According to Gaston’s plan she was to come to the Avenue de Villiers to see what the artist had done for Miss Francie; her brother was to have worked upon her in advance by his careful rhapsodies, bearing wholly on the achievement itself, the dazzling example of Waterlow’s powers, and not on the young lady, whom he was not to let her know at first that he had so much as seen. Just at the last, just before her visit, he was to mention to her that he had met the girl—at the studio—and that she was as remarkable in her way as the picture. Seeing the picture and hearing this, Mme. de Brecourt, as a disinterested lover of charming impressions, and above all as an easy prey at all times to a rabid curiosity, would express a desire also to enjoy a sight of so rare a creature; on which Waterlow might pronounce it all arrangeable if she would but come in some day when Miss Francie should sit. He would give her two or three dates and Gaston would see that she didn’t let the opportunity pass. She would return alone—this time he wouldn’t go with her—and she would be as taken as could be hoped or needed. Everything much depended on that, but it couldn’t fail. The girl would have to take her, but the girl could be trusted, especially if she didn’t know who the demonstrative French lady was, with her fine plain face, her hair so blond as to be nearly white, her vividly red lips and protuberant light-coloured eyes. Their host was to do no introducing and to reveal the visitor’s identity only after she had gone. That was a condition indeed this participant grumbled at; he called the whole business an odious comedy, though his friend knew that if he undertook it he would acquit himself honourably. After Mme. de Brecourt had been captivated—the question of how Francie would be affected received in advance no consideration—her brother would throw off the mask and convince her that she must now work with him. Another meeting would be managed for her with the girl—in which each would appear in her proper character; and in short the plot would thicken.
Gaston’s forecast of his difficulties showed how finely he could analyse; but that was not rare enough in any French connexion to make his friend stare. He brought Suzanne de Brecourt, she was enchanted with the portrait of the little American, and the rest of the drama began to follow in its order. Mme. de Brecourt raved to Waterlow’s face—she had no opinions behind people’s backs—about his mastery of his craft; she could dispose the floral tributes of homage with a hand of practice all her own. She was the reverse of egotistic and never spoke of herself; her success in life sprang from a much wiser adoption of pronouns. Waterlow, who liked her and had long wanted to paint her ugliness—it was a gold-mine of charm—had two opinions about her: one of which was that she knew a hundred times less than she thought, and even than her brother thought, of what she talked about; and the other that she was after all not such a humbug as she seemed. She passed in her family for a rank radical, a bold Bohemian; she picked up expressions out of newspapers and at the petits theatres, but her hands and feet were celebrated, and her behaviour was not. That of her sisters, as well, had never been disastrously exposed.
“But she must be charming, your young lady,” she said to Gaston while she turned her head this way and that as she stood before Francie’s image. “She’s a little Renaissance statuette cast in silver, something of Jean Goujon or Germain Pilon.” The young men exchanged a glance, for this struck them as the happiest comparison, and Gaston replied in a detached way that the girl was well worth seeing.
He went in to have a cup of tea with his sister on the day he knew she would have paid her second visit to the studio, and the first words she greeted him with were: “But she’s admirable—votre petite—admirable, admirable!” There was a lady calling in the Place Beauvau at the moment—old Mme. d’Outreville—who naturally asked for news of the object of such enthusiasm. Gaston suffered Susan to answer all questions and was attentive to her account of the new beauty. She described his young friend almost as well as he would have done, from the point of view of her type, her graces, her plastic value, using various technical and critical terms to which the old lady listened in silence, solemnly, rather coldly, as if she thought such talk much of a galimatias: she belonged to the old-fashioned school and held a pretty person sufficiently catalogued when it had been said she had a dazzling complexion or the finest eyes in the world.
“Qu’est-ce que c’est que cette merveille?” she enquired; to which Mme. de Brecourt made answer that it was a little American her brother had somewhere dug up. “And what do you propose to do with it, may one ask?” Mme. d’Outreville demanded, looking at Gaston with an eye that seemed to read his secret and that brought him for half a minute to the point of breaking out: “I propose to marry it—there!” But he contained himself, only pleading for the present his wish to ascertain the uses to which she was adapted; meanwhile, he added, there was nothing he so much liked as to look at her, in the measure in which she would allow him. “Ah that may take you far!” their visitor cried as she got up to go; and the young man glanced at his sister to see if she too were ironic. But she seemed almost awkwardly free from alarm; if she had been suspicious it would have been easier to make his confession. When he came back from accompanying their old friend Outreville to her carriage he asked her if Waterlow’s charming sitter had known who she was and if she had been frightened. Mme. de Brecourt stared; she evidently thought that kind of sensibility implied an initiation—and into dangers—which a little American accidentally encountered couldn’t possibly have. “Why should she be frightened? She wouldn’t be even if she had known who I was; much less therefore when I was nothing for her.”
“Oh you weren’t nothing for her!” the brooding youth declared; and when his sister rejoined that he was trop aimable he brought out his lurking fact. He had seen the lovely creature more often than he had mentioned; he had particularly wished that SHE should see her. Now he wanted his father and Jane and Margaret to do the same, and above all he wanted them to like her even as she, Susan, liked her. He was delighted she had been taken—he had been so taken himself. Mme. de Brecourt protested that she had reserved her independence of judgement, and he answered that if she thought Miss Dosson repulsive he might have expressed it in another way. When she begged him to tell her what he was talking about and what he wanted them all to do with the child he said: “I want you to treat her kindly, tenderly, for such as you see her I’m thinking of bringing her into the family.”
“Mercy on us—you haven’t proposed for her?” cried Mme. de Brecourt.
“No, but I’ve sounded her sister as to THEIR dispositions, and she tells me that if I present myself there will be no difficulty.”
“Her sister?—the awful little woman with the big head?”
“Her head’s rather out of drawing, but it isn’t a part of the affair. She’s very inoffensive; she would be devoted to me.”