I studied Peter M’Laughlan first. He was dressed in washed and mended tweed vest and trousers, and had on a long, lightcoloured coat of a material which we called “Chinese silk.” He wore a “soft” cotton shirt with collar attached, and blucher boots. He gave out a hymn in his quiet, natural way, said a prayer, gave out another hymn, read a chapter from the Bible, and then gave out another hymn. They liked to sing, out in those places. The Southwicks used to bring a cranky little harmonium in the back of their old dog-cart, and Clara Southwick used to accompany the hymns. She was a very pretty girl, fair, and could play and sing well. I used to think she had the sweetest voice I ever heard. But—ah, well—
Peter didn’t sing himself, at first. I got an idea that he couldn’t. While they were singing he stood loosely, with one hand in his trouser-pocket, scratching his beard with his hymn-book, and looking as if he were thinking things over, and only rousing himself to give another verse. He forgot to give it once or twice, but we got through all right. I noticed the wife of one of the men who had asked Peter to preach looking rather black at her husband, and I reckoned that he’d get it hotter than the weather on the way home.
Then Peter stood up and commenced to preach. He stood with both hands in his pockets, at first, his coat ruffled back, and there was the stem of a clay pipe sticking out of his waistcoat pocket. The pipe fascinated me for a while, but after that I forgot the pipe and was fascinated by the man. Peter’s face was one that didn’t strike you at first with its full strength, it grew on you; it grew on me, and before he had done preaching I thought it was the noblest face I had ever seen.
He didn’t preach much of hope in this world. How could he? The drought had been blazing over these districts for nearly a year, with only a shower now and again, which was a mockery—scarcely darkening the baked ground. Wheat crops came up a few inches and were parched by the sun or mown for hay, or the cattle turned on them; and last year there had been rust and smut in the wheat. And, on top of it all, the dreadful cattle plague, pleuro-pneumonia, had somehow been introduced into the district. One big farmer had lost fifty milkers in a week.
Peter M’Laughlan didn’t preach much of hope in this world; how could he? There were men there who had slaved for twenty, thirty, forty years; worked as farmers have to work in few other lands—first to clear the stubborn bush from the barren soil, then to fence the ground, and manure it, and force crops from it—and for what? There was Cox, the farmer, starved off his selection after thirty years and going out back with his drays to work at tank-sinking for a squatter. There was his eldest son going shearing or droving—anything he could get to do—a stoop-shouldered, young-old man of thirty. And behind them, in the end, would be a dusty patch in the scrub, a fencepost here and there, and a pile of chimney-stones and a hardwood slab or two where the but was—for thirty hard years of the father’s life and twenty of the son’s.
I forget Peter’s text, if he had a text; but the gist of his sermon was that there was a God—there was a heaven! And there were men there listening who needed to believe these things. There was old Ross from across the creek, old, but not sixty, a hard man. Only last week he had broken down and fallen on his knees on the baked sods in the middle of his ploughed ground and prayed for rain. His frightened boys had taken him home, and later on, the same afternoon, when they brought news of four more cows down with “the pleuro” in an outer paddock, he had stood up outside his own door and shaken his fist at the brassy sky and cursed high heaven to the terror of his family, till his brave, sun-browned wife dragged him inside and soothed him. And Peter M’Laughlan knew all about this.
Ross’s family had the doctor out to him, and persuaded him to come to church this Sunday. The old man sat on the front seat, stooping forward, with his elbow resting on the desk and his chin on his hand, bunching up his beard over his mouth with his fingers and staring gloomily at Peter with dark, piercing eyes from under bushy eyebrows, just as I’ve since seen a Scotchman stare at Max O’Rell all through a humorous lecture called “A nicht wi’ Sandy.”
Ross’s right hand resting on the desk was very eloquent: horny, scarred and knotted at every joint, with broken, twisted nails, and nearly closed, as though fitted to the handle of an axe or a spade. Ross was an educated man (he had a regular library of books at home), and perhaps that’s why he suffered so much.
Peter preached as if he were speaking quietly to one person only, but every word was plain and every sentence went straight to someone. I believe he looked every soul in the eyes before he had done. Once he said something and caught my eye, and I felt a sudden lump in my throat. There was a boy there, a pale, thin, sensitive boy who was eating his heart out because of things he didn’t understand. He was ambitious and longed for something different from this life; he’d written a story or two and some rhymes for the local paper; his companions considered him a “bit ratty” and the grown-up people thought him a “bit wrong in his head,” idiotic, or at least “queer.” And during his sermon Peter spoke of “unsatisfied longings,” of the hope of something better, and said that one had to suffer much and for long years before he could preach or write; and then he looked at that boy. I knew the boy very well; he has risen in the world since then.
Peter spoke of the life we lived, of the things we knew, and used names and terms that we used. “I don’t know whether it was a blanky sermon or a blanky lecture,” said long swanky Jim Bullock afterwards, “but it was straight and hit some of us hard. It hit me once or twice, I can tell yer.” Peter spoke of our lives: “And there is beauty—even in this life and in this place,” he said. “Nothing is wasted—nothing is without reason. There is beauty even in this place——”