The Sacred Fount

by Henry James

When music, in English society, as we know, is not an accompaniment to the voice, the voice can in general be counted on to assert its pleasant identity as an accompaniment to music; but at Newmarch we had been considerably schooled, and this evening, in the room in which most of us had assembled, an interesting pianist, who had given a concert the night before at the near county town and been brought over during the day to dine and sleep, would scarce have felt in any sensitive fibre that he was not having his way with us. It may just possibly have been an hallucination of my own, but while we sat together after dinner in a dispersed circle I could have worked it out that, as a company, we were considerably conscious of some experience, greater or smaller from one of us to the other, that had prepared us for the player's spell. Felicitously scattered and grouped, we might in almost any case have had the air of looking for a message from it—of an imagination to be flattered, nerves to be quieted, sensibilities to be soothed. The whole scene was as composed as if there were scarce one of us but had a secret thirst for the infinite to be quenched. And it was the infinite that, for the hour, the distinguished foreigner poured out to us, causing it to roll in wonderful waves of sound, almost of colour, over our receptive attitudes and faces. Each of us, I think, now wore the expression—or confessed at least to the suggestion—of some indescribable thought; which might well, it was true, have been nothing more unmentionable than the simple sense of how the posture of deference to this noble art has always a certain personal grace to contribute. We neglected nothing of it that could make our general effect ample, and whether or no we were kept quiet by the piano, we were at least admonished, to and fro, by our mutual visibility, which each of us clearly, desired to make a success. I have little doubt, furthermore, that to each of us was due, as the crown of our inimitable day, the imputation of having something quite of our own to think over.

We thought, accordingly—we continued to think, and I felt that, by the law of the occasion, there had as yet been for everyone no such sovereign warrant for an interest in the private affairs of everyone else. As a result of this influence all that at dinner had begun to fade away from me came back with a rush and hovered there with a vividness. I followed many trains and put together many pieces; but perhaps what I most did was to render a fresh justice to the marvel of our civilised state. The perfection of that, enjoyed as we enjoyed it, all made a margin, a series of concentric circles of rose-colour (shimmering away into the pleasant vague of everything else that didn't matter,) for the so salient little figure of Mrs. Server, still the controlling image for me, the real principle of composition, in this affluence of fine things. What, for my part, while I listened, I most made out was the beauty and the terror of conditions so highly organised that under their rule her small lonely fight with disintegration could go on without the betrayal of a gasp or a shriek, and with no worse tell-tale contortion of lip or brow than the vibration, on its golden stem, of that constantly renewed flower of amenity which my observation had so often and so mercilessly detached only to find again in its place. This flower nodded perceptibly enough in our deeply stirred air, but there was a peace, none the less, in feeling the spirit of the wearer to be temporarily at rest. There was for the time no gentleman on whom she need pounce, no lapse against which she need guard, no presumption she need create, nor any suspicion she need destroy. In this pause in her career it came over me that I should have liked to leave her; it would have prepared for me the pleasant after-consciousness that I had seen her pass, as I might say, in music out of sight.

