There was formerly, also, another class, differing little from the habits of that variety of patterers of the present day who “busk” it, or “work the public-houses.”
“The jestours,” says Mr. Strutt, in his “Sports and Pastimes of the People of England,” “or, as the word is often written in the old English dialect, ‘gesters,’ were the relaters of the gestes, that is, the actions of famous persons, whether fabulous or real; and these stories were of two kinds, the one to excite pity, and the other to move laughter, as we learn from Chaucer:
‘And jestours that tellen tales,
Both of wepying and of game.’
The tales of ‘game,’ as the poet expresses himself were short jocular stories calculated to promote merriment, in which the reciters paid little respect to the claims of propriety or even of common decency. The tales of ‘game,’ however, were much more popular than those of weeping, and probably for the very reason that ought to have operated the most powerfully for their suppression. The gestours, whose powers were chiefly employed in the hours of conviviality, finding by experience that lessons of instruction were much less seasonable at such times, than idle tales productive of mirth and laughter, accommodated their narrations to the general taste of the times, regardless of the mischiefs they occasioned by vitiating the morals of their hearers. Hence it is that the author of the ‘Vision of Pierce the Ploughman’ calls them contemptibly ‘japers and juglers, and janglers of gests.’ He describes them as haunters of taverns and common ale-houses, amusing the lower classes of the people with ‘myrth of minstrelsy and losels’ tales,’ (loose vulgar tales,) and calls them tale-tellers and ‘tutelers in ydell,’ (tutors of idleness,) occasioning their auditory, ‘for love of tales, in tavernes to drink,’ where they learned from them to jangle and to jape, instead of attending to their more serious duties.
“The japers, I apprehend, were the same as the bourdours, or rybauders, an inferior class of minstrels, and properly called jesters in the modern acceptation of the word; whose wit, like that of the merry-andrews of the present day (1800) consisted in low obscenity accompanied with ludicrous gesticulation. They sometimes, however, found admission into the houses of the opulent. Knighton, indeed, mentions one of these japers who was a favourite in the English court, and could obtain any grant from the king ‘a burdando,’ that is, by jesting. They are well described by the poet:
‘As japers and janglers, Judas’ chyldren,
Fayneth them fantasies, and fooles them maketh.’
“It was a very common and a very favourite amusement, so late as the 16th century, to hear the recital of verses and moral speeches, learned for that purpose by a set of men who obtained their livelihood thereby, and who, without ceremony, intruded themselves, not only into taverns and other places of public resort, but also into the houses of the nobility.”