During this period it must also be remembered that Mr. James was equally employed in writing short stories, art criticism and notes of travel, both at home and abroad, and that these were also distinctive features of the widely scattered journals in which they appeared.
In The North American Review, The Atlantic Monthly, The Galaxy, Lippincott's Magazine, The New York Tribune, The Independent and some other periodicals, the authorship of such work was attributed to Mr. James on the publication of the articles or in regularly issued indexes.
The articles in The Nation are seldom signed, and there is no published index showing the contributors to its files. In preparing a recent[*] Bibliography of the writings of Henry James I had access to a record which the late Wendell Phillips Garrison, who was Mr. Godkin's associate from the founding of the paper and after 1881 editor in charge until June 28, 1906, had carefully kept of every author's work which his paper had published since its first issue. The amount of matter which Mr. James had provided, and the variety of interests concerning which he wrote, made an amazing array of notes. It is from the early issues of The Nation that much of the contents of this volume is reprinted. Of Mr. James's contributions to periodicals those to this paper were perhaps the most notable as well as the most frequent. He was represented in its first number—July 6, 1865—by some critical notes on Henry W. Kingsley's novel, "The Hillyars and the Bartons: A Story of Two Families," under the title, "The Noble School of Fiction," and the name "Henry James" appears in the publisher's announced list of contributors to the early volumes. Many of these papers which first appeared in The Nation have been reprinted, but few readers at this distance can realize how much the esteem in which that journal was immediately held under the editorial supervision of Mr. Godkin was due to perhaps its youngest regular contributor.
[*] A Bibliography of the Writings of Henry James. Boston and New York: Houghton, Mifflin and Company, 1906.
Volumes of the collected critical papers have already appeared,—French Poets and Novelists, London: 1878, and Partial Portraits, London: 1888, are the more notable,—but by far the greater part of these contemporary Essays on the literature of the late sixties and the seventies are now almost lost in the files of old or extinct periodicals.
We are accustomed these later years to think of Mr. James as novelist rather than literary essayist and he has been cited by a recent writer as an author of fiction who becomes a critic on occasion and, he also adds, that his analytical system of novel writing excellently fits him for the office of critic; but, on the contrary, the papers in this volume seem to show that his early self-training as a critic has been the preparation for the creation of his characters in fiction.
The true lover of Mr. James's work feels the same delightful sense of intimate discovery in touching these early papers that an artist does in finding a portfolio of early sketches by a beloved master whose developed power and strength is known to him. There is the recognition of the characteristic touch even here—the insight, the thought within a thought, (more lately the despair of privileged psychologic athletes), the mystery of seeing—not what is apparent to the outward eye but what we fancied we concealed successfully within our inmost selves. There is the extraordinary sense of his having put on paper what we really thought—what we now think—that gives us more faith than ever in our artist who is expression for us who feel, but who are yet dumb.
LE ROY PHILLIPS.
Boston, April 10, 1908.