“My dear old Pinnie’s memory? Willingly.”
Mr. Vetch sank down in his chair and buried his face in his hands; the next moment his companion heard him sobbing. Ten minutes later he was content to take his departure and Hyacinth went out with him to look for another cab. They found an ancient four-wheeler stationed languidly at a crossing of the ways, and before he got into it he asked his young friend to kiss him. The young friend did so with a fine accolade and in the frank foreign manner, on both cheeks, and then watched the vehicle get itself into motion and rattle away. He saw it turn a neighbouring corner and then approached the nearest gas-lamp to draw from his breast-pocket the sealed letter Schinkel had given him.
XLV
“And Madame Grandoni then?” he asked, all loth to turn away. He felt pretty sure he should never knock at that door again, and the desire was strong in him to see once more, for the last time, the ancient, afflicted, titular “companion” of the Princess, whom he had always liked. She had struck him as ever in the slightly ridiculous position of a confidant of tragedy in whom the heroine, stricken with reserves unfavourable to the dramatic progression, should have ceased to confide.
“È andata via, caro signorino,” said Assunta, smiling at him as she held the door open.
“She has gone away? Bless me! when did she go?”
“It’s now five days, dear young sir. She has returned to our fine country.”
“Is it possible?” He felt it somehow as a personal loss.
“È possibilissimo!” Then Assunta added: “There were many times when she almost went; but this time, capisce——!” And without finishing her sentence this most exiled of Romans and expertest of tire-women indulged in a subtle, suggestive, indefinable play of expression to which hands and shoulders contributed as well as lips and eyebrows.
Hyacinth looked at her long enough to catch any meaning she might have wished to convey, but gave no sign of apprehending it. He only remarked gravely: “In short she’s off!”