“And what establishment is that now?” the young man asked, gaining confidence and perceiving in detail how handsome she was. He hadn’t roamed about London for nothing, and he knew that when a girl had such looks a jocular tone of address, a pleasing freedom, was de rigueur; so he added: “Is it the Bull and Gate or the Elephant and Castle?”
“A public-house? Well, you haven’t got the politeness of a Frenchman at all events!” Her good-nature had come back to her perfectly, and her resentment of his imputation of her looking like a barmaid—a blowsy beauty who handled pewter—was tempered by her more and more curious consideration of Hyacinth’s form. He was exceedingly “rum,” but he had a stamp as sharp for her as that of a new coin and which also agreeably suggested value. Since he remembered so well that she had been fond of kissing him in their early days she would have liked to show herself prepared to repeat this graceful attention. But she reminded herself in time that her line should be religiously the ladylike, and she was content to exclaim simply: “I don’t care what a man looks like so long as he knows a lot. That’s the form I like!”
Miss Pynsent had promised herself the satisfaction of taking no further notice of her brilliant invader; but the temptation was great to expose her to Hyacinth, in mitigation of her brilliancy, by remarking sarcastically, according to opportunity, “Miss ’Enning wouldn’t live in Lomax Plice for the world. She thinks it too dreadfully low.”
“So it is; it’s a beastly hole,” said the young man.
The poor dressmaker’s little dart fell to the ground and Millicent exclaimed jovially, “Right you are!” while she directed to the object of her childhood’s admiration an expression of face that put him more and more at his ease.
“Don’t you suppose I know something?” he asked, planted before her with his little legs slightly apart and, with his hands behind him, making the open door waver to and fro.
“You? Oh, I don’t care a straw what you know!” she said; and he had at any rate a mind sufficiently enriched to see what she meant by that. If she meant he was so good-looking that he might pass on this score alone her judgement was conceivable, though many women would strongly have dissented from it. He was as small as he had announced from the first—he had never got his growth—and she could easily see that he was not what she at least would call strong. His bones were small, his chest was narrow, his complexion pale, his whole figure almost childishly slight; and Millicent noted afterwards that he had a very delicate hand—the hand, as she said to herself, of a gentleman. What she liked was his face and something jaunty and romantic, almost theatrical, in his whole little person. Miss Henning was not acquainted with any member of the dramatic profession, but she supposed vaguely that that was the way an actor would look in private life. Hyacinth’s features were perfect; his eyes, large and much divided, had as their usual expression a kind of witty, almost an impertinent, candour, and a small, soft, fair moustache disposed itself upon his upper lip in a way that made him appear to smile even when his heart was heavy. The waves of his dense fine hair clustered round a forehead which was high enough to suggest remarkable things, and Miss Henning had observed that when he first appeared he wore his little soft circular hat in a way that left these frontal locks very visible. He was dressed in an old brown velveteen jacket and wore exactly the bright-coloured necktie which Miss Pynsent’s quick fingers used of old to shape out of hoarded remnants of silk and muslin. He was shabby and work-stained, but an observant eye would have caught the hint of an “arrangement” in his dress (his appearance being plainly not a matter of indifference to himself), while a painter (not of the heroic) would have liked to make a sketch of him. There was something exotic in him, and yet, with his sharp young face, destitute of bloom but not of sweetness, and a certain conscious cockneyism that pervaded him, he was as strikingly as Millicent, in her own degree, a product of the London streets and the London air. He looked both ingenuous and slightly wasted, amused, amusing and indefinably sad. Women had always found him touching, but he made them—so they had repeatedly assured him—die of laughing.
“I think you had better shut the door,” said Miss Pynsent, meaning that he had better shut their departing visitor out.
“Did you come here on purpose to see us?” he went on, not heeding this injunction, of which he divined the spirit, and wishing the girl would take her leave so that he might go out again with her. He should like talking with her much better away from Pinnie, who evidently was ready to stick a bodkin into her for reasons he perfectly understood. He had seen plenty of them before, Pinnie’s reasons, even where girls were concerned who were not nearly so good-looking as this one. She was always in a fearful “funk” about their getting hold of him and persuading him to make a marriage beneath his station. His station!—poor Hyacinth had often asked himself and inquired of Miss Pynsent what it could possibly be. He had thought of it bitterly enough, wondering how in the world he could marry “beneath” it. He would never marry at all—to that his mind was absolutely made up; he would never hand on to another the burden that had made his own young spirit so intolerably sore, the inheritance that had darkened the whole threshold of his manhood. All the more reason why he should have his compensation; why, if the soft society of women was to be enjoyed on other terms, he should cultivate it with a bold free mind.
“I thought I’d just give a look at the old shop; I had an engagement not far off,” Millicent said. “But I wouldn’t have believed any one who had told me I should find you just where I left you.”