights there and so stamped it for ever. (He was forced ashore, at Rye, on a progress somewhere with some of his ships, by a tempest, and accommodated at Lamb House as at the place in the town then most consonant with his grandeur. It would, for that matter, quite correspond to this description still. Likewise the Mayors of Rye have usually lived there! Or the persons usually living there have usually become mayors! That was conspicuously the case with the late handsome old Mr. Bellingham, whose son is my landlord. So you see the ineluctable dignity in store for me.) But enough of this swagger. I have been copious to copiously amuse you.

Your beautiful letter, which I have just read over again, is full of interest about you all; causing me special joy as to what it says of William's present and prospective easier conditions of work, relinquishment of laboratory, refusal of outside lectures, etc., and of the general fine performance, and promise, all round, of the children. What you say of each makes me want to see that particular one most.... I had a very great pleasure the other day in a visit, far too short—only six hours—from dear old Howells, who did me a lot of good in an illuminating professional (i.e. commercial) way, and came, in fact, at quite a psychological moment. I hope you may happen to see him soon enough to get from him also some echo of me—such as it may be. But, my dear Alice, I must be less interminable. Please tell William that I have two Syracuse "advices," as yet gracelessly unacknowledged—I mean to him—to thank him for. It's a joy to find these particular months less barren than they used to be. I embrace you tenderly all round and am yours very constantly,

HENRY JAMES.

To Miss Grace Norton.

Dictated.

34 De Vere Gardens, W.
Christmas Day, 1897.

My dear Grace,

Is it really a year? I have been acutely conscious of its getting to be a horrible time, but it hadn't come home to me that it was taking on quite that insolence. Well, you see what the years—since years il y a—are making of me: I don't write to you for a hideous age, and then, when at last I do, I take the romantic occasion of this particular day to write in this unsympathetic ink. But that is exactly what, as I say, the horrid time has made of me. The use of my hand, always difficult, has become impossible to me; and since I am reduced to dictation, this form of dictation is the best. May its distinctness make up for its indirectness....

I dare say that, from time to time, you hear something of me from William; and you know, by that flickering light, that my life has had, for a long time past, a very jog-trot sort of rhythm. I have ceased completely to "travel." It is going on into four years since I have crossed the Channel; and the day is not yet. This will give you a ghastly sense of the insular object that I must have become; however, I shall break out yet, perhaps, and surprise you. Meanwhile, none the less, I was unable, these last days, to break the spell of immobility even to the extent of going over to Paris to poor Daudet's funeral. I felt that, là-bas—by which I mean in the immediate house—a certain expectation rested on me, but I looked it straight in the face and cynically budged not. I dislike, more and more, the terrific organized exploitation, in Paris, on the occasion of death and burial, of every kind of personal privacy and every kind of personal hysterics. It is newspaperism and professionalism gone mad—in a way all its own; and I felt as if I should go mad if I even once more, let alone twenty times more, heard Daudet personally compared (more especially facially compared, eyeglass and all) to Jesus Christ. Not a French notice of him that I have seen but has plumped it coquettishly out. I had not seen him, thanks to my extreme recalcitrance, since the month he spent more than two years ago in London. His death was not unhappy—was indeed too long delayed, for all his later time has been sadly (by disease, borne with wonderful patience and subtlety) blighted and sterilized. Yet it is a wonderful proof of what a success his life had been that it had remained a success in spite of that. It was the most worked thing that ever was—I mean his whole career. His talent was so great that I feel, as to his work, that the best of it will quite intensely remain. But he was a queer combination of a great talent with an absence of the greater mind, as it were—the greater feeling.

...Well, my dear Grace, I can't tell you the comfort and charm it is to be talking with you even by this horrid machinery, and to squeeze the little round golden orange of your note dry of every testimony to your honoured tranquillity that I can gouge out of it. My metaphors are mixed, but my fidelity is pure. How is the mighty Montaigne? I don't read him a millionth part as much as I ought, for of all the horrors of London almost the worst horror is the way it conspires against the evening book under the evening lamp. I don't "go out"—and yet, far too much of the time, I am out. The main part of the rest I devote to wondering how I got there. A propos of which, as much as anything, do you read Maurice Barrès? If you do, his last thing, Les Déracinés, is very curious and serious, but a gruesome picture of young France. If it didn't sound British and Pharisaic I would almost risk saying that, on all the more and more showing, young and old France both seem to me to be in a strange state of moral and intellectual decomposition. But this isn't worth saying without going into the detail of the evidence—and that would take me too far. Then there is Leslie Stephen and the little Kiplings. Leslie seems to be out-weathering his woes in the most extraordinary way. His health is literally better than it was in his wife's lifetime, and is perhaps, more almost than anything else, a proof of what a life-preserver in even the wildest waves is the perfect possession of a métier. His admirable habit and knowledge of work have saved him.... Rudyard and his wife and offspring depart presently for South Africa. They have settled upon a small propriété at Rottingdean near the [Burne-Jones's], and the South Africa is but a parenthetic family picnic. It would do as well as anything else, perhaps, if one still felt, as one used to, that everything is grist to his mill. I don't, however, think that everything is, as the affair is turning out, at all; I mean as to the general complexity of life. His Ballad future may still be big. But my view of his prose future has much shrunken in the light of one's increasingly observing how little of life he can make use of. Almost nothing civilised save steam and patriotism—and the latter only in verse, where I hate it so, especially mixed up with God and goodness, that that half spoils my enjoyment of his great talent. Almost nothing of the complicated soul or of the female form or of any question of shades—which latter constitute, to my sense, the real formative literary discipline. In his earliest time I thought he perhaps contained the seeds of an English Balzac; but I have quite given that up in proportion as he has come steadily from the less simple in subject to the more simple—from the Anglo-Indians to the natives, from the natives to the Tommies, from the Tommies to the quadrupeds, from the quadrupeds to the fish, and from the fish to the engines and screws....