Shall he, on whom the fair lord, Delphicus,
Turned gracious eyes and countenance of shine,
Be left to lie without a wreath from us,
To sleep without a flower upon his shrine?
Shall he, the son of that resplendent Muse,
Who gleams, high priestess of sweet scholarship,
Still slumber on, and every bard refuse
To touch a harp or move a tuneful lip?
No! let us speak, though feeble be our speech,
And let us sing, though faltering be our strain,
And haply echoes of the song may reach
And please the soul we cannot see again.
We sing the beautiful, the radiant life
That shone amongst us like the quiet moon,
A fine exception in this sphere of strife,
Whose time went by us like a hallowed tune.
Yon tomb, whereon the moonlit grasses sigh,
Hides from our view the shell of one whose days
Were set throughout to that grand harmony
Which fills all minor spirits with amaze.
This was the man whose dear, lost face appears
To rise betimes like some sweet evening dream,
And holy memories of faultless years,
And touching hours of quietness supreme.
He, having learned in full the golden rule,
Which guides great lives, stood fairly by the same,
Unruffled as the Oriental pool,
Before the bright, disturbing angel came.
In Learning's halls he walked—a leading lord,
He trod the sacred temple's inner floors;
But kindness beamed in every look and word
He gave the humblest Levite at the doors.
When scholars poor and bowed beneath the ban,
Which clings as fire, were like to faint and fall,
This was the gentle, good Samaritan,
Who stopped and held a helping hand to all.
No term that savoured of unfriendliness,
No censure through those pure lips ever passed;
He saw the erring spirit's keen distress,
And hoped for it, long-suffering to the last.
Moreover, in these days when Faith grows faint,
And Heaven seems blurred by speculation wild,
He, blameless as a mediaeval saint,
Had all the trust which sanctifies a child.
But now he sleeps, and as the years go by,
We'll often pause above his sacred dust,
And think how grand a thing it is to die
The noble death which deifies the just.

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Rizpah

Said one who led the spears of swarthy Gad,
To Jesse's mighty son: "My Lord, O King,
I, halting hard by Gibeon's bleak-blown hill
Three nightfalls past, saw dark-eyed Rizpah, clad
In dripping sackcloth, pace with naked feet
The flinty rock where lie unburied yet
The sons of her and Saul; and he whose post
Of watch is in those places desolate,
Got up, and spake unto thy servant here
Concerning her—yea, even unto me:—
'Behold,' he said, 'the woman seeks not rest,
Nor fire, nor food, nor roof, nor any haunt
Where sojourns man; but rather on yon rock
Abideth, like a wild thing, with the slain,
And watcheth them, lest evil wing or paw
Should light upon the comely faces dead,
To spoil them of their beauty. Three long moons
Hath Rizpah, daughter of Aiah, dwelt
With drouth and cold and rain and wind by turns,
And many birds there are that know her face,
And many beasts that flee not at her step,
And many cunning eyes do look at her
From serpent-holes and burrows of the rat.
Moreover,' spake the scout, 'her skin is brown
And sere by reason of exceeding heat;
And all her darkness of abundant hair
Is shot with gray, because of many nights
When grief hath crouched in fellowship with frost
Upon that desert rock. Yea, thus and thus
Fares Rizpah,' said the spy, O King, to me."
But David, son of Jesse, spake no word,
But turned himself, and wept against the wall.
We have our Rizpahs in these modern days
Who've lost their households through no sin of theirs,
On bloody fields and in the pits of war;
And though their dead were sheltered in the sod
By friendly hands, these have not suffered less
Than she of Judah did, nor is their love
Surpassed by hers. The Bard who, in great days
Afar off yet, shall set to epic song
The grand pathetic story of the strife
That shook America for five long years,
And struck its homes with desolation—he
Shall in his lofty verse relate to men
How, through the heat and havoc of that time,
Columbia's Rachael in her Rama wept
Her children, and would not be comforted;
And sing of Woman waiting day by day
With that high patience that no man attains,
For tidings, from the bitter field, of spouse,
Or son, or brother, or some other love
Set face to face with Death. Moreover, he
Shall say how, through her sleepless hours at night,
When rain or leaves were dropping, every noise
Seemed like an omen; every coming step
Fell on her ears like a presentiment
And every hand that rested on the door
She fancied was a herald bearing grief;
While every letter brought a faintness on
That made her gasp before she opened it,
To read the story written for her eyes,
And cry, or brighten, over its contents.

