Frederica turned on her husband a look of despair.
"He didn't come in a taxi! He's walked or something, through that rain! Do run down and see what he's like. And if he's very bad, send him up to me. I can imagine how he'll look."
She was mistaken about that though. For once Frederica had overestimated her powers, stimulated though they were by the way she heard her husband say, "Good lord!" when the sight of his brother-in-law burst on him.
"Praise heaven you can wear my clothes," she heard him add. "Run along up-stairs and break yourself gently to Freddy."
She heard him come squudging up the stairs and along the hall, and then in her doorway she saw him. His baggy gray tweed suit was dark with the water that saturated it. The lower part of his trousers-legs, in irregular vertical creases, clung dismally to his ankles and toned down almost indistinguishably into his once tan boots by the medium of a liberal stipple of mud spatters. Evidently, he had worn no overcoat. Both his side pockets had been, apparently, strained to the utmost to accommodate what looked like a bunch of pasteboard-bound note-books, now far on the way to their original pulp, and lopped despondently outward. A melancholy pool had already begun forming about his feet.
The maddening, but yet—though she hadn't much room for any other emotion—touching thing about the look of him, was the way his face, above the dismal wreck, beamed good-humored innocent affection at her. It was a big featured, strong, rosy face, and the unmistakable intellectual power of it, which became apparent the moment he got his faculties into action, had a trick of hiding, at other times, behind a mere robust simplicity.
"Good gracious!" he said. "I didn't know you were going to have a party."
It seemed though, he didn't want to make an issue of that. He hedged. "I know you said something about a birthday cake, but I thought it would just be the family. So instead of dressing, I thought I'd walk down from home. It takes about the same time. And then it came on to rain, so I took a street-car—and got put off."
It appeared from the way she echoed his last two words that she wanted an explanation. He was painting with a large brush and a few details got obliterated.
"Got into a row with the conductor, who wanted to collect two fares for one ride, so I walked over to the elevated—and back, and here I am."