"I like the way she talks," Mr. Dashwood derisively said, "when I gave up the most brilliant prospects, of very much the same kind as Mr. Dormer's, expressly to go on the stage."

"You're an inferior creature too," Miriam promptly pronounced.

"Miss Rooth's very hard to satisfy," Peter observed at this. "A man of distinction, slightly bald, in evening dress, with orders, in the corner of her loge—she has such a personage ready made to her hand and she doesn't so much as look at him. Am I not an inducement? Haven't I offered you a permanent engagement?"

"Your orders—where are your orders?" she returned with a sweet smile, getting up.

"I shall be a minister next year and an ambassador before you know it. Then I shall stick on everything that can be had."

"And they call us mountebanks!" cried the girl. "I've been so glad to see you again—do you want another sitting?" she went on to Nick as if to take leave of him.

"As many as you'll give me—I shall be grateful for all," he made answer. "I should like to do you as you are at present. You're totally different from the woman I painted—you're wonderful."

"The Comic Muse!" she laughed. "Well, you must wait till our first nights are over—I'm sur les dents till then. There's everything to do and I've to do it all. That fellow's good for nothing, for nothing but domestic life"—and she glanced at Basil Dashwood. "He hasn't an idea—not one you'd willingly tell of him, though he's rather useful for the stables. We've got stables now—or we try to look as if we had: Dashwood's ideas are de cette force. In ten days I shall have more time."

"The Comic Muse? Never, never," Peter protested. "You're not to go smirking through the age and down to posterity—I'd rather see you as Medusa crowned with serpents. That's what you look like when you look best."

"That's consoling—when I've just bought a lovely new bonnet, all red roses and bows. I forgot to tell you just now that when you're an ambassador you may propose anything you like," Miriam went on. "But forgive me if I make that condition. Seriously speaking, come to me glittering with orders and I shall probably succumb. I can't resist stars and garters. Only you must, as you say, have them all. I don't like to hear Mr. Dormer talk the slang of the studio—like that phrase just now: it is a fall to a lower state. However, when one's low one must crawl, and I'm crawling down to the Strand. Dashwood, see if mamma's ready. If she isn't I decline to wait; you must bring her in a hansom. I'll take Mr. Dormer in the brougham; I want to talk with Mr. Dormer; he must drive with me to the theatre. His situation's full of interest." Miriam led the way out of the room as she continued to chatter, and when she reached the house-door with the four men in her train the carriage had just drawn up at the garden-gate. It appeared that Mrs. Rooth was not ready, and the girl, in spite of a remonstrance from Nick, who had a sense of usurping the old lady's place, repeated her injunction that she should be brought on in a cab. Miriam's gentlemen hung about her at the gate, and she insisted on Nick's taking his seat in the brougham and taking it first. Before she entered she put her hand out to Peter and, looking up at him, held his own kindly. "Dear old master, aren't you coming to-night? I miss you when you're not there."