[!-- H2 anchor --]

Kiama Revisited

We stood by the window and hearkened
To the voice of the runnels sea-driven,
While, northward, the mountain-heads darkened,
Girt round with the clamours of heaven.
One peak with the storm at his portal
Loomed out to the left of his brothers:
Sustained, and sublime, and immortal,
A king, and the lord of the others!
Beneath him a cry from the surges
Rang shrill, like a clarion calling;
And about him, the wind of the gorges
Went falling, and rising, and falling.
But I, as the roofs of the thunder
Were cloven with manifold fires,
Turned back from the wail and the wonder,
And dreamed of old days and desires.
A song that was made, I remembered—
A song that was made in the gloaming
Of suns which are sunken and numbered
With times that my heart hath no home in.
But I said to my Dream, "I am calmer
Than waters asleep on the river.
I can look at the hills of Kiama
And bury that dead Past for ever."
"Past sight, out of mind, alienated,"
Said the Dream to me, wearily sighing,
"Ah, where is the Winter you mated
To Love, its decline and its dying?
Here, five years ago, there were places
That knew of her cunning to grieve you,
But alas! for her eyes and her graces;
And wherefore and how did she leave you!
Have you hidden the ways of this Woman,
Her whispers, her glances, her power
To hold you, as demon holds human,
Chained back to the day and the hour?
Say, where have you buried her sweetness,
Her coldness for youth and its yearning?
Is the sleep of your Sorrow a witness
She is passed all the roads of returning?
Was she left with her beauty, O lover,
And the shreds of your passion about her,
Beyond reach and where none can discover?
Ah! what is the wide world without her?"
I answered, "Behold, I was broken,
Because of this bright, bitter maiden,
Who helped me with never a token
To beat down the dark I had strayed in.
She knew that my soul was entangled
By what was too fiery to bear then;
Nor cared how she withered and strangled
My life with her eyes and her hair then.
But I have not leapt to the level
Where light and the shadows dissever?
She is fair, but a beautiful devil
That I have forgotten for ever!"
"She is sweeter than music or singing,"
Said the Dream to me, heavily moaning,
"Her voice in your slumber is ringing;
And where is the end—the atoning?
Can you look at the red of the roses;
Are you friend of the fields and the flowers?
Can you bear the faint day as it closes
And dies into twilighted hours?
Do you love the low notes of the ballad
She sang in her darling old fashion?"
And I whispered, "O Dream, I am pallid
And perished because of my passion."
But the Wraith withered out, and the rifted
Gray hills gleaming over the granges,
Stood robed with moon-rainbows that shifted
And shimmered resplendent with changes!
While, for the dim ocean ledges,
The storm and the surges were blended,
Sheer down the bluff sides of the ridges
Spent winds and the waters descended.
The forests, the crags, and the forelands,
Grew sweet with the stars after raining;
But out in the north-lying moorlands,
I heard the lone plover complaining.
From these to Kiama, half-hidden
In a yellow sea-mist on the slopings
Of hills, by the torrents be-ridden,
I turned with my aches and my hopings,
Saying this—"There are those that are taken
By Fate to wear Love as a raiment
Whose texture is trouble with breaking
Of youth and no hope of repayment."

[!-- H2 anchor --]

Passing Away

The spirit of beautiful faces,
The light on the forehead of Love,
And the spell of past visited places,
And the songs and the sweetness thereof;
These, touched by a hand that is hoary;
These, vext with a tune of decay,
Are spoiled of their glow and their glory;
And the burden is, "Passing away!
Passing away!"
Old years and their changes come trooping
At nightfall to you and to me,
When Autumn sits faded and drooping
By the sorrowful waves of the sea.
Faint phantoms that float in the gloaming,
Return with the whispers that say,
"The end which is quiet is coming;
Ye are weary, and passing away!
Passing away!"
It is hard to awake and discover
The swiftness that waits upon Time;
But youth and its beauty are over,
And Love has a sigh in its rhyme.
The Life that looks back and remembers,
Is troubled and tired and gray,
And sick of the sullen Decembers,
Whose burden is, "Passing away!
Passing away!"
We have wandered and wandered together,
And our joys have been many and deep;
But seasons of alien weather
Have ended in longings for sleep.
Pale purpose and perishing passion,
With never a farewell to say,
Die down into sobs of suppression;
The burden is, "Passing away!
Passing away!"
We loved the soft tangle of tresses,
The lips that were fain and afraid.
And the silence of far wildernesses,
With their dower of splendour and shade!
For faces of sweetness we waited,
And days of delight and delay,
Ere Time and its voices were mated
To a voice that sighs, "Passing away!
Passing away!"
O years interwoven with stories
Of strong aspirations and high,
How fleet and how false were the glories
That lived in your limited sky!
Here, sitting by ruinous altars
Of Promise, what word shall we say
To the speech that the rainy wind falters,
Whose burden is, "Passing away!
Passing away!"