"I wonder what Leslie's game is. Of course she's stark mad, but it's funny the others making a mystery about it too. Are they just giving a hard-worked little relation a holiday, or do they mean to take her up and bring her out next year. If they do, I'll wager she marries a title or is ruined inside the year. I know what I'm talking about. All my sweethearts do well. Things ain't like what they used to be. There's a sight too much young blood about, and the cubs will be in everywhere. A girl that can play 'em can land 'em. Good lord! Look at Bewdley! look at the Colfax good boy! With the Nampore rubies round her blasted neck! This one's clever, but I don't think she's that kind. But if she isn't, what the devil was she doing at Palèze? Funny, Dollfus coming to me! And I believe I'd rather see her on the stage after all, as long as it's decent. What did he mean by 'a riot'?"

He got up, yawned, and threw his cigar butt into the fire. As he did so his reflection confronted him, a little flattered by the red-shaded globe. He pushed his face closer.

"Not much youth there, old man!" he said, referring to the eyes; "but how many of the young 'uns will be where you are in fifteen years' time? Money! Money! Gad! I can't spend it if I try."

He frowned at the fire and turned impatiently away. "I'm a fool," he said. "None of 'em live up to their faces. Besides, you can never corner that market. A lot is not knowing when to pull out, and idleness and over-feeding, and seeing too many new faces. Heigho! I wonder what Stanwood will be doing in the spring."

He yawned again, and, an hour later, was fast asleep.

III

IN THE FIRELIGHT

Snow had been drifting again, softly, thickly, and persistently, since dawn. The angles of the window sills were filled with it, every square and diamond in the leaded gallery windows was rimmed with the crystalline fur. The coats of the deer in the home park glowed a rich rusty red against its intense and sparkling purity; half of every trunk and branch at the edge of the wood was erased by it like a crayon drawing by the india rubber of some impatient drawing-room master. Fenella had spent the short winter afternoon roaming through galleries and chambers of state, or watching the flakes that tumbled giddily from the shrouded sky turn blue and green and red as they passed the painted blazons in the great oriel window—coats fessed and barrelled and ermined, of Alfords, and Corbets, and Danseys, and Maddocks, whose hale and temperate blood ran in her own veins.

She was alone for the first time in the home of her forefathers. Her uncle was away in the old capital of Powysland on some political business or another; her cousins had driven down to the church an hour ago, in a governess-cart heaped with ropes and garlands of holly and fir. There were wreaths and crosses, too, for the woman who was spending her first Christmas beneath the frozen earth, and Fenella had shrunk from sharing the pious duty in which her heart could have so little part. She was glad to be alone, and to muse undisturbed in the ghostly protracted twilight. After the tempest of her grief something of weakness and passivity lingered still; her heart felt the languor of convalescence. Her movements were slower, her poises more consciously graceful; with the restlessness of childhood the last of its angles had gone. So imperative is nature, that she can make even a broken heart subsidiary to her purpose. She had prayed to die, and was three pounds heavier.

When the twilight glimmer in the long gallery was too ghostly to be borne she descended to the dining-hall. Under its hooded fireplace the roaring grate was heaped with blocks of ligneous coal almost as large as boulders. Freres Lulford is in that borderland 'twixt the old England and the new where, for a ten-mile walk, one may make choice between coal-shafts and rolling mills, or ancient timbered hamlets and the "forest fleece" of Wenlock Edge. She called Perseus, the house-dog, to her, an eerie, feathery creature with a mouth like a shark, and, holding his head in her lap with one hand, rested her round cheek, dusky red from the fire into which she gazed, upon the other. The flames, as they rose and fell, tossed a distorted shadow of her head and shoulders, now low along the faded Persian carpets that covered the polished oak boards, now high up on the diapered wall, across helmet and cuirass, fringed silken banner, or antlered head, until, reaching the straddled legs or flowered petticoat of some high-hung ancestor, it sank again to the carpeted floor. She was dressed in a high-waisted frock of some soft white material, with short sleeves that left most of her arms bare, and with a high net collar kept pointed to the ears with little whalebones, after a senseless momentary fashion that forced her to carry her chin in the air. It was a very pretty chin, however; and wherefore does fashion change at all if not to call attention, through successive exaggerations, to the varied prettinesses of woman.