Even as it stands, shattered and broken, the Parthenon is majestic in its ruins. Until I came here I did not realize how much of its effect was due to its position. But the old Greeks studied the effect of everything, and thus the loftiest of positions was chosen for the noblest of temples. As Michael Angelo, in building St. Peter's at home, said that he "would lift the Pantheon into the air," (that is, erect a structure so vast that its very dome should be equal to the ancient temple of the gods,) so here the builders of the Parthenon lifted it into the clouds. It stands on the very pinnacle of the hill, some six hundred feet above the level of the sea, and thus is brought into full relief against the sky. On that lofty summit it could be seen from the city itself, which lies under the shadow of the Acropolis, as well as from the more distant plain. It could be seen also from the tops of the mountains, and even far out at sea, as it caught and reflected back the rays of the rising or the setting sun. Its marble columns, outlined against the blue sky of Greece, seemed almost a temple in the clouds.
This effect of position has been half destroyed, at least for those living in Athens, by the barbarous additions of later times, by which, in order that the Acropolis might be turned into a fortress, the brow of the hill was surmounted with a rude wall, which still encircles it, and hides all but the upper part of the Parthenon from view. In any proposed "restoration," the first thing should be to throw down this ugly wall, so that the great temple might be seen to its very base, standing as of old upon the naked rocks, with no barrier to hide its majesty, from those near at hand as well as those "beholding it afar off."
But, for the present, to see the beauty of the Parthenon, one must go up to the Acropolis, and study it there. We often climbed to the summit, and sat down on the steps of the Propylæa, or on a broken column, to enjoy the prospect. From this point the eye ranges over the plain of Athens, bounded on one side by mountains, and on the other by the sea. Here are comprised in one view the points of greatest interest in Athenian history. Yonder is the bay of Salamis, where Themistocles defeated the Persians, and above it is the hill on which the proud Persian monarch Xerxes sat to see the ruin of the Greek ships, but from which before the day was ended he fled in dismay. To such spots Demosthenes could point, as he stood in the Bema just below us, and thundered to the Athenian people; and by such recollections he roused them to "march against Philip, to conquer or die." A mile and a half distant, but in full sight, was the grove of the Academy, where Plato taught; and here, under the Acropolis, is a small recess hewn in the rock which is pointed out as the prison of Socrates, and another which is called his tomb. This inconstant people, like many others, after putting to death the wisest man of his age, paid almost divine honors to his memory.
Like the Coliseum at Rome, the Parthenon is best seen by moonlight, for then the rents are half concealed, and as the shadows of the columns that are still standing fall across the open area, they seem like the giants of old revisiting the place of their glory, while the night wind sighing among the ruins creeps in our ears like whispers of the mighty dead.
When our American artist, Mr. Church, was here, he spent some weeks in studying the Parthenon and taking sketches, from which he painted the beautiful picture now in the possession of Mr. Morris K. Jesup. He studied it from every point and in every light—at sunrise and sunset, and by moonlight, and even had Bengal lights hung at night to bring out new lights and shadows. This latter mode of illumination was tried on a far grander scale when the Prince of Wales was here a few days since on his way to India, and the effect was indescribably beautiful as those mighty columns, thus brought into strange relief, stood out against the midnight sky.
But if the Parthenon be only a ruin, the memorial of a greatness that exists no more, fit emblem of that mythology of which it was the shrine, and of which it is now at once the monument and the tomb, there is something to be seen from this spot which is not a reminder of decay. Beneath the Acropolis is Mars Hill, where Paul stood, in sight of these very temples, and cried, "Ye men of Athens, I perceive that in all things ye are too superstitious" [or, as it might be more correctly rendered, "very religious">[; "for as I passed by, and beheld your devotions, I found an altar with this inscription, To the Unknown God. Whom therefore ye ignorantly worship, him declare I unto you. God that made the world, and all things therein, seeing that he is Lord of heaven and earth, dwelleth not in temples made with hands" [here we may believe he pointed upward to the Parthenon and other temples which crowned the hill above him]; "neither is worshipped with men's hands, as though he needed anything, seeing he giveth to all life, and breath, and all things." That voice has died into silence, nor doth remain upon the barren rock a single monument, or token of any kind, to mark where the great Apostle stood. But the faith which he preached has gone into all the world, and to-day the proudest dome that overlooks the greatest capital of the modern world, bears the name of St. Paul; and not only in London, but in hundreds of other cities, in all parts of the earth, are temples consecrated with his name, that tell of the Unknown God who has been declared to men, and of a faith and worship that shall not pass away.
It is a long leap in history, from Ancient to Modern Greece; but the intervening period contains so much of sadness and of shame, that it is just as well to pass it by. What need to speak of the centuries of degradation, in which Greece has been trampled on by Roman and Goth and Turk, since we may turn to the cheering fact that after this long night of ages, the morning has come, and this stricken land revives again? Greece is at last free from her oppressors, and although the smallest of European kingdoms, yet she exists; she has a place among the nations, and the beginning of a new life, the dawn of what may prove a long and happy career.
It is impossible to look on the revival of a nation which has had such a history without the deepest interest, and I questioned eagerly every one who could tell me anything about the conditions and prospects of the country. I find the general report is one of progress—slow indeed, but steady. The venerable Dr. Hill, who has lived here nearly forty-five years, and is about the oldest inhabitant of Athens, tells me that when he came, there was not a single house—he lived at first in an old Venetian tower—and to-day Athens is a city of fifty thousand inhabitants, with wide and beautiful streets; with public squares and fountains, and many fine residences; with churches and schools, and a flourishing University; with a Palace and a King, a Parliament House and a Legislature, and all the forms of constitutional government.
Athens is a very bright and gay city. Its climate favors life in the open air, and its streets are filled with people, whose varied costumes give them a most picturesque appearance. The fez is very common, but not a turban is to be seen, for there is hardly a Turk in Athens, unless it be connected with their embassy. The most striking figures in the streets are the Albanians, or Suliotes, whose dress is not unlike that of the Highlanders, only that the kilt, instead of being of Scotch plaid, is of white cotton frilled, with the legs covered with long thick stockings, and the costume completed by a "capote"—a cloak as rough as a sheepskin, which is thrown coquettishly over the shoulders. These Highlanders, though not of pure Greek blood, fought bravely in the war of independence, meriting the praise of Byron:—
"O who is more brave than a dark Suliote,