At last they came out of the house together and while they went she explained, to justify herself against the imputation of extravagance, that, though the place doubtless struck him as absurdly large for a couple of quiet women and the whole thing was not in the least what she would have preferred, yet it was all far cheaper than he probably imagined; she would never have looked at it if it hadn’t been cheap. It must appear to him so preposterous for a woman to associate herself with the great uprising of the poor and yet live in palatial halls—a place with forty or fifty rooms. This was one of her only two allusions as yet to her infatuation with the “cause”; but it fell very happily, for Hyacinth had not been unconscious of the anomaly she mentioned. It had been present to him all day; it added much to the way life practised on his sense of the tragi-comical to think of the Princess’s having retired to a private paradise to think out the problem of the slums. He listened therefore with great attention while she made all conscientiously the point that she had taken the house only for three months in any case, because she wanted to rest after a winter of visiting and living in public (as the English spent their lives, with all their celebrated worship of the “home”) and yet didn’t wish too soon to return to town; though she was obliged to confess that she had still the place in South Street on her hands, thanks to her deciding unexpectedly to go on with it rather than move out her things. One had to keep one’s things somewhere, and why wasn’t that as good a dépôt as another? Medley was not what she would have chosen if she had been left to herself; but she had not been left to herself—she never was; she had been bullied into taking it by the owners, whom she had met somewhere and who had made up to her immensely, persuading her that she might really have it for nothing, for no more than she would give for the little honeysuckle cottage, the old parsonage embowered in clematis, which were really what she had been looking for. Besides, it was one of those old musty mansions, ever so far from town, which it was always difficult to let or to get a price for; and then it was a wretched house for any convenience. Hyacinth, for whom his three hours in the train had been a series of happy throbs, had not been struck with its geographic remoteness, and he asked the Princess what she meant in such a connexion by her use of the word “wretched.” To this she replied that the place was tumbling to pieces, impossible in every respect, full of ghosts and bad smells. “That’s the only reason I come to have it. I don’t want you to think me so sunk in luxury or that I throw away money. Never, never!” Hyacinth had no standard by which he could measure the importance his opinion would have for her, and he saw that though she judged him as a creature still open to every initiation, whose naïveté would entertain her, it was also her fancy to treat him as an old friend, a person to whom she might have had the habit of referring her difficulties. Her performance of the part she had undertaken to play was certainly complete, and everything lay before him but the reason she might have for playing it.
One of the gardens at Medley took the young man’s heart beyond the others; it had high brick walls, on the sunny sides of which was a great training of apricots and plums; it had straight walks bordered with old-fashioned homely flowers and enclosing immense squares where other fruit-trees stood upright and mint and lavender floated in the air. In the southern quarter it overhung a small disused canal, and here a high embankment had been raised, which was also long and broad and covered with fine turf; so that the top of it, looking down at the canal, made a magnificent grassy terrace, than which on a summer’s day there could be no more delightful place for strolling up and down with a companion—all the more that at either end was a curious pavilion, in the manner of a tea-house, which crowned the scene in an old-world sense and offered rest and privacy, a refuge from sun or shower. One of these pavilions was an asylum for gardeners’ tools and superfluous flower-pots; the other was covered inside with a queer Chinese paper representing ever so many times over a group of people with faces like blind kittens, groups who drank tea while they sat on the floor. It also contained a straddling inlaid cabinet in which cups and saucers showed valuably through doors of greenish glass, together with a carved cocoanut and a pair of outlandish idols. On a shelf over a sofa which was not very comfortable, though it had cushions of faded tapestry that resembled samplers, stood a row of novels out of date and out of print—novels that one couldn’t have found any more and that were only there. On the chimney-piece was a bowl of dried rose-leaves mixed with some aromatic spice, and the whole place suggested a certain dampness.
