"Ah you've broken the scent with telling me you're going back to the House of Commons," said Nash.

"No wonder you don't make it out! My situation's certainly absurd enough. What I really hanker for is to be a painter; and of portraits, on the whole, I think. That's the abject, crude, ridiculous fact. In this out-of-the-way corner, at the dead of night, in lowered tones, I venture to disclose it to you. Isn't that the æsthetic life?"

"Do you know how to paint?" asked Nash.

"Not in the least. No element of burlesque is therefore wanting to my position."

"That makes no difference. I'm so glad."

"So glad I don't know how?"

"So glad of it all. Yes, that only makes it better. You're a delightful case, and I like delightful cases. We must see it through. I rejoice I met you again."

"Do you think I can do anything?" Nick inquired.

"Paint good pictures? How can I tell without seeing some of your work? Doesn't it come back to me that at Oxford you used to sketch very prettily? But that's the last thing that matters."

"What does matter then?" Nick asked with his eyes on his companion.