"It's a lie," Martin said feebly, making a desperate attempt to conceal his stress-triggered panic. "I've abdicated."
St. Cyr, who had stepped back a pace, was studying Martin carefully. Slowly the cigar in his mouth began to tilt upwards. An unpleasant grin widened the director's mouth.
He shook a finger under Martin's quivering nostrils.
"You!" he said. "Tonight it is a different tune, eh? Today you were drunk. Now I see it all. Valorous with pots, like they say."
"Nonsense," Martin said, rallying his courage by a glance at Erika. "Who say? Nobody but you would say a thing like that. Now what's this all about?"
"What were you doing behind that curtain?" Watt asked.
"I wasn't behind the curtain," Martin said, with great bravado. "You were. All of you. I was in front of the curtain. Can I help it if the whole lot of you conceal yourselves behind curtains in a library, like—like conspirators?" The word was unfortunately chosen. A panicky light flashed into Martin's eyes. "Yes, conspirators," he went on nervously. "You think I don't know, eh? Well, I do. You're all assassins, plotting and planning. So this is your headquarters, is it? All night your hired dogs have been at my heels, driving me like a wounded caribou to—"
"We've got to be going," Erika said desperately. "There's just time to catch the next carib—the next plane east." She reached for the contract release, but Watt suddenly put it in his pocket. He turned his chair toward Martin.
"Will you give us an option on your next play?" he demanded.
"Of course he will give us an option!" St. Cyr said, studying Martin's air of bravado with an experienced eye. "Also, there is to be no question of a charge of assault, for, if there is I will beat you. So it is in Mixo-Lydia. In fact, you do not even want a release from your contract, Martin. It is all a mistake. I will turn you into a St. Cyr writer, and all will be well. So. Now you will ask Tolliver to tear up that release, will you not—ha?"