Rodney got into a taxi and came, and found the critic at his shabby old desk under a green-shaded electric light, in the midst of a vast solitude, the editorial offices of an evening newspaper at that hour being about the loneliest place in the world. There was a rusty look about this particular local room, too, that made you wonder that any real news ever could emanate from it. Yet only this afternoon they had beaten the city in the announcement of the failure of the Mortimore-Milligan string of banks.

"I've come," said Rodney, finding a sort of fierce satisfaction in grasping the nettle as tightly as possible, "to see if you can tell me anything about my wife."

Jimmy may have felt a bit flushed and flustered, but the fact didn't show, and an imaginative insight he was in the habit of denying the possession of led him to draw most of the sting out of the situation with the first words he said.

"I'll tell you all I know, of course, but it isn't much. Because I haven't had a word with her since the last time I dined at your house, way back last September, I think it was. I saw her on the stage at the Globe, the opening night of The Girl Up-stairs, and I saw that she recognized me. That's how I knew it was really she. And—well, I want you to know this! I haven't told anybody that she was there."

"You needn't tell me that," said Rodney. "I'm sure of it. But I'm glad you did tell me the other thing. But here's the situation: she's left that company; left it, I believe, as a result of a talk I had with her after I found her there, and I don't know where she is. The one thing I have got to do just now is to find her. I've asked at the theater, and they won't tell me. I imagine they're acting on her instructions. And as I don't even know the name she goes by I've found it pretty hard to get anywhere. I want you to help me."

"Her name there at the Globe was Doris Dane," said Jimmy, "and I imagine that unless she's left the show business altogether she'll have kept it; because it would be, in a small way, an asset. And, as she'll be easier to find if she has stayed in the business than if she hasn't, why, that's the presumption to begin on."

He lighted his pipe and lapsed into a thoughtful silence. "There are two things she may have done," he went on after a while. "She may have gone to New York, and in that case she's likely to have applied to the man who put on The Girl out here; that's John Galbraith. He took quite an interest in her, I understand; believed she had a future. But the other thing she may have done strikes me as a little more likely. How long ago was it you talked to her?"

"It's the better part of two weeks," said Rodney.

"Well," said Jimmy, "they sent out a Number Two company of The Girl Up-Stairs a week ago last Sunday night. If she had any reason for wanting to leave Chicago she might, I should think, have gone to them and asked them to let her go out on the road with that. They wouldn't have done it, of course, unless she'd convinced them that she was going to quit the Chicago company anyway. But if she had convinced them of that they'd have done it right enough. On the whole, that seems to me the likeliest place to look."

"Yes," said Rodney, "I think it is. Well, have you any way of finding out where the Number Two company is playing?"