But we were, alas! all too much there, too much tangled and involved for that; every actor in the play that had so unexpectedly insisted on constituting itself for me sat forth as with an intimation that they were not to be so easily disposed of. It was as if there were some last act to be performed before the curtain could fall. Would the definite dramatic signal for ringing the curtain down be then only—as a grand climax and coup de théâtre—the due attestation that poor Briss had succumbed to inexorable time and Mrs. Server given way under a cerebral lesion? Were the rest of us to disperse decorously by the simple action of the discovery that, on our pianist's striking his last note, with its consequence of permitted changes of attitude, Gilbert Long's victim had reached the point of final simplification and Grace Brissenden's the limit of age recorded of man? I could look at neither of these persons without a sharper sense of the contrast between the tragedy of their predicament and the comedy of the situation that did everything for them but suspect it. They had truly been arrayed and anointed, they had truly been isolated, for their sacrifice. I was sufficiently aware even then that if one hadn't known it one might have seen nothing; but I was not less aware that one couldn't know anything without seeing all; and so it was that, while our pianist played, my wandering vision played and played as well. It took in again, while it went from one of them to the other, the delicate light that each had shed on the other, and it made me wonder afresh what still more delicate support they themselves might not be in the very act of deriving from their dim community. It was for the glimmer of this support that I had left them together two or three hours before; yet I was obliged to recognise that, travel between them as my fancy might, it could detect nothing in the way of a consequent result. I caught no look from either that spoke to me of service rendered them; and I caught none, in particular, from one of them to the other, that I could read as a symptom of their having compared notes. The fellow-feeling of each for the lost light of the other remained for me but a tie supposititious—the full-blown flower of my theory. It would show here as another flower, equally mature, for me to have made out a similar dim community between Gilbert Long and Mrs. Brissenden—to be able to figure them as groping side by side, proportionately, towards a fellowship of light overtaken; but if I failed of this, for ideal symmetry, that seemed to rest on the general truth that joy brings people less together than sorrow.

So much for the course of my impressions while the music lasted—a course quite consistent with my being prepared for new combinations as soon as it was over. Promptly, when that happened, the bow was unbent; and the combination I first seized, amid motion and murmur and rustle, was that, once more, of poor Briss and Lady John, the latter of whom had already profited by the general reaction to endeavour to cultivate afresh the vainest of her sundry appearances. She had laid on him the same coercive hand to which I owed my having found him with her in the afternoon, but my intervention was now to operate with less ceremony. I chanced to be near enough to them for Brissenden, on seeing me, to fix his eyes on me in silence, but in a manner that could only bring me immediately nearer. Lady John never did anything in silence, but she greeted me as I came up to them with a fine false alarm. "No, indeed," she cried, "you shan't carry him off this time!"—and poor Briss disappeared, leaving us face to face, even while she breathed defiance. He had made no joke of it, and I had from him no other recognition; it was therefore a mere touch, yet it gave me a sensible hint that he had begun, as things were going, to depend upon me, that I already in a fashion figured to him—and on amazingly little evidence after all—as his natural protector, his providence, his effective omniscience. Like Mrs. Server herself, he was materially on my hands, and it was proper I should "do" for him. I wondered if he were really beginning to look to me to avert his inexorable fate. Well, if his inexorable fate was to be an unnameable climax, it had also its special phases, and one of these I had just averted. I followed him a moment with my eyes, and I then observed to Lady John that she decidedly took me for too simple a person. She had meanwhile also watched the direction taken by her liberated victim, and was the next instant prepared with a reply to my charge. "Because he has gone to talk with May Server? I don't quite see what you mean, for I believe him really to be in terror of her. Most of the men here are, you know, and I've really assured myself that he doesn't find her any less awful than the rest. He finds her the more so by just the very marked extra attention that you may have noticed she has given him."

"And does that now happen to be what he has so eagerly gone off to impress upon her?"

Lady John was so placed that she could continue to look at our friends, and I made out in her that she was not, in respect to them, without some slight elements of perplexity. These were even sufficient to make her temporarily neglect the defence of the breach I had made in her consistency. "If you mean by 'impressing upon' her speaking to her, he hasn't gone—you can see for yourself—to impress upon her anything; they have the most extraordinary way, which I've already observed, of sitting together without sound. I don't know," she laughed, "what's the matter with such people!"

"It proves in general," I admitted, "either some coldness or some warmth, and I quite understand that that's not the way you sit with your friends. You steer admirably clear of every extravagance. I don't see, at any rate, why Mrs. Server is a terror——"

But she had already taken me up. "If she doesn't chatter as I do?" She thought it over. "But she does—to everyone but Mr. Briss. I mean to every man she can pick up."

I emulated her reflection. "Do they complain of it to you?"

"They're more civil than you," she returned; "for if, when they flee before it, they bump up against me in their flight, they don't explain that by intimating that they're come from bad to worse. Besides, I see what they suffer."