He had. And the pew door had never opened, and I was utterly unconscious. Gus had crawled up, on all fours, under the seat of the pew, until he was opposite the calves of his sister's legs, against which calves, horresco referens, he put his trumpet and blew a long shrill blast. Flora behaved very well and courageously. She only gave one long, wild shriek, as from a lunatic in a padded cell at Bedlam, and then, hurling her prayer-book at him, she turned round and tried to kick him in the face.

This was the culminating point of my misfortunes. After this, they behaved better. I represented to them that every one was just coming out of the vestry, and that they had better fight it out in the carriage going home. Gus only made an impertinent remark about Flora's garters, and Flora only drew a short, but trenchant, historical parallel between Gus and Judas Iscariot; when the brides and bridegrooms came down the aisle, and we all drove off to Charles's house in Eaton Square.

And so, for the first time, I saw all together, with my own eyes, the principal characters in this story. Only one was absent. Lord Saltire. I had seen him twice in my life, and once had the honour of a conversation with him. He was a man about five feet eleven, very broad shouldered, and with a very deep chest. As far as the animal part of him went, I came to the conclusion, from close and interested examination for twenty minutes, that he had, fifty or sixty years before, been a man with whom it would have been pleasanter to argue than to box. His make was magnificent. Phrenologically speaking, he had a very high square head, very flat at the sides: and, when I saw him, when he was nearly eighty, he was the handsomest old man I had ever seen. He had a florid, pure complexion. His face was without a wrinkle. His eyebrows were black, and his hair seemed to refuse to be grey. There was as much black as grey in it to the last. His eye was most extraordinary—a deep blue-grey. I can look a man as straight in the face as any one; but when Lord Saltire turned those eyes on me three or four times in the course of our interview, I felt that it was an effort to meet them. I felt that I was in the presence of a man of superior vitality to my own. We were having a talk about matters connected with Charles Ravenshoe, which I have not mentioned, because I want to keep myself, William Marston, as much out of this story as possible. And whenever this terrible old man looked at me, asking a question, I felt my eyebrows drawing together, and knew that I was looking defiantly at him. He was the most extraordinary man I ever met. He never took office after he was forty. He played with politics. He was in heart, I believe (no one knows), an advanced Whig. He chose to call himself Tory. He played the Radical game very deep, early in life, and, I think, he got disgusted with party politics. The last thing the old Radical atheist did in public life was to rally up to the side of the Duke in opposition to the Reform Bill. And another fact about him is, that he had always a strong personal affection for Sir Francis.

He was a man of contradictions, if one judges a man by Whig and Tory rules; but he was a great loss to the public business of the country. He might have done almost anything in public life, with his calm clear brain. My cousin John thinks that Lord Barkham's death was the cause of his retirement.

So much about Lord Saltire. Of the other characters mentioned in this story, I will speak at once, just as I saw them sitting round the table at Charles and William Ravenshoe's wedding.

I sat beside Eliza Humby. She was infinitely the most beautiful, clever, and amiable being that the world ever produced. (But that is my business, not yours.) Charles Ravenshoe sat at the head of the table, and I will leave him alone for a minute. I will give you my impressions of the other characters in this story, as they appeared to me.

Mary was a very charming-looking little person indeed, very short, and with small features. I had never seen her before, and had never heard any one say that she was pretty. I thought her very pretty indeed. Jane Evans was an exceedingly beautiful Devonshire girl. My eye did not rest very long on her. It came down the table to William, and there it stopped.

I got Eliza Humby to speak to him, and engage him in conversation while I looked at him. I wanted to see whether there was anything remarkable in his face, for a more remarkable instance of disinterested goodwill than his determining to find Charles and ruin himself, I never happened to have heard of.

Well, he was very handsome and pleasing, with a square determined look about the mouth, such as men brought up among horses generally have. But I couldn't understand it, and so I spoke to him across Lizzie, and I said, casting good manners to the winds, "I should think that the only thing you regretted to-day was, that you had not been alongside of Charles at Balaclava;" and then I understood it, for when I mentioned Charles and Balaclava, I saw for one instant not a groom, but a poet. Although, being a respectable and well-conducted man, he has never written any poetry, and probably never will.

Then I looked across the table at Lady Ascot. They say that she was never handsome. I can quite believe that. She was a beautiful old woman certainly, but then all old women are beautiful. Her face was very square, and one could see that it was capable of very violent passion; or could, knowing what one did, guess so. Otherwise there was nothing very remarkable about her except that she was a remarkably charming old lady. She was talking to General Mainwaring, who was a noble-looking old soldier.