Bolton-Brown did something that evening toward disseminating the news: he told it to the first people he met socially after leaving Chester Street; and this although he had to do himself a certain violence in speaking. He would have preferred to hold his peace; therefore if he resisted his inclination it was for an urgent purpose. This purpose was to prove to himself that he didn't mind. A perfect indifference could be for him the only result of any understanding Mary Gosselin might arrive at with anyone, and he wanted to be more and more conscious of his indifference. He was aware indeed that it required demonstration, and this was why he was almost feverishly active. He could mentally concede at least that he had been surprised, for he had suspected nothing at Bosco. When a fellow was attentive in America everyone knew it, and judged by this standard Lord Beaupré made no show: how otherwise should he have achieved that sweet accompanied ramble? Everything at any rate was lucid now, except perhaps a certain ambiguity in Hugh Gosselin, who on coming into the drawing-room with his mother had looked flushed and grave and had stayed only long enough to kiss Mary and go out again. There had been nothing effusive in the scene; but then there was nothing effusive in any English scene. This helped to explain why Miss Gosselin had been so blank during the minutes she spent with him before her mother came back.
He himself wanted to cultivate tranquillity, and he felt that he did so the next day in not going again to Chester Street. He went instead to the British Museum, where he sat quite like an elderly gentleman, with his hands crossed on the top of his stick and his eyes fixed on an Assyrian bull. When he came away, however, it was with the resolution to move briskly; so that he walked westward the whole length of Oxford Street and arrived at the Marble Arch. He stared for some minutes at this monument, as in the national collection he had stared at even less intelligible ones; then brushing away the apprehension that he should meet two persons riding together, he passed into the park. He didn't care a straw whom he met. He got upon the grass and made his way to the southern expanse, and when he reached the Row he dropped into a chair, rather tired, to watch the capering procession of riders. He watched it with a lustreless eye, for what he seemed mainly to extract from it was a vivification of his disappointment. He had had a hope that he should not be forced to leave London without inducing Mary Gosselin to ride with him; but that prospect failed, for what he had accomplished in the British Museum was the determination to go to Paris. He tried to think of the attractions supposed to be evoked by that name, and while he was so engaged he recognised that a gentleman on horseback, close to the barrier of the Row, was making a sign to him. The gentleman was Lord Beaupré, who had pulled up his horse and whose sign the young American lost no time in obeying. He went forward to speak to his late host, but during the instant of the transit he was able both to observe that Mary Gosselin was not in sight and to ask himself why she was not. She rode with her brother; why then didn't she ride with her future husband? It was singular at such a moment to see her future husband disporting himself alone. This personage conversed a few moments with Bolton-Brown, said it was too hot to ride, but that he ought to be mounted (he would give him a mount if he liked) and was on the point of turning away when his interlocutor succumbed to the temptation to put his modesty to the test.
"Good-bye, but let me congratulate you first," said Bolton-Brown.
"Congratulate me? On what?" His look, his tone were very much what Mary Gosselin's had been.
"Why, on your engagement. Haven't you heard of it?"
Lord Beaupré stared a moment while his horse shifted uneasily. Then he laughed and said: "Which of them do you mean?"
"There's only one I know anything about. To Miss Gosselin," Brown added, after a puzzled pause.
"Oh yes, I see—thanks so much!" With this, letting his horse go, Lord Beaupré broke off, while Bolton-Brown stood looking after him and saying to himself that perhaps he didn't know! The chapter of English oddities was long.
But on the morrow the announcement was in "The Morning Post," and that surely made it authentic. It was doubtless only superficially singular that Guy Firminger should have found himself unable to achieve a call in Chester Street until this journal had been for several hours in circulation. He appeared there just before luncheon, and the first person who received him was Mrs. Gosselin. He had always liked her, finding her infallible on the question of behaviour; but he was on this occasion more than ever struck with her ripe astuteness, her independent wisdom.
"I knew what you wanted, I knew what you needed, I knew the subject on which you had pressed her," the good lady said; "and after Sunday I found myself really haunted with your dangers. There was danger in the air at Bosco, in your own defended house; it seemed to me too monstrous. I said to myself 'We can help him, poor dear, and we must. It's the least one can do for so old and so good a friend.' I decided what to do: I simply put this other story about. In London that always answers. I knew that Mary pitied you really as much as I do, and that what she saw at Bosco had been a revelation—had at any rate brought your situation home to her. Yet of course she would be shy about saying out for herself: 'Here I am—I'll do what you want.' The thing was for me to say it for her; so I said it first to that chattering American. He repeated it to several others, and there you are! I just forced her hand a little, but it's all right. All she has to do is not to contradict it. It won't be any trouble and you'll be comfortable. That will be our reward!" smiled Mrs. Gosselin.