“And what may that have been?”
“Well, she’s a bad ’un as ever was. Her own husband has had to turn her out of the house.”
Hyacinth remembered the allusion the lady herself had made to her matrimonial situation; in spite of which he would have liked to be able to reply to Miss Henning that he didn’t believe a word of it. He withheld the doubt and after a moment simply remarked: “Well, I don’t care.”
“You don’t care? Well, I do then!” Millicent cried. And as it was impossible in view of the performance and the jealous attention of their neighbours to continue the conversation at this pitch, she contented herself with ejaculating in a somewhat lower key at the end of five minutes during which she had been watching the stage: “Gracious, what dreadful common stuff!” Hyacinth then wondered if Captain Sholto had given her this formula.
XIV
He didn’t mention to Pinnie or Mr. Vetch that he had been taken up by a great lady; but he mentioned it to Paul Muniment, to whom he now confided a great many things. He had at first been in considerable fear of his straight loud north-country friend, who showed signs of cultivating logic and criticism in a degree that was hostile to fine loose talk; but he discovered in him later a man to whom one could say anything in the world if one didn’t think it of more importance to be sympathised with than to be understood. For a revolutionist he was strangely unexasperated, was indulgent even to contempt. The sight of all the things he wanted to change had seemingly no power to irritate him, and if he joked about questions that lay very near his heart his humour had no ferocity—the fault Hyacinth sometimes found with it rather was that it was innocent to puerility. Our hero envied his power of combining a care for the wide misery of mankind with the apparent state of mind of the cheerful and virtuous young workman who of a Sunday morning has put on a clean shirt and, not having taken the gilt off his wages the night before, weighs against each other, for a happy day, the respective attractions of Epping Forest and Gravesend. He never dragged in with the least snarl his personal lot and his daily life; it had not seemed to occur to him for instance that “society” was really responsible for the condition of his sister’s spinal column, though Eustache Poupin and his wife (who practically, however, were as patient as he) did everything they could to make him say so, believing evidently that it would relieve him. Apparently he cared nothing for women, talked of them rarely and always decently, and had never a sign of a sweetheart save in so far as Lady Aurora Langrish might pass for one. He never drank a drop of beer nor touched a pipe; he always had a clear tone, a fresh cheek and a merely, an imperturbably intelligent eye, and once excited on Hyacinth’s part a kind of elder-brotherly indulgence by the open-mouthed glee and credulity with which, when the pair were present, in the sixpenny gallery, at Astley’s, at an equestrian pantomime, he followed the tawdry spectacle. He once pronounced the young bookbinder a suggestive little beggar, and Hyacinth’s opinion of him was by this time so exalted that the remark had almost the value of a patent of nobility. Our hero treated himself to a high unlimited faith in him; he had always dreamed of some grand friendship and this was the best opening he had yet encountered. No one could entertain a sentiment of that sort more nobly, more ingeniously than Hyacinth, or cultivate with more art the intimate personal relation. It disappointed him sometimes that his confidence was not more unreservedly repaid; that on certain important points of the socialistic programme Muniment would never commit himself and had not yet shown the fond du sac, as Eustache Poupin called it, to so ardent an admirer. He answered particular appeals freely enough, and answered them occasionally in a manner that made Hyacinth jump, as when in reply to a question about his attitude on capital punishment he said that so far from wishing it abolished he should go in for extending it much further—he should impose it on those who habitually lied or got drunk; but his friend had always a feeling that he kept back his best card and that even in the listening circle in Bloomsbury, when only the right men were present, there were unspoken conclusions in his mind which he didn’t as yet think any one good enough to be favoured with. So far therefore from suspecting him of any real poverty of programme Hyacinth was sure he had extraordinary things in his head; that he was thinking them out to the logical end, wherever it might land him; and that the night he should produce them with the door of the club-room guarded and the company bound by a tremendous oath the others would look at each other, gasp and turn pale.
“She wants to see you; she asked me to bring you; she was very serious,” our young man meanwhile said, reporting his interview with the ladies in the box at the play; which, however, now that he looked back upon it, seemed as queer as a dream and not much more likely than that sort of experience to have a continuation in one’s waking hours.
“To bring me—to bring me where?” asked Muniment. “You talk as if I were a sample out of your shop or a little dog you had for sale. Has she ever seen me? Does she think I’m smaller than you? What does she know about me?”
“Well, principally that you’re a friend of mine—that’s enough for her.”
“Do you mean it ought to be enough for me that she’s a friend of yours? I’ve a notion you’ll have some queer ones before you’ve done; a good many more than I have time to talk to. And how can I go to see a delicate female with those paws?” Muniment said as he exhibited ten work-stained fingers.