The Hut by the Black Swamp
Now comes the fierce north-easter, bound
About with clouds and racks of rain,
And dry, dead leaves go whirling round
In rings of dust, and sigh like pain
Across the plain.
Now twilight, with a shadowy hand
Of wild dominionship, doth keep
Strong hold of hollow straits of land,
And watery sounds are loud and deep
By gap and steep.
Keen, fitful gusts, that fly before
The wings of storm when day hath shut
Its eyes on mountains, flaw by flaw,
Fleet down by whistling box-tree butt,
Against the hut.
And, ringed and girt with lurid pomp,
Far eastern cliffs start up, and take
Thick steaming vapours from a swamp
That lieth like a great blind lake,
Of face opaque.
The moss that, like a tender grief,
About an English ruin clings—
What time the wan autumnal leaf
Faints, after many wanderings
On windy wings—
That gracious growth, whose quiet green
Is as a love in days austere,
Was never seen—hath never been—
On slab or roof, deserted here
For many a year.
Nor comes the bird whose speech is song—
Whose songs are silvery syllables
That unto glimmering woods belong,
And deep, meandering mountain dells
By yellow wells.
But rather here the wild-dog halts,
And lifts the paw, and looks, and howls;
And here, in ruined forest vaults,
Abide dim, dark, death-featured owls,
Like monks in cowls.
Across this hut the nettle runs,
And livid adders make their lair
In corners dank from lack of suns,
And out of foetid furrows stare
The growths that scare.
Here Summer's grasp of fire is laid
On bark and slabs that rot, and breed
Squat ugly things of deadly shade,
The scorpion, and the spiteful seed
Of centipede.
Unhallowed thunders, harsh and dry,
And flaming noontides, mute with heat,
Beneath the breathless, brazen sky,
Upon these rifted rafters beat
With torrid feet.
And night by night the fitful gale
Doth carry past the bittern's boom,
The dingo's yell, the plover's wail,
While lumbering shadows start, and loom,
And hiss through gloom.
No sign of grace—no hope of green,
Cool-blossomed seasons marks the spot;
But chained to iron doom, I ween,
'Tis left, like skeleton, to rot
Where ruth is not.
For on this hut hath murder writ,
With bloody fingers, hellish things;
And God will never visit it
With flower or leaf of sweet-faced Springs,
Or gentle wings.
September in Australia
Grey Winter hath gone, like a wearisome guest,
And, behold, for repayment,
September comes in with the wind of the West
And the Spring in her raiment!
The ways of the frost have been filled of the flowers,
While the forest discovers
Wild wings, with the halo of hyaline hours,
And the music of lovers.
September, the maid with the swift, silver feet!
She glides, and she graces
The valleys of coolness, the slopes of the heat,
With her blossomy traces;
Sweet month, with a mouth that is made of a rose,
She lightens and lingers
In spots where the harp of the evening glows,
Attuned by her fingers.
The stream from its home in the hollow hill slips
In a darling old fashion;
And the day goeth down with a song on its lips,
Whose key-note is passion.
Far out in the fierce, bitter front of the sea
I stand, and remember
Dead things that were brothers and sisters of thee,
Resplendent September!
The West, when it blows at the fall of the noon
And beats on the beaches,
Is filled with a tender and tremulous tune
That touches and teaches;
The stories of Youth, of the burden of Time,
And the death of Devotion,
Come back with the wind, and are themes of the rhyme
In the waves of the ocean.
We, having a secret to others unknown,
In the cool mountain-mosses,
May whisper together, September, alone
Of our loves and our losses!
One word for her beauty, and one for the grace
She gave to the hours;
And then we may kiss her, and suffer her face
To sleep with the flowers.
High places that knew of the gold and the white
On the forehead of Morning
Now darken and quake, and the steps of the Night
Are heavy with warning.
Her voice in the distance is lofty and loud
Through the echoing gorges;
She hath hidden her eyes in a mantle of cloud,
And her feet in the surges.
On the tops of the hills, on the turreted cones—
Chief temples of thunder—
The gale, like a ghost, in the middle watch moans,
Gliding over and under.
The sea, flying white through the rack and the rain,
Leapeth wild at the forelands;
And the plover, whose cry is like passion with pain,
Complains in the moorlands.
Oh, season of changes—of shadow and shine—
September the splendid!
My song hath no music to mingle with thine,
And its burden is ended;
But thou, being born of the winds and the sun,
By mountain, by river,
Mayst lighten and listen, and loiter and run,
With thy voices for ever!
Ghost Glen
"Shut your ears, stranger, or turn from Ghost Glen now,
For the paths are grown over, untrodden by men now;
Shut your ears, stranger," saith the grey mother, crooning
Her sorcery runic, when sets the half-moon in.
To-night the north-easter goes travelling slowly,
But it never stoops down to that hollow unholy;
To-night it rolls loud on the ridges red-litten,
But it cannot abide in that forest, sin-smitten.
For over the pitfall the moon-dew is thawing,
And, with never a body, two shadows stand sawing—
The wraiths of two sawyers (step under and under),
Who did a foul murder and were blackened with thunder!
Whenever the storm-wind comes driven and driving,
Through the blood-spattered timber you may see the saw striving—
You may see the saw heaving, and falling, and heaving,
Whenever the sea-creek is chafing and grieving!
And across a burnt body, as black as an adder,
Sits the sprite of a sheep-dog (was ever sight sadder?)
For, as the dry thunder splits louder and faster,
This sprite of a sheep-dog howls for his master.
"Oh, count your beads deftly," saith the grey mother, crooning
Her sorcery runic, when sets the half-moon in.
And well may she mutter, for the dark, hollow laughter
You will hear in the sawpits and the bloody logs after.
Ay, count your beads deftly, and keep your ways wary,
For the sake of the Saviour and sweet Mother Mary.
Pray for your peace in these perilous places,
And pray for the laying of horrible faces.
One starts, with a forehead wrinkled and livid,
Aghast at the lightnings sudden and vivid;
One telleth, with curses, the gold that they drew there
(Ah! cross your breast humbly) from him whom they slew there:
The stranger, who came from the loved, the romantic
Island that sleeps on the moaning Atlantic,
Leaving behind him a patient home, yearning
For the steps in the distance—never returning;
Who was left in the forest, shrunken and starkly,
Burnt by his slayers (so men have said, darkly),
With the half-crazy sheep-dog, who cowered beside there,
And yelled at the silence, and marvelled, and died there.
Yea, cross your breast humbly and hold your breath tightly,
Or fly for your life from those shadows unsightly,
From the set staring features (cold, and so young, too),
And the death on the lips that a mother hath clung to.
I tell you—that bushman is braver than most men
Who even in daylight doth go through the Ghost Glen,
Although in that hollow, unholy and lonely,
He sees the dank sawpits and bloody logs only.