“Pray, what do you know about her?”

“I know what that fellow told me.”

“And pray, what was that?”

“Well, she’s a bad ’un, as ever was. Her own husband has had to turn her out of the house.”

Hyacinth remembered the allusion the lady herself had made to her matrimonial situation; nevertheless, what he would have liked to reply to Miss Henning was that he didn’t believe a word of it. He withheld the doubt, and after a moment remarked quietly, “I don’t care.”

“You don’t care? Well, I do, then!” Millicent cried. And as it was impossible, in view of the performance and the jealous attention of their neighbours, to continue the conversation in this pitch, she contented herself with ejaculating, in a somewhat lower key, at the end of five minutes, during which she had been watching the stage, “Gracious, what dreadful common stuff!”

XIV

Hyacinth did not mention to Pinnie or Mr Vetch that he had been taken up by a great lady; but he mentioned it to Paul Muniment, to whom he now confided a great many things. He had, at first, been in considerable fear of his straight, loud, north-country friend, who showed signs of cultivating logic and criticism to a degree that was hostile to free conversation; but he discovered later that he was a man to whom one could say anything in the world, if one didn’t think it of more importance to be sympathised with than to be understood. For a revolutionist, he was strangely good-natured. The sight of all the things he wanted to change had seemingly no power to irritate him, and if he joked about questions that lay very near his heart his pleasantry was not bitter nor invidious; the fault that Hyacinth sometimes found with it, rather, was that it was innocent to puerility. Our hero envied his power of combining a care for the wide misery of mankind with the apparent state of mind of the cheerful and virtuous young workman who, on Sunday morning, has put on a clean shirt, and, not having taken the gilt off his wages the night before, weighs against each other, for a happy day, the respective attractions of Epping Forest and Gravesend. He was never sarcastic about his personal lot and his daily life; it had not seemed to occur to him, for instance, that ‘society’ was really responsible for the condition of his sister’s spinal column, though Eustache Poupin and his wife (who practically, however, were as patient as he) did everything they could to make him say so, believing, evidently, that it would relieve him. Apparently he cared nothing for women, talked of them rarely, and always decently, and had never a sign of a sweetheart, unless Lady Aurora Langrish might pass for one. He never drank a drop of beer nor touched a pipe; he always had a clear tone, a fresh cheek and a smiling eye, and once excited on Hyacinth’s part a kind of elder-brotherly indulgence by the open-mouthed glee and credulity with which, when the pair were present, in the sixpenny gallery, at Astley’s, at an equestrian pantomime, he followed the tawdry spectacle. He once told the young bookbinder that he was a suggestive little beggar, and Hyacinth’s opinion of him, by this time, was so exalted that the remark had almost the value of a patent of nobility. Our hero treated himself to an unlimited belief in him; he had always dreamed of having some grand friendship, and this was the best opening he had ever encountered. No one could entertain a sentiment of that sort better than Hyacinth, or cultivate a greater luxury of confidence. It disappointed him, sometimes, that it was not more richly repaid; that on certain important points of the socialistic programme Muniment would never commit himself; and that he had not yet shown the fond du sac, as Eustache Poupin called it, to so ardent an admirer. He answered particular questions freely enough, and answered them occasionally in a manner that made Hyacinth jump, as when, in reply to an inquiry in regard to his view of capital punishment, he said that, so far from wishing it abolished, he should go in for extending it much further—he should impose it on those who habitually lied or got drunk; but his friend had always a feeling that he kept back his best card and that even in the listening circle in Bloomsbury, when only the right men were present, there were unspoken conclusions in his mind which he didn’t as yet think any one good enough to be favoured with. So far, therefore, from suspecting him of half-heartedness, Hyacinth was sure that he had extraordinary things in his head; that he was thinking them out to the logical end, wherever it might land him; and that the night he should produce them, with the door of the club-room guarded and the company bound by a tremendous oath, the others would look at each other and turn pale.

“She wants to see you; she asked me to bring you; she was very serious,” Hyacinth said, relating his interview with the ladies in the box at the play; which, however, now that he looked back upon it, seemed as queer as a dream, and not much more likely than that sort of experience to have a continuation in one’s waking hours.

“To bring me—to bring me where?” asked Muniment. “You talk as if I were a sample out of your shop, or a little dog you had for sale. Has she ever seen me? Does she think I’m smaller than you? What does she know about me?”