On the terrace Hyacinth paced to and fro with the Princess till she all ruefully remembered he had not had his luncheon. He protested that this was the last thing he wished to think of, but she declared she hadn’t dragged him down to Medley to starve him and that he must go back and be fed. They went back, but by a very roundabout way, through the park, so that they really had half an hour’s more talk. She explained to him that she herself breakfasted at twelve o’clock, in the foreign fashion, and had tea in the afternoon; as he too was so foreign he might like that better, and in this case on the morrow they would breakfast together. He could have coffee and anything else he wanted brought to his room at his waking. When he had sufficiently composed himself in the presence of this latter image—he thought he saw a footman arranging a silver service at his bedside—he mentioned that really, as regarded the morrow, he should have to be back in London. There was a train at nine o’clock—he hoped she didn’t mind his taking it. She looked at him gravely and kindly, as if considering an abstract idea, and then said: “Oh yes, I mind it very much. Not to-morrow—some other day.” He made no rejoinder and the Princess spoke of something else; that is, his rejoinder was private and consisted of the reflexion that he would leave Medley in the morning, whatever she might say. He simply couldn’t afford to stay; he couldn’t be out of work. And then Madame Grandoni thought it so important; for though the old lady was obscure she was decidedly impressive. The Princess’s protest, however, was to be reckoned with; he felt it might take a form less cursory than the words she had just uttered, a form that would make it embarrassing. She was less solemn, less explicit, than Madame Grandoni had been, but there was something in her light fine pressure and the particular tone of her mentioned preference that seemed to tell him his liberty was going—the liberty he had managed to keep (till the other day when he gave Hoffendahl a mortgage on it) and the possession of which had in some degree consoled him for other forms of penury. This made him uneasy; what would become of him if he should add another servitude to the one he had undertaken at the end of that long, anxious cab-drive through the rain, in the back bedroom of a house as to whose whereabouts he was even now not clear, while Muniment and Poupin and Schinkel, all visibly pale, listened and accepted the vow? Muniment and Poupin and Schinkel—how disconnected, all the same, he felt from them at the present hour; how little he was the young man who had made the pilgrimage in the cab; and how the two latter at least, if they could have a glimpse of him now, would wonder what he was up to!
As to this Hyacinth wondered sufficiently himself, while the Princess touched upon the people and places she had seen, the impressions and conclusions she had gathered since their former meeting. It was to such matters as these she directed the conversation; she seemed to wish to keep it off his own concerns, and he was surprised at her continued avoidance of the slums and the question of her intended sacrifices. She mentioned none of her friends by name, but she talked of their character, their houses, their manners, taking for granted as before that Hyacinth would always follow. So far as he followed he was edified, but he had to admit to himself that half the time he didn’t know what she was talking about. He at all events, if he had been with the dukes—she didn’t call her associates dukes, but he was sure they were of that order—would have got more satisfaction from them. She appeared on the whole to judge the English world severely; to think poorly of its wit and even worse of its morals. “You know people oughtn’t to be both corrupt and dreary,” she said; and Hyacinth turned this over, feeling he certainly had not yet caught the point of view of a person for whom the aristocracy was a collection of bores. He had sometimes taken great pleasure in hearing it dubbed grossly profligate, but he was rather disappointed in the bad account the Princess gave of it. She dropped the remark that she herself had no sort of conventional morality—she ought to have mentioned that before—yet had never been accused of being stupid. Perhaps he wouldn’t discover it, but most of the people she had had to do with thought her only too acute. The second allusion she made to their ulterior designs (Hyacinth’s and hers) was when she said: “I determined to see it”—she was speaking still of English society—“to learn for myself what it really is before we blow it up. I’ve been here now a year and a half and, as I tell you, I feel I’ve seen. It’s the old régime again, the rottenness and extravagance, bristling with every iniquity and every abuse, over which the French Revolution passed like a whirlwind; or perhaps even more a reproduction of the Roman world in its decadence, gouty, apoplectic, depraved, gorged and clogged with wealth and spoils, selfishness and scepticism, and waiting for the onset of the barbarians. You and I are the barbarians, you know.” The Princess was pretty vague after all in her animadversions and regaled him with no anecdotes—which indeed he rather missed—that would have betrayed the hospitality she had enjoyed. She couldn’t treat him absolutely as if he had been an ambassador. By way of defending the aristocracy he said to her that it couldn’t be true they were all a bad lot (he used that expression because she had let him know she liked him to speak in the manner of the people) inasmuch as he had an acquaintance among them—a noble lady—who was one of the purest, kindest, most conscientious human beings it was possible to imagine. At this she stopped short and looked at him; then she asked: “Whom do you mean—a noble lady?”
“I suppose there’s no harm saying. Lady Aurora Langrish.”
“I don’t know her. Is she nice?”
“Is she pretty, clever?”
“She isn’t pretty, but she’s very uncommon,” said Hyacinth.
“How did you make her acquaintance?” As he hesitated she went on: “Did you bind some books for her?”