[PART I]
I.[Morgengabe]
II.[Shadows Before]
III.[An Eclipse]
IV.[To Introduce Paul Ingram]
V.["Sad Company"]
VI.[A Child Speaks the Truth]
VII.[Mostly Lady Anne]
VIII.[The Second Floor]
IX.[Sharland College]
X.["The Way of a Maid"]
XI.[An Interlude]
XII.[Richmond Park]
XIII.[Find Soul—Find Sorrow]
XIV.[Athea Rees]
XV.[History of a Conversion]
XVI.[Hoa-haka-nana-ia]
XVII.[The Continental Express]
XVIII.[Amende Honorable]
[PART II]
I.[Financial Intelligence]
II.[Two Telegrams]
III.[In the Firelight]
IV.[An Affair of Outposts]
V.[Cicispeo]
VI.[The Benefit of the Doubt]
VII.[A Dress Rehearsal]
VIII.[Lady Anne's Deposition]
IX.[The Man at the Wheel]
X.[Monsieur de Valbonette]
XI.["Inextricabile Error"]
XII.[A Catastrophe]
XIII.[New Wine—Old Bottle]
XIV.[Some Theories and a Way Out]
XV.[A Last Wish]
XVI.[Azrael]
XVII.[A Dream Comes True]
XVIII.[Ice to the Moon]
XIX.[The Wages]
[PART III]
I.[The Baths of Apollo]
II.[Lightning in the Fog]
III.[Valedictory]
IV.[Something Like Cloves]
V.[A Very Vulgar Chapter]
VI.[Genealogical]
VII.[The Waiting-Room]
VIII.['Twixt Shine and Shade]
IX.[Beaten at the Post]
X.[A Year and a Day]
XI.[Two Grains of Hope]

PART I

I

MORGENGABE

Like the sudden, restless motion of a sleeper, a wave, marking the tide's height, broke out of the slumberous heart of the sea, and laid its crest low along the beach. Fenella, who had been swimming to shore, rose in the foam, like that other woman in the morning of the world, and began to walk slowly, wringing the salt water from her hair, toward the bleached bathing hut that stood, by itself, under a shoulder of the dunes. The backwash of the wave swirled past her bare ankles as she walked. Beyond the strip of beach that it had covered with weed and spume, the sand was hot and loose as ashes to the soles of her feet. The noontide sun seemed to rob the earth at once of motion, of sound, of color. It grizzled the long sharp grass with which the sand hills were sparsely covered, quenched the red roofs of the little cream-walled fishing village, and turned the watered lawn, which lay at the foot of the flaunting summer hotel quarter of a mile inland, to a level smudge of dark green. All sound was stilled—all movement in suspense—all beauty, even, deferred. At such an hour, the supreme of the sun's possession of the earth, none can stand, alone and without shelter in its untempered light, and not realize that he is intercepting an elemental force as relentless as it is impersonal. Upon these barren, ragged edges of the earth, where the land casts its detritus upon the sea, and the sea casts it back, transformed, upon the land, it is felt to be what it truly is—a power that blights as well as fosters—death no less than life. All that has its roots firmly fastened in the soil—that has a purpose unfulfilled—fruit to bear—pollen to sow, feels the impulse—spreads, aspires, swells, and scatters. All that is weak or ephemeral—whose purposes are frustrated or whose uses past, turns from that light and fervor—withers—bows its head—wilts at the fiery challenge. To it the sun is a torch—the earth an oven—noontide the crisis of its agony.


At the door of the gray bathing-hut the girl turned, and, bracing herself, with her arms against her wet sides, to which her dark tight bathing-dress clung sleek and shapely as its pelt to a seal, stood for a moment looking out to sea. Her bosom rose and fell quickly, but without any distress; her heart beat high with the sense, so rare to women until of late, of physical powers put to the test. A mile out, the fishing-boat to which she had swum—whose very bulwarks she had touched—seemed to hang like some torpid bat—its claws hooked onto the line where sea and sky met. She caught her breath at sight of the distance she had ventured: nothing in her life, she felt, had been pleasanter than this—to stand with the sun on her shoulders, the warm sand over her toes, and to measure with a glance the cold, treacherous and trackless space which, stroke by stroke, she had overcome.

Suddenly, and as though she remembered, she turned and looked inland. High up on the dunes to her left a little black shadow spotted the gray, reed-streaked expanse. Fenella waved one brown arm toward it, and throwing back the wet hair from her forehead, peered anxiously under her hand for some signal in reply. Apparently it came, for her face changed. Something that had been almost austerity went out of it and was replaced by a look so full of tender concern that the long-lashed eyes and sensitive mouth seemed to brim over with it. A moment later, and amid a charming confusion which draped the pegs and benches of the hut, she was humming a waltz tune softly as she dressed. The happy, interrupted melody filled the hot silence like the song of a honey-seeking bee.

The blot upon the dunes was cast by a white sketching umbrella, lined with green, whose long handle, spiked and jointed, was driven deep into the loose soil. Near it, but somewhat away from the shadow, which the southward roll of the earth was carrying farther and farther from his shoulders, a man was sitting. He sat, with knees drawn up and with his hands clasped across them, staring out upon the colorless ocean, over which a slight haze was beginning to drift. A gaunt, large-framed man, but with a physical economy in which fat had no place. The skin upon the strong hands and lean neck was brown and loose, as though years of exposure to a sun, fiercer and more persistent than that to which he heedlessly bared his head now, had tanned it for all time. His hair, thick, crisp, and grizzling at the temples, was cropped close over a shapely head. A short beard, clipped to a point, left the shape of the chin an open question, but his moustache was brushed away, gallantly enough, from the upper lip, and showed all the lines of a repressed and unhappy mouth. The prisoner, his dungeon once accepted, sets himself to carve the record of his chagrins upon its walls; no less surely will a soul, misunderstood and checked in its purposes, grave the tale of its disappointments upon the prison-house of the flesh. On the face that confronted the ocean now, infinite sadness, infinite distaste were written